The Kid Should See This 🌈🪐✨
@tksst@fediscience.org  ·  activity timestamp 2 days ago
ajuvo ✔
ajuvo ✔ boosted
wisspod
@wisspod@podcasts.social  ·  activity timestamp 2 days ago
wisspod
@wisspod@podcasts.social  ·  activity timestamp 2 days ago
Stephen Dioxide :TwinPines:
alcinnz
Stephen Dioxide :TwinPines: and 1 other boosted
Juan Carlos Muñoz
@astro_jcm@mastodon.online  ·  activity timestamp 2 days ago
A night image of a lunar eclipse taken in an astronomical observatory. There are four large cylindrical telescope domes and two small rounder ones under the night sky. But the stars aren't point sources: instead, they are curved arcs streaking across the sky. In the middle of the frame there's an arc brighter than the rest. It looks like a Q-tip, with white bright ends and a thinner red middle part. It's the Moon, which starts bright, then fades during the eclipse and finally gets brighter again.
A night image of a lunar eclipse taken in an astronomical observatory. There are four large cylindrical telescope domes and two small rounder ones under the night sky. But the stars aren't point sources: instead, they are curved arcs streaking across the sky. In the middle of the frame there's an arc brighter than the rest. It looks like a Q-tip, with white bright ends and a thinner red middle part. It's the Moon, which starts bright, then fades during the eclipse and finally gets brighter again.
A night image of a lunar eclipse taken in an astronomical observatory. There are four large cylindrical telescope domes and two small rounder ones under the night sky. But the stars aren't point sources: instead, they are curved arcs streaking across the sky. In the middle of the frame there's an arc brighter than the rest. It looks like a Q-tip, with white bright ends and a thinner red middle part. It's the Moon, which starts bright, then fades during the eclipse and finally gets brighter again.
The Kid Should See This 🌈🪐✨
@tksst@fediscience.org  ·  activity timestamp 2 days ago
Juan Carlos Muñoz
@astro_jcm@mastodon.online  ·  activity timestamp 2 days ago
A night image of a lunar eclipse taken in an astronomical observatory. There are four large cylindrical telescope domes and two small rounder ones under the night sky. But the stars aren't point sources: instead, they are curved arcs streaking across the sky. In the middle of the frame there's an arc brighter than the rest. It looks like a Q-tip, with white bright ends and a thinner red middle part. It's the Moon, which starts bright, then fades during the eclipse and finally gets brighter again.
A night image of a lunar eclipse taken in an astronomical observatory. There are four large cylindrical telescope domes and two small rounder ones under the night sky. But the stars aren't point sources: instead, they are curved arcs streaking across the sky. In the middle of the frame there's an arc brighter than the rest. It looks like a Q-tip, with white bright ends and a thinner red middle part. It's the Moon, which starts bright, then fades during the eclipse and finally gets brighter again.
A night image of a lunar eclipse taken in an astronomical observatory. There are four large cylindrical telescope domes and two small rounder ones under the night sky. But the stars aren't point sources: instead, they are curved arcs streaking across the sky. In the middle of the frame there's an arc brighter than the rest. It looks like a Q-tip, with white bright ends and a thinner red middle part. It's the Moon, which starts bright, then fades during the eclipse and finally gets brighter again.
Domenico De Treias
maco
Domenico De Treias and 1 other boosted
Carlo Gubitosa :nonviolenza:
@gubi@sociale.network  ·  activity timestamp 3 days ago
Carlo Gubitosa :nonviolenza:
@gubi@sociale.network  ·  activity timestamp 3 days ago
Jen Sorensen
@jensorensen@mastodon.social  ·  activity timestamp 5 days ago
In America we make it EASY TO DO THE WRONG THING, HARD TO DO THE RIGHT THING EASY TO ORDER ONLINE FROM AN OLIGARCH-OWNED, MONOPOLISTIC, UNION-BUSTING CORPORATION CLICK! DING! HARDER TO SHOP LOCALLY AND SUPPORT YOUR COMMUNITY Ye Olde Independent Shoppe EASY FOR COLLEGES TO CAVE TO DEMANDS OF DICTATORS PLEASE TAKE OUR MONEY AND BASIC VALUES! HARDER FOR SCHOOLS TO STAND UP FOR ACADEMIC FREEDOM WHAT'S THE POINT OF BEING A UNIVERSITY IF WE AREN'T FREE TO FOLLOW KNOWLEDGE AND EVIDENCE WHERE THEY LEAD? EASY FOR MEDIA OUTLETS TO PROFIT OFF CONSPIRACY THEORIES AND INFLAMMATORY FALSE NARRATIVES UP NEXT: IS YOUR NEIGHBOR A DEMOCRAT TERRORIST TRYING TO KILL YOU? HARDER TO SUSTAIN SERIOUS JOURNALISM THAT SHEDS LIGHT ON DIFFICULT TRUTHS AND NOW A SPECIAL REPORT ON CORRUPTION. SORRY, WE'RE REPLACING YOU WITH AI. EASY TO STAY ON SOCIAL NETWORKS RUN ВY ANTIDEMOCRATIC ACTIVISTS SO MANY PEOPLE ARE ON HERE, IT MUST BE OKAY! HARDER TO SWITCH TO AN INDEPENDENT ALTERNATIVE* HMM... A SMALLER AUDIENCE, BUT LESS DISINFO AND NOT AS HITLERY! *BUT NOT ACTUALLY THAT HARD!
In America we make it EASY TO DO THE WRONG THING, HARD TO DO THE RIGHT THING EASY TO ORDER ONLINE FROM AN OLIGARCH-OWNED, MONOPOLISTIC, UNION-BUSTING CORPORATION CLICK! DING! HARDER TO SHOP LOCALLY AND SUPPORT YOUR COMMUNITY Ye Olde Independent Shoppe EASY FOR COLLEGES TO CAVE TO DEMANDS OF DICTATORS PLEASE TAKE OUR MONEY AND BASIC VALUES! HARDER FOR SCHOOLS TO STAND UP FOR ACADEMIC FREEDOM WHAT'S THE POINT OF BEING A UNIVERSITY IF WE AREN'T FREE TO FOLLOW KNOWLEDGE AND EVIDENCE WHERE THEY LEAD? EASY FOR MEDIA OUTLETS TO PROFIT OFF CONSPIRACY THEORIES AND INFLAMMATORY FALSE NARRATIVES UP NEXT: IS YOUR NEIGHBOR A DEMOCRAT TERRORIST TRYING TO KILL YOU? HARDER TO SUSTAIN SERIOUS JOURNALISM THAT SHEDS LIGHT ON DIFFICULT TRUTHS AND NOW A SPECIAL REPORT ON CORRUPTION. SORRY, WE'RE REPLACING YOU WITH AI. EASY TO STAY ON SOCIAL NETWORKS RUN ВY ANTIDEMOCRATIC ACTIVISTS SO MANY PEOPLE ARE ON HERE, IT MUST BE OKAY! HARDER TO SWITCH TO AN INDEPENDENT ALTERNATIVE* HMM... A SMALLER AUDIENCE, BUT LESS DISINFO AND NOT AS HITLERY! *BUT NOT ACTUALLY THAT HARD!
In America we make it EASY TO DO THE WRONG THING, HARD TO DO THE RIGHT THING EASY TO ORDER ONLINE FROM AN OLIGARCH-OWNED, MONOPOLISTIC, UNION-BUSTING CORPORATION CLICK! DING! HARDER TO SHOP LOCALLY AND SUPPORT YOUR COMMUNITY Ye Olde Independent Shoppe EASY FOR COLLEGES TO CAVE TO DEMANDS OF DICTATORS PLEASE TAKE OUR MONEY AND BASIC VALUES! HARDER FOR SCHOOLS TO STAND UP FOR ACADEMIC FREEDOM WHAT'S THE POINT OF BEING A UNIVERSITY IF WE AREN'T FREE TO FOLLOW KNOWLEDGE AND EVIDENCE WHERE THEY LEAD? EASY FOR MEDIA OUTLETS TO PROFIT OFF CONSPIRACY THEORIES AND INFLAMMATORY FALSE NARRATIVES UP NEXT: IS YOUR NEIGHBOR A DEMOCRAT TERRORIST TRYING TO KILL YOU? HARDER TO SUSTAIN SERIOUS JOURNALISM THAT SHEDS LIGHT ON DIFFICULT TRUTHS AND NOW A SPECIAL REPORT ON CORRUPTION. SORRY, WE'RE REPLACING YOU WITH AI. EASY TO STAY ON SOCIAL NETWORKS RUN ВY ANTIDEMOCRATIC ACTIVISTS SO MANY PEOPLE ARE ON HERE, IT MUST BE OKAY! HARDER TO SWITCH TO AN INDEPENDENT ALTERNATIVE* HMM... A SMALLER AUDIENCE, BUT LESS DISINFO AND NOT AS HITLERY! *BUT NOT ACTUALLY THAT HARD!
KING CONSULT | Kommunikation
@kingconsult@berlin.social  ·  activity timestamp 4 days ago
EikeZiegler
@erio7@nfdi.social  ·  activity timestamp last week
Greg Lloyd
Greg Lloyd boosted
Ele Willoughby, PhD
@minouette@spore.social  ·  activity timestamp last week
Title: Elephant and two boys Period: Qing dynasty (1644–1911) Date: 19th century Culture: China Medium: Kosmochlor jadeitite Dimensions: H. 5 1/4 in. (13.3 cm); W. 4 1/4 in. (10.8 cm) Classification: Jade Credit Line: Bequest of Edmund C. Converse, 1921 Object Number: 21.175.113 This sculpture of two boys seated on a crouching elephant is from the Met. https://www.metmuseum.org/art/collection/search/43285
Title: Elephant and two boys Period: Qing dynasty (1644–1911) Date: 19th century Culture: China Medium: Kosmochlor jadeitite Dimensions: H. 5 1/4 in. (13.3 cm); W. 4 1/4 in. (10.8 cm) Classification: Jade Credit Line: Bequest of Edmund C. Converse, 1921 Object Number: 21.175.113 This sculpture of two boys seated on a crouching elephant is from the Met. https://www.metmuseum.org/art/collection/search/43285
Title: Elephant and two boys Period: Qing dynasty (1644–1911) Date: 19th century Culture: China Medium: Kosmochlor jadeitite Dimensions: H. 5 1/4 in. (13.3 cm); W. 4 1/4 in. (10.8 cm) Classification: Jade Credit Line: Bequest of Edmund C. Converse, 1921 Object Number: 21.175.113 This sculpture of two boys seated on a crouching elephant is from the Met. https://www.metmuseum.org/art/collection/search/43285
Hieronymus Bosch, The Haywain Triptych ca 1510-16 “Hieronymus Bosch, The Haywain Triptych consists of four parts: the left panel named ‘Paradise’ shows the origin of sin on Earth with Adam and Eve being expulsed from Paradise by Archangel Michael. The center panel depicts mankind in sin trying to avail themselves of the earthly possessions symbolized by the hay. The right panel depicts the fires of Hell, while the back sides of both side panels show an old pilgrim trying to find his way in a dangerous world. The triptych was thoroughly investigated by The Bosch Research and Conservation Project. The results of this investigation … reveals a limited palette consisting of the cheaper pigments employed in the Renaissance period, such as azurite, lead-tin yellow, vermilion, carmine kermes, and ochres.” Via https://colourlex.com/project/hieronymus-bosch-haywain-triptych/
Hieronymus Bosch, The Haywain Triptych ca 1510-16 “Hieronymus Bosch, The Haywain Triptych consists of four parts: the left panel named ‘Paradise’ shows the origin of sin on Earth with Adam and Eve being expulsed from Paradise by Archangel Michael. The center panel depicts mankind in sin trying to avail themselves of the earthly possessions symbolized by the hay. The right panel depicts the fires of Hell, while the back sides of both side panels show an old pilgrim trying to find his way in a dangerous world. The triptych was thoroughly investigated by The Bosch Research and Conservation Project. The results of this investigation … reveals a limited palette consisting of the cheaper pigments employed in the Renaissance period, such as azurite, lead-tin yellow, vermilion, carmine kermes, and ochres.” Via https://colourlex.com/project/hieronymus-bosch-haywain-triptych/
Hieronymus Bosch, The Haywain Triptych ca 1510-16 “Hieronymus Bosch, The Haywain Triptych consists of four parts: the left panel named ‘Paradise’ shows the origin of sin on Earth with Adam and Eve being expulsed from Paradise by Archangel Michael. The center panel depicts mankind in sin trying to avail themselves of the earthly possessions symbolized by the hay. The right panel depicts the fires of Hell, while the back sides of both side panels show an old pilgrim trying to find his way in a dangerous world. The triptych was thoroughly investigated by The Bosch Research and Conservation Project. The results of this investigation … reveals a limited palette consisting of the cheaper pigments employed in the Renaissance period, such as azurite, lead-tin yellow, vermilion, carmine kermes, and ochres.” Via https://colourlex.com/project/hieronymus-bosch-haywain-triptych/
Anthony van Dyck, Lord John Stuart and his Brother, Lord Bernard Stuart ca 1638 “Medium: Oil Support: Canvas Size: 237.5 x 146.1 cm Art period: Baroque National Gallery London NG6518 A late portrait of the two sons of the 3rd Duke of Lennox. The two figures are prominently placed and worked out in considerable detail, while the background is left sketchy and gives an unfinished impression. The pigment analysis casts light on the elaborate handling of painting materials in the costumes of both young men. Lord Bernard’s blue satin dress is painted in several layers of indigo, lead white and azurite to achieve the rich sheen of the fabric.” Via https://colourlex.com/project/van-dyck-lord-john-stuart-brother-lord-bernard-stuart/
Anthony van Dyck, Lord John Stuart and his Brother, Lord Bernard Stuart ca 1638 “Medium: Oil Support: Canvas Size: 237.5 x 146.1 cm Art period: Baroque National Gallery London NG6518 A late portrait of the two sons of the 3rd Duke of Lennox. The two figures are prominently placed and worked out in considerable detail, while the background is left sketchy and gives an unfinished impression. The pigment analysis casts light on the elaborate handling of painting materials in the costumes of both young men. Lord Bernard’s blue satin dress is painted in several layers of indigo, lead white and azurite to achieve the rich sheen of the fabric.” Via https://colourlex.com/project/van-dyck-lord-john-stuart-brother-lord-bernard-stuart/
Anthony van Dyck, Lord John Stuart and his Brother, Lord Bernard Stuart ca 1638 “Medium: Oil Support: Canvas Size: 237.5 x 146.1 cm Art period: Baroque National Gallery London NG6518 A late portrait of the two sons of the 3rd Duke of Lennox. The two figures are prominently placed and worked out in considerable detail, while the background is left sketchy and gives an unfinished impression. The pigment analysis casts light on the elaborate handling of painting materials in the costumes of both young men. Lord Bernard’s blue satin dress is painted in several layers of indigo, lead white and azurite to achieve the rich sheen of the fabric.” Via https://colourlex.com/project/van-dyck-lord-john-stuart-brother-lord-bernard-stuart/
Raphael, Saint Catherine of Alexandria ca 1507 “Medium: Oil Support: Poplar Size: 72.2 x 55.7 cm Art period: High Renaissance National Gallery London NG168 Saint Catherine of Alexandria was also known as Saint Catherine of the Wheel and The Great Martyr. She was a Christian saint and virgin, who was martyred on the spiked wheel in the early 4th century at the hands of the pagan emperor Maxentius (in later versions Maximinus or Maximianus).” This Renaissance painting shows shows the blond saint in blue dress, green shirt and gold and red cape looking skywards, in a natural setting with trees, lake, mountains and cloudy sky. Pigment analysis shows azurite in mixed colours in several places. Via https://colourlex.com/project/raphael-saint-catherine-alexandria/
Raphael, Saint Catherine of Alexandria ca 1507 “Medium: Oil Support: Poplar Size: 72.2 x 55.7 cm Art period: High Renaissance National Gallery London NG168 Saint Catherine of Alexandria was also known as Saint Catherine of the Wheel and The Great Martyr. She was a Christian saint and virgin, who was martyred on the spiked wheel in the early 4th century at the hands of the pagan emperor Maxentius (in later versions Maximinus or Maximianus).” This Renaissance painting shows shows the blond saint in blue dress, green shirt and gold and red cape looking skywards, in a natural setting with trees, lake, mountains and cloudy sky. Pigment analysis shows azurite in mixed colours in several places. Via https://colourlex.com/project/raphael-saint-catherine-alexandria/
Raphael, Saint Catherine of Alexandria ca 1507 “Medium: Oil Support: Poplar Size: 72.2 x 55.7 cm Art period: High Renaissance National Gallery London NG168 Saint Catherine of Alexandria was also known as Saint Catherine of the Wheel and The Great Martyr. She was a Christian saint and virgin, who was martyred on the spiked wheel in the early 4th century at the hands of the pagan emperor Maxentius (in later versions Maximinus or Maximianus).” This Renaissance painting shows shows the blond saint in blue dress, green shirt and gold and red cape looking skywards, in a natural setting with trees, lake, mountains and cloudy sky. Pigment analysis shows azurite in mixed colours in several places. Via https://colourlex.com/project/raphael-saint-catherine-alexandria/
Ele Willoughby, PhD
@minouette@spore.social  ·  activity timestamp last week
Title: Elephant and two boys Period: Qing dynasty (1644–1911) Date: 19th century Culture: China Medium: Kosmochlor jadeitite Dimensions: H. 5 1/4 in. (13.3 cm); W. 4 1/4 in. (10.8 cm) Classification: Jade Credit Line: Bequest of Edmund C. Converse, 1921 Object Number: 21.175.113 This sculpture of two boys seated on a crouching elephant is from the Met. https://www.metmuseum.org/art/collection/search/43285
Title: Elephant and two boys Period: Qing dynasty (1644–1911) Date: 19th century Culture: China Medium: Kosmochlor jadeitite Dimensions: H. 5 1/4 in. (13.3 cm); W. 4 1/4 in. (10.8 cm) Classification: Jade Credit Line: Bequest of Edmund C. Converse, 1921 Object Number: 21.175.113 This sculpture of two boys seated on a crouching elephant is from the Met. https://www.metmuseum.org/art/collection/search/43285
Title: Elephant and two boys Period: Qing dynasty (1644–1911) Date: 19th century Culture: China Medium: Kosmochlor jadeitite Dimensions: H. 5 1/4 in. (13.3 cm); W. 4 1/4 in. (10.8 cm) Classification: Jade Credit Line: Bequest of Edmund C. Converse, 1921 Object Number: 21.175.113 This sculpture of two boys seated on a crouching elephant is from the Met. https://www.metmuseum.org/art/collection/search/43285
Hieronymus Bosch, The Haywain Triptych ca 1510-16 “Hieronymus Bosch, The Haywain Triptych consists of four parts: the left panel named ‘Paradise’ shows the origin of sin on Earth with Adam and Eve being expulsed from Paradise by Archangel Michael. The center panel depicts mankind in sin trying to avail themselves of the earthly possessions symbolized by the hay. The right panel depicts the fires of Hell, while the back sides of both side panels show an old pilgrim trying to find his way in a dangerous world. The triptych was thoroughly investigated by The Bosch Research and Conservation Project. The results of this investigation … reveals a limited palette consisting of the cheaper pigments employed in the Renaissance period, such as azurite, lead-tin yellow, vermilion, carmine kermes, and ochres.” Via https://colourlex.com/project/hieronymus-bosch-haywain-triptych/
Hieronymus Bosch, The Haywain Triptych ca 1510-16 “Hieronymus Bosch, The Haywain Triptych consists of four parts: the left panel named ‘Paradise’ shows the origin of sin on Earth with Adam and Eve being expulsed from Paradise by Archangel Michael. The center panel depicts mankind in sin trying to avail themselves of the earthly possessions symbolized by the hay. The right panel depicts the fires of Hell, while the back sides of both side panels show an old pilgrim trying to find his way in a dangerous world. The triptych was thoroughly investigated by The Bosch Research and Conservation Project. The results of this investigation … reveals a limited palette consisting of the cheaper pigments employed in the Renaissance period, such as azurite, lead-tin yellow, vermilion, carmine kermes, and ochres.” Via https://colourlex.com/project/hieronymus-bosch-haywain-triptych/
Hieronymus Bosch, The Haywain Triptych ca 1510-16 “Hieronymus Bosch, The Haywain Triptych consists of four parts: the left panel named ‘Paradise’ shows the origin of sin on Earth with Adam and Eve being expulsed from Paradise by Archangel Michael. The center panel depicts mankind in sin trying to avail themselves of the earthly possessions symbolized by the hay. The right panel depicts the fires of Hell, while the back sides of both side panels show an old pilgrim trying to find his way in a dangerous world. The triptych was thoroughly investigated by The Bosch Research and Conservation Project. The results of this investigation … reveals a limited palette consisting of the cheaper pigments employed in the Renaissance period, such as azurite, lead-tin yellow, vermilion, carmine kermes, and ochres.” Via https://colourlex.com/project/hieronymus-bosch-haywain-triptych/
Anthony van Dyck, Lord John Stuart and his Brother, Lord Bernard Stuart ca 1638 “Medium: Oil Support: Canvas Size: 237.5 x 146.1 cm Art period: Baroque National Gallery London NG6518 A late portrait of the two sons of the 3rd Duke of Lennox. The two figures are prominently placed and worked out in considerable detail, while the background is left sketchy and gives an unfinished impression. The pigment analysis casts light on the elaborate handling of painting materials in the costumes of both young men. Lord Bernard’s blue satin dress is painted in several layers of indigo, lead white and azurite to achieve the rich sheen of the fabric.” Via https://colourlex.com/project/van-dyck-lord-john-stuart-brother-lord-bernard-stuart/
Anthony van Dyck, Lord John Stuart and his Brother, Lord Bernard Stuart ca 1638 “Medium: Oil Support: Canvas Size: 237.5 x 146.1 cm Art period: Baroque National Gallery London NG6518 A late portrait of the two sons of the 3rd Duke of Lennox. The two figures are prominently placed and worked out in considerable detail, while the background is left sketchy and gives an unfinished impression. The pigment analysis casts light on the elaborate handling of painting materials in the costumes of both young men. Lord Bernard’s blue satin dress is painted in several layers of indigo, lead white and azurite to achieve the rich sheen of the fabric.” Via https://colourlex.com/project/van-dyck-lord-john-stuart-brother-lord-bernard-stuart/
Anthony van Dyck, Lord John Stuart and his Brother, Lord Bernard Stuart ca 1638 “Medium: Oil Support: Canvas Size: 237.5 x 146.1 cm Art period: Baroque National Gallery London NG6518 A late portrait of the two sons of the 3rd Duke of Lennox. The two figures are prominently placed and worked out in considerable detail, while the background is left sketchy and gives an unfinished impression. The pigment analysis casts light on the elaborate handling of painting materials in the costumes of both young men. Lord Bernard’s blue satin dress is painted in several layers of indigo, lead white and azurite to achieve the rich sheen of the fabric.” Via https://colourlex.com/project/van-dyck-lord-john-stuart-brother-lord-bernard-stuart/
Raphael, Saint Catherine of Alexandria ca 1507 “Medium: Oil Support: Poplar Size: 72.2 x 55.7 cm Art period: High Renaissance National Gallery London NG168 Saint Catherine of Alexandria was also known as Saint Catherine of the Wheel and The Great Martyr. She was a Christian saint and virgin, who was martyred on the spiked wheel in the early 4th century at the hands of the pagan emperor Maxentius (in later versions Maximinus or Maximianus).” This Renaissance painting shows shows the blond saint in blue dress, green shirt and gold and red cape looking skywards, in a natural setting with trees, lake, mountains and cloudy sky. Pigment analysis shows azurite in mixed colours in several places. Via https://colourlex.com/project/raphael-saint-catherine-alexandria/
Raphael, Saint Catherine of Alexandria ca 1507 “Medium: Oil Support: Poplar Size: 72.2 x 55.7 cm Art period: High Renaissance National Gallery London NG168 Saint Catherine of Alexandria was also known as Saint Catherine of the Wheel and The Great Martyr. She was a Christian saint and virgin, who was martyred on the spiked wheel in the early 4th century at the hands of the pagan emperor Maxentius (in later versions Maximinus or Maximianus).” This Renaissance painting shows shows the blond saint in blue dress, green shirt and gold and red cape looking skywards, in a natural setting with trees, lake, mountains and cloudy sky. Pigment analysis shows azurite in mixed colours in several places. Via https://colourlex.com/project/raphael-saint-catherine-alexandria/
Raphael, Saint Catherine of Alexandria ca 1507 “Medium: Oil Support: Poplar Size: 72.2 x 55.7 cm Art period: High Renaissance National Gallery London NG168 Saint Catherine of Alexandria was also known as Saint Catherine of the Wheel and The Great Martyr. She was a Christian saint and virgin, who was martyred on the spiked wheel in the early 4th century at the hands of the pagan emperor Maxentius (in later versions Maximinus or Maximianus).” This Renaissance painting shows shows the blond saint in blue dress, green shirt and gold and red cape looking skywards, in a natural setting with trees, lake, mountains and cloudy sky. Pigment analysis shows azurite in mixed colours in several places. Via https://colourlex.com/project/raphael-saint-catherine-alexandria/
Kristin (vis.social Admin)
@kristinHenry@vis.social  ·  activity timestamp 2 weeks ago
Lisa 🦔
@mycrowgirl@flipping.rocks  ·  activity timestamp 2 weeks ago
Lisa 🦔
@mycrowgirl@flipping.rocks  ·  activity timestamp 2 weeks ago
Achintya Rao • ಅ • 🏳️‍⚧️
@RaoOfPhysics@scholar.social  ·  activity timestamp 2 weeks ago
Home Login