Sid's Photography
@siddebona@gram.social  ·  activity timestamp 7 hours ago
The black and white picture is taken inside the passageway though the bastion. I'm photographing from the pedestrian passage through the arches opening up to several consecutive car lanes and the pedestrian walkway on the oter side. The arche closer to me is dark gray, the arches between the carlanes are more brightly lit and the other pedestrian passage is shrouded in darkness giving the feel of endlessness beyond that darkness, like looking into an abyss. On the closer car lane there is part of a moving car visible contrasting the very static and symetric composition.
The black and white picture is taken inside the passageway though the bastion. I'm photographing from the pedestrian passage through the arches opening up to several consecutive car lanes and the pedestrian walkway on the oter side. The arche closer to me is dark gray, the arches between the carlanes are more brightly lit and the other pedestrian passage is shrouded in darkness giving the feel of endlessness beyond that darkness, like looking into an abyss. On the closer car lane there is part of a moving car visible contrasting the very static and symetric composition.
The black and white picture is taken inside the passageway though the bastion. I'm photographing from the pedestrian passage through the arches opening up to several consecutive car lanes and the pedestrian walkway on the oter side. The arche closer to me is dark gray, the arches between the carlanes are more brightly lit and the other pedestrian passage is shrouded in darkness giving the feel of endlessness beyond that darkness, like looking into an abyss. On the closer car lane there is part of a moving car visible contrasting the very static and symetric composition.
hypebot boosted
Jason Baluyut
@bluejay@ohai.social  ·  activity timestamp 5 days ago
Photo taken on the platform of a New York subway station, at an angled perspective looking onto the tracks which recede to a disappearing point near right frame. To the right of the tracks is the yellow caution strip of the tiled platform. This is echoed by the lighting on the platform on the far side (where some commuters mingle), which can be seen through the supporting columns between the near and far sets of tracks. Sunlight streams through the ventilation grates above and illuminates the near tracks (as well as highlights the station’s grubbiness and disrepair). Apart from the sunlight and the yellow station lighting, the rest of the image is in shadow.
Photo taken on the platform of a New York subway station, at an angled perspective looking onto the tracks which recede to a disappearing point near right frame. To the right of the tracks is the yellow caution strip of the tiled platform. This is echoed by the lighting on the platform on the far side (where some commuters mingle), which can be seen through the supporting columns between the near and far sets of tracks. Sunlight streams through the ventilation grates above and illuminates the near tracks (as well as highlights the station’s grubbiness and disrepair). Apart from the sunlight and the yellow station lighting, the rest of the image is in shadow.
Photo taken on the platform of a New York subway station, at an angled perspective looking onto the tracks which recede to a disappearing point near right frame. To the right of the tracks is the yellow caution strip of the tiled platform. This is echoed by the lighting on the platform on the far side (where some commuters mingle), which can be seen through the supporting columns between the near and far sets of tracks. Sunlight streams through the ventilation grates above and illuminates the near tracks (as well as highlights the station’s grubbiness and disrepair). Apart from the sunlight and the yellow station lighting, the rest of the image is in shadow.
Jason Baluyut
@bluejay@ohai.social  ·  activity timestamp 5 days ago
Photo taken on the platform of a New York subway station, at an angled perspective looking onto the tracks which recede to a disappearing point near right frame. To the right of the tracks is the yellow caution strip of the tiled platform. This is echoed by the lighting on the platform on the far side (where some commuters mingle), which can be seen through the supporting columns between the near and far sets of tracks. Sunlight streams through the ventilation grates above and illuminates the near tracks (as well as highlights the station’s grubbiness and disrepair). Apart from the sunlight and the yellow station lighting, the rest of the image is in shadow.
Photo taken on the platform of a New York subway station, at an angled perspective looking onto the tracks which recede to a disappearing point near right frame. To the right of the tracks is the yellow caution strip of the tiled platform. This is echoed by the lighting on the platform on the far side (where some commuters mingle), which can be seen through the supporting columns between the near and far sets of tracks. Sunlight streams through the ventilation grates above and illuminates the near tracks (as well as highlights the station’s grubbiness and disrepair). Apart from the sunlight and the yellow station lighting, the rest of the image is in shadow.
Photo taken on the platform of a New York subway station, at an angled perspective looking onto the tracks which recede to a disappearing point near right frame. To the right of the tracks is the yellow caution strip of the tiled platform. This is echoed by the lighting on the platform on the far side (where some commuters mingle), which can be seen through the supporting columns between the near and far sets of tracks. Sunlight streams through the ventilation grates above and illuminates the near tracks (as well as highlights the station’s grubbiness and disrepair). Apart from the sunlight and the yellow station lighting, the rest of the image is in shadow.
Jon Bradley
@jonbradley@pixelfed.social  ·  activity timestamp 2 weeks ago
A high-angle, close-up shot of a metal "ELECTRIC" utility cover set into a concrete sidewalk. Glued to the cover is a custom plaque tile with broken edges, which reads: "Ocean Beach Historical Landmark 'Short-Stop'. On December 14, 2021 this once fully grown traffic light fell over to its death by very strong 30+ mph winds. 3 days later "Short-Stop" was resurrected." The toe of a dark boot is visible at the bottom right.
A high-angle, close-up shot of a metal "ELECTRIC" utility cover set into a concrete sidewalk. Glued to the cover is a custom plaque tile with broken edges, which reads: "Ocean Beach Historical Landmark 'Short-Stop'. On December 14, 2021 this once fully grown traffic light fell over to its death by very strong 30+ mph winds. 3 days later "Short-Stop" was resurrected." The toe of a dark boot is visible at the bottom right.
A high-angle, close-up shot of a metal "ELECTRIC" utility cover set into a concrete sidewalk. Glued to the cover is a custom plaque tile with broken edges, which reads: "Ocean Beach Historical Landmark 'Short-Stop'. On December 14, 2021 this once fully grown traffic light fell over to its death by very strong 30+ mph winds. 3 days later "Short-Stop" was resurrected." The toe of a dark boot is visible at the bottom right.
A high-angle, close-up shot of a cracked white crosswalk line on dark asphalt. Embedded in the paint is a small, yellow, pixelated robot figure, reminiscent of 8-bit art or a "Space Invader" mosaic. At the top left, the toe of a black athletic shoe with a red sole is visible, providing scale.
A high-angle, close-up shot of a cracked white crosswalk line on dark asphalt. Embedded in the paint is a small, yellow, pixelated robot figure, reminiscent of 8-bit art or a "Space Invader" mosaic. At the top left, the toe of a black athletic shoe with a red sole is visible, providing scale.
A high-angle, close-up shot of a cracked white crosswalk line on dark asphalt. Embedded in the paint is a small, yellow, pixelated robot figure, reminiscent of 8-bit art or a "Space Invader" mosaic. At the top left, the toe of a black athletic shoe with a red sole is visible, providing scale.
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