Atsemtex
@atsemtex@oisaur.com  ·  activity timestamp 14 hours ago
Face caméra, un très haut responsable politique (pas du tout Emmanuel Macron le président de la République Française actuellement en exercice) déclare solennellement : « Chers concitoyens, j’assume la pleine responsabilité de ce nouveau fiasco. » Puis, sortant un pistolet et le dirigeant vers sa tempe : « C’est pourquoi j’ai décidé de me suicider, au revoir. » Dans la dernière case, un homme las devant son bol de céréales marmonne à sa compagne : « J’ai fait un rêve merveilleux cette nuit… » [fin] -- Je ne souhaite la mort de personne, soyons clair. Et non, ce n’est pas une affaire de personnes mais bien de système. Quel connard nonobstant.
Face caméra, un très haut responsable politique (pas du tout Emmanuel Macron le président de la République Française actuellement en exercice) déclare solennellement : « Chers concitoyens, j’assume la pleine responsabilité de ce nouveau fiasco. » Puis, sortant un pistolet et le dirigeant vers sa tempe : « C’est pourquoi j’ai décidé de me suicider, au revoir. » Dans la dernière case, un homme las devant son bol de céréales marmonne à sa compagne : « J’ai fait un rêve merveilleux cette nuit… » [fin] -- Je ne souhaite la mort de personne, soyons clair. Et non, ce n’est pas une affaire de personnes mais bien de système. Quel connard nonobstant.
Face caméra, un très haut responsable politique (pas du tout Emmanuel Macron le président de la République Française actuellement en exercice) déclare solennellement : « Chers concitoyens, j’assume la pleine responsabilité de ce nouveau fiasco. » Puis, sortant un pistolet et le dirigeant vers sa tempe : « C’est pourquoi j’ai décidé de me suicider, au revoir. » Dans la dernière case, un homme las devant son bol de céréales marmonne à sa compagne : « J’ai fait un rêve merveilleux cette nuit… » [fin] -- Je ne souhaite la mort de personne, soyons clair. Et non, ce n’est pas une affaire de personnes mais bien de système. Quel connard nonobstant.
Atsemtex
@atsemtex@oisaur.com  ·  activity timestamp 14 hours ago
Face caméra, un très haut responsable politique (pas du tout Emmanuel Macron le président de la République Française actuellement en exercice) déclare solennellement : « Chers concitoyens, j’assume la pleine responsabilité de ce nouveau fiasco. » Puis, sortant un pistolet et le dirigeant vers sa tempe : « C’est pourquoi j’ai décidé de me suicider, au revoir. » Dans la dernière case, un homme las devant son bol de céréales marmonne à sa compagne : « J’ai fait un rêve merveilleux cette nuit… » [fin] -- Je ne souhaite la mort de personne, soyons clair. Et non, ce n’est pas une affaire de personnes mais bien de système. Quel connard nonobstant.
Face caméra, un très haut responsable politique (pas du tout Emmanuel Macron le président de la République Française actuellement en exercice) déclare solennellement : « Chers concitoyens, j’assume la pleine responsabilité de ce nouveau fiasco. » Puis, sortant un pistolet et le dirigeant vers sa tempe : « C’est pourquoi j’ai décidé de me suicider, au revoir. » Dans la dernière case, un homme las devant son bol de céréales marmonne à sa compagne : « J’ai fait un rêve merveilleux cette nuit… » [fin] -- Je ne souhaite la mort de personne, soyons clair. Et non, ce n’est pas une affaire de personnes mais bien de système. Quel connard nonobstant.
Face caméra, un très haut responsable politique (pas du tout Emmanuel Macron le président de la République Française actuellement en exercice) déclare solennellement : « Chers concitoyens, j’assume la pleine responsabilité de ce nouveau fiasco. » Puis, sortant un pistolet et le dirigeant vers sa tempe : « C’est pourquoi j’ai décidé de me suicider, au revoir. » Dans la dernière case, un homme las devant son bol de céréales marmonne à sa compagne : « J’ai fait un rêve merveilleux cette nuit… » [fin] -- Je ne souhaite la mort de personne, soyons clair. Et non, ce n’est pas une affaire de personnes mais bien de système. Quel connard nonobstant.
Mark Jardine :misc_mtb:
@mark@tapbots.social  ·  activity timestamp yesterday
Mark Jardine :misc_mtb:
@mark@tapbots.social  ·  activity timestamp yesterday
Chris Silverman 🌻
@csilverman@mastodon.social  ·  activity timestamp 2 days ago
A dismal gray concrete room somewhere, probably underground. The scene is greenishly illuminated by one long fluorescent bulb suspended from an unseen ceiling. Fixed to the wall is an enormous round red button the size of a washing machine, mounted on a square metal box with four bolts. A thick pipe leads from the box up to the ceiling. To the left of the box holding the button are three ominous signs: a yellow sign with a triangular warning icon and illegible text; a dark sign with the radioactive symbol on it; and a white sign with a dashed red border and a skull and crossbones icon. This button, whatever it is, is not to be trifled with. Approaching the button to trifle with it is a dark human figure. The painting is signed "Chris Silverman".
A dismal gray concrete room somewhere, probably underground. The scene is greenishly illuminated by one long fluorescent bulb suspended from an unseen ceiling. Fixed to the wall is an enormous round red button the size of a washing machine, mounted on a square metal box with four bolts. A thick pipe leads from the box up to the ceiling. To the left of the box holding the button are three ominous signs: a yellow sign with a triangular warning icon and illegible text; a dark sign with the radioactive symbol on it; and a white sign with a dashed red border and a skull and crossbones icon. This button, whatever it is, is not to be trifled with. Approaching the button to trifle with it is a dark human figure. The painting is signed "Chris Silverman".
A dismal gray concrete room somewhere, probably underground. The scene is greenishly illuminated by one long fluorescent bulb suspended from an unseen ceiling. Fixed to the wall is an enormous round red button the size of a washing machine, mounted on a square metal box with four bolts. A thick pipe leads from the box up to the ceiling. To the left of the box holding the button are three ominous signs: a yellow sign with a triangular warning icon and illegible text; a dark sign with the radioactive symbol on it; and a white sign with a dashed red border and a skull and crossbones icon. This button, whatever it is, is not to be trifled with. Approaching the button to trifle with it is a dark human figure. The painting is signed "Chris Silverman".
Chris Silverman 🌻
@csilverman@mastodon.social  ·  activity timestamp 2 days ago
A dismal gray concrete room somewhere, probably underground. The scene is greenishly illuminated by one long fluorescent bulb suspended from an unseen ceiling. Fixed to the wall is an enormous round red button the size of a washing machine, mounted on a square metal box with four bolts. A thick pipe leads from the box up to the ceiling. To the left of the box holding the button are three ominous signs: a yellow sign with a triangular warning icon and illegible text; a dark sign with the radioactive symbol on it; and a white sign with a dashed red border and a skull and crossbones icon. This button, whatever it is, is not to be trifled with. Approaching the button to trifle with it is a dark human figure. The painting is signed "Chris Silverman".
A dismal gray concrete room somewhere, probably underground. The scene is greenishly illuminated by one long fluorescent bulb suspended from an unseen ceiling. Fixed to the wall is an enormous round red button the size of a washing machine, mounted on a square metal box with four bolts. A thick pipe leads from the box up to the ceiling. To the left of the box holding the button are three ominous signs: a yellow sign with a triangular warning icon and illegible text; a dark sign with the radioactive symbol on it; and a white sign with a dashed red border and a skull and crossbones icon. This button, whatever it is, is not to be trifled with. Approaching the button to trifle with it is a dark human figure. The painting is signed "Chris Silverman".
A dismal gray concrete room somewhere, probably underground. The scene is greenishly illuminated by one long fluorescent bulb suspended from an unseen ceiling. Fixed to the wall is an enormous round red button the size of a washing machine, mounted on a square metal box with four bolts. A thick pipe leads from the box up to the ceiling. To the left of the box holding the button are three ominous signs: a yellow sign with a triangular warning icon and illegible text; a dark sign with the radioactive symbol on it; and a white sign with a dashed red border and a skull and crossbones icon. This button, whatever it is, is not to be trifled with. Approaching the button to trifle with it is a dark human figure. The painting is signed "Chris Silverman".
Yogthos
Yogthos boosted
Evan Sky arts
@evansky_arts@mastodon.social  ·  activity timestamp 3 weeks ago
Picture of two bat keychains handmade with felt, photographed on a black and wooden background surrounded with matching felt, embroidery scissors, and a few plants. The bats have black wings and a grey egg-shaped body, they are hanging upside down from an ivory ribbon that links them to a small bronze-coloured key ring. They have big ears made of a 3-colours gradient between dark pink and light pink. Dark pink Rosie cheeks are sewn onto either side of their faces; a little light pink heart-shaped nose is sewn between them, little nostrils are embroidered on them. The bats on the left has its wings snapped shut with hidden magnets, revealing only two squinty eyes embroidered in white.
Picture of two bat keychains handmade with felt, photographed on a black and wooden background surrounded with matching felt, embroidery scissors, and a few plants. The bats have black wings and a grey egg-shaped body, they are hanging upside down from an ivory ribbon that links them to a small bronze-coloured key ring. They have big ears made of a 3-colours gradient between dark pink and light pink. Dark pink Rosie cheeks are sewn onto either side of their faces; a little light pink heart-shaped nose is sewn between them, little nostrils are embroidered on them. The bats on the left has its wings snapped shut with hidden magnets, revealing only two squinty eyes embroidered in white.
Picture of two bat keychains handmade with felt, photographed on a black and wooden background surrounded with matching felt, embroidery scissors, and a few plants. The bats have black wings and a grey egg-shaped body, they are hanging upside down from an ivory ribbon that links them to a small bronze-coloured key ring. They have big ears made of a 3-colours gradient between dark pink and light pink. Dark pink Rosie cheeks are sewn onto either side of their faces; a little light pink heart-shaped nose is sewn between them, little nostrils are embroidered on them. The bats on the left has its wings snapped shut with hidden magnets, revealing only two squinty eyes embroidered in white.
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 4 days ago
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
Gabriele Svelto
alcinnz
Gabriele Svelto and 1 other boosted
Nina
@misnina@mastodon.gamedev.place  ·  activity timestamp 4 days ago
imp >:3
@imp3tuz@mastodon.gamedev.place  ·  activity timestamp last month
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