Florence Dellerie
@florencedellerie@oc.todon.fr  ·  activity timestamp 2 weeks ago
Florence Dellerie
@florencedellerie@oc.todon.fr  ·  activity timestamp 2 weeks ago
Kristin (vis.social Admin)
@kristinHenry@vis.social  ·  activity timestamp 2 weeks ago
Deep-Sea Biology Society Arts
@dsbsoc_arts@mastodon.social  ·  activity timestamp 3 weeks ago
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Deep-Sea Biology Society Arts
@dsbsoc_arts@mastodon.social  ·  activity timestamp 3 weeks ago
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Shauna GM
Shauna GM boosted
Lia Pas
@lia_pas@vis.social  ·  activity timestamp 4 weeks ago
Body Map (2016). An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her entire body except for her belly is covered in intricate markings representing different neurological sensations. Her face is a mask of green lines, feathery grey lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick blue undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.
Body Map (2016). An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her entire body except for her belly is covered in intricate markings representing different neurological sensations. Her face is a mask of green lines, feathery grey lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick blue undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.
Body Map (2016). An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her entire body except for her belly is covered in intricate markings representing different neurological sensations. Her face is a mask of green lines, feathery grey lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick blue undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.
Lia Pas
@lia_pas@vis.social  ·  activity timestamp 4 weeks ago
Body Map (2016). An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her entire body except for her belly is covered in intricate markings representing different neurological sensations. Her face is a mask of green lines, feathery grey lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick blue undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.
Body Map (2016). An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her entire body except for her belly is covered in intricate markings representing different neurological sensations. Her face is a mask of green lines, feathery grey lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick blue undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.
Body Map (2016). An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her entire body except for her belly is covered in intricate markings representing different neurological sensations. Her face is a mask of green lines, feathery grey lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick blue undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.
Kristin (vis.social Admin)
@kristinHenry@vis.social  ·  activity timestamp 4 weeks ago
Home Login