Silly Little Monster
@welshpixie@mastodon.art  ·  activity timestamp last week
"Twas the 'tism, m'lord" calligraphed in insular script red ink. The first 'T' is big and ornate, painted gold with blue, green, and red swirling vines attached to it with bronze bars. More vines and leaves extend from the bottom and across the page, then a bar of patterns up the right hand side. A strange bird-woman sits on top of one of the curling vines on the right.
"Twas the 'tism, m'lord" calligraphed in insular script red ink. The first 'T' is big and ornate, painted gold with blue, green, and red swirling vines attached to it with bronze bars. More vines and leaves extend from the bottom and across the page, then a bar of patterns up the right hand side. A strange bird-woman sits on top of one of the curling vines on the right.
"Twas the 'tism, m'lord" calligraphed in insular script red ink. The first 'T' is big and ornate, painted gold with blue, green, and red swirling vines attached to it with bronze bars. More vines and leaves extend from the bottom and across the page, then a bar of patterns up the right hand side. A strange bird-woman sits on top of one of the curling vines on the right.
Silly Little Monster
@welshpixie@mastodon.art  ·  activity timestamp last week
"Twas the 'tism, m'lord" calligraphed in insular script red ink. The first 'T' is big and ornate, painted gold with blue, green, and red swirling vines attached to it with bronze bars. More vines and leaves extend from the bottom and across the page, then a bar of patterns up the right hand side. A strange bird-woman sits on top of one of the curling vines on the right.
"Twas the 'tism, m'lord" calligraphed in insular script red ink. The first 'T' is big and ornate, painted gold with blue, green, and red swirling vines attached to it with bronze bars. More vines and leaves extend from the bottom and across the page, then a bar of patterns up the right hand side. A strange bird-woman sits on top of one of the curling vines on the right.
"Twas the 'tism, m'lord" calligraphed in insular script red ink. The first 'T' is big and ornate, painted gold with blue, green, and red swirling vines attached to it with bronze bars. More vines and leaves extend from the bottom and across the page, then a bar of patterns up the right hand side. A strange bird-woman sits on top of one of the curling vines on the right.
Silly Little Monster
@welshpixie@mastodon.art  ·  activity timestamp 2 weeks ago
Calligraphed in teal-coloured ink in insular script, and with a big ornate 'O' filled with black ink patterns and surrounded by gold; 'One ring to rule them all One ring to find them One ring to bringthem all And in the darkness bind them' The box that the 'O' is in has bars extending from the top right, and bottom left, wrapped in black ink line art curling vines.
Calligraphed in teal-coloured ink in insular script, and with a big ornate 'O' filled with black ink patterns and surrounded by gold; 'One ring to rule them all One ring to find them One ring to bringthem all And in the darkness bind them' The box that the 'O' is in has bars extending from the top right, and bottom left, wrapped in black ink line art curling vines.
Calligraphed in teal-coloured ink in insular script, and with a big ornate 'O' filled with black ink patterns and surrounded by gold; 'One ring to rule them all One ring to find them One ring to bringthem all And in the darkness bind them' The box that the 'O' is in has bars extending from the top right, and bottom left, wrapped in black ink line art curling vines.
Black ink calligraphy surrounded by a decorative border of swirling leaves and knotwork. Calligraphed in insular script; 'Home is behind, the world ahead and there are many paths to tread Through shadow, to the edge of night Until the stars are all alight Mist and shadow, cloud and shade All shall fade All shall fade' The first 'h' is big and painted gold. There's a bar of Celtic knotwork down the left coloured to look like cracked stone, with a gap in the middle with vines showing through. There's another narrower border of knotwork cross the top, with vines curling around it, and then loose curling vines with leaves and flowers across the bottom and right.
Black ink calligraphy surrounded by a decorative border of swirling leaves and knotwork. Calligraphed in insular script; 'Home is behind, the world ahead and there are many paths to tread Through shadow, to the edge of night Until the stars are all alight Mist and shadow, cloud and shade All shall fade All shall fade' The first 'h' is big and painted gold. There's a bar of Celtic knotwork down the left coloured to look like cracked stone, with a gap in the middle with vines showing through. There's another narrower border of knotwork cross the top, with vines curling around it, and then loose curling vines with leaves and flowers across the bottom and right.
Black ink calligraphy surrounded by a decorative border of swirling leaves and knotwork. Calligraphed in insular script; 'Home is behind, the world ahead and there are many paths to tread Through shadow, to the edge of night Until the stars are all alight Mist and shadow, cloud and shade All shall fade All shall fade' The first 'h' is big and painted gold. There's a bar of Celtic knotwork down the left coloured to look like cracked stone, with a gap in the middle with vines showing through. There's another narrower border of knotwork cross the top, with vines curling around it, and then loose curling vines with leaves and flowers across the bottom and right.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
Silly Little Monster
@welshpixie@mastodon.art  ·  activity timestamp 2 weeks ago
Calligraphed in teal-coloured ink in insular script, and with a big ornate 'O' filled with black ink patterns and surrounded by gold; 'One ring to rule them all One ring to find them One ring to bringthem all And in the darkness bind them' The box that the 'O' is in has bars extending from the top right, and bottom left, wrapped in black ink line art curling vines.
Calligraphed in teal-coloured ink in insular script, and with a big ornate 'O' filled with black ink patterns and surrounded by gold; 'One ring to rule them all One ring to find them One ring to bringthem all And in the darkness bind them' The box that the 'O' is in has bars extending from the top right, and bottom left, wrapped in black ink line art curling vines.
Calligraphed in teal-coloured ink in insular script, and with a big ornate 'O' filled with black ink patterns and surrounded by gold; 'One ring to rule them all One ring to find them One ring to bringthem all And in the darkness bind them' The box that the 'O' is in has bars extending from the top right, and bottom left, wrapped in black ink line art curling vines.
Black ink calligraphy surrounded by a decorative border of swirling leaves and knotwork. Calligraphed in insular script; 'Home is behind, the world ahead and there are many paths to tread Through shadow, to the edge of night Until the stars are all alight Mist and shadow, cloud and shade All shall fade All shall fade' The first 'h' is big and painted gold. There's a bar of Celtic knotwork down the left coloured to look like cracked stone, with a gap in the middle with vines showing through. There's another narrower border of knotwork cross the top, with vines curling around it, and then loose curling vines with leaves and flowers across the bottom and right.
Black ink calligraphy surrounded by a decorative border of swirling leaves and knotwork. Calligraphed in insular script; 'Home is behind, the world ahead and there are many paths to tread Through shadow, to the edge of night Until the stars are all alight Mist and shadow, cloud and shade All shall fade All shall fade' The first 'h' is big and painted gold. There's a bar of Celtic knotwork down the left coloured to look like cracked stone, with a gap in the middle with vines showing through. There's another narrower border of knotwork cross the top, with vines curling around it, and then loose curling vines with leaves and flowers across the bottom and right.
Black ink calligraphy surrounded by a decorative border of swirling leaves and knotwork. Calligraphed in insular script; 'Home is behind, the world ahead and there are many paths to tread Through shadow, to the edge of night Until the stars are all alight Mist and shadow, cloud and shade All shall fade All shall fade' The first 'h' is big and painted gold. There's a bar of Celtic knotwork down the left coloured to look like cracked stone, with a gap in the middle with vines showing through. There's another narrower border of knotwork cross the top, with vines curling around it, and then loose curling vines with leaves and flowers across the bottom and right.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
Federation Bot
@Federation_Bot  ·  activity timestamp 3 weeks ago
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 4 weeks ago
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
Federation Bot
@Federation_Bot  ·  activity timestamp 3 weeks ago
Silly Little Monster
@welshpixie@mastodon.art  ·  activity timestamp 4 weeks ago
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 4 weeks ago
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
Silly Little Monster
@welshpixie@mastodon.art  ·  activity timestamp 4 weeks ago
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
'If thou can read this, fuck off, thou standeth too close' calligraphed in black ink insular script. The 'fuck off' part is bigger and with a big ornamental F in gold in its own decorated box. There's a border of swirling leaves across the top and bottom, and bars with vines hanging down and up on the right, framing the text.
Yogthos boosted
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp last month
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp last month
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
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