Ein schiefes Fenster (nach links kippend) an einer roten Fassade

Ein schiefes Fenster (nach links kippend) an einer roten Fassade

A photograph of the dark interior of a room with a view through a window into a bright summer day. The room is underexposed and almost black, but the light coming through the window and its yellow curtains shines upon an old wooden couch with striped red-and-white upholstery, a matching chair and a wooden table with a red table runner. The table also has two two metal candleholders sitting in the shade. Almost completely obscured by shadow and probably only visible on a desktop monitor, a chandelier is hanging from the ceiling above the table, just to the left of the window. Below it all, a strip of bare, wooden floor is lit up by the sun. The stark shadows were totally intentional and not at all a result of me forgetting to compensate the light meter's exposure for backlighting.

A photograph of the dark interior of a room with a view through a window into a bright summer day. The room is underexposed and almost black, but the light coming through the window and its yellow curtains shines upon an old wooden couch with striped red-and-white upholstery, a matching chair and a wooden table with a red table runner. The table also has two two metal candleholders sitting in the shade. Almost completely obscured by shadow and probably only visible on a desktop monitor, a chandelier is hanging from the ceiling above the table, just to the left of the window. Below it all, a strip of bare, wooden floor is lit up by the sun. The stark shadows were totally intentional and not at all a result of me forgetting to compensate the light meter's exposure for backlighting.

Photograph of three windows with white frames, in a wall of black wood planks, under a dark brown wooden roof. The window on the left has green Del Monte fruit salad tin cans piled inside on the windowsill. The central one has bags of coffee on the left side, red vegetable tin cans and boxes of oatmeal cereal with a baby face piled on the right side. Small objects hard to identify can be seen in the window on the right.

Photograph of three windows with white frames, in a wall of black wood planks, under a dark brown wooden roof. The window on the left has green Del Monte fruit salad tin cans piled inside on the windowsill. The central one has bags of coffee on the left side, red vegetable tin cans and boxes of oatmeal cereal with a baby face piled on the right side. Small objects hard to identify can be seen in the window on the right.

Sash window and shutter from the inside, with UK flags outside

Sash window and shutter from the inside, with UK flags outside

Colourful (greens, yellow) geometric shapes created by several panes of glass framed in dark metal. On the left, through a large window, some random buidlings against a blue sky in the distance can be seen.

Colourful (greens, yellow) geometric shapes created by several panes of glass framed in dark metal. On the left, through a large window, some random buidlings against a blue sky in the distance can be seen.

Close up of a single dark-toned window in an aluminium facade. A vertical sun screen made of wind turbine blade is extended vertically on our side. There’s a vase with long-stemmed colourful flowers on the windowsill inside. Same long overall description as in other Alt Texts follows: the new Træ (Danish for Wood, and also Tree) office block at Sydhavnen (South Harbour), Aarhus, Denmark. It is Denmark’s tallest wooden building at 20 storeys and 78 metres high. Concrete and glass are also used. Most of the material is reused or recycled. It is quite narrow and cylindrical in three sections connected with enclosed bridges at upper floors and an outer red ramp footbridge. The cladding is very striking, sort of tiled or patchworked, lighter and darker areas dotted with reflective silver patches that snake down the façade almost like lightning, shining out across the city in different light. The many rectangular windows deeply reflect the surroundings and sky. Each rectangular window has an external sun screen that can be extended vertically. Each shade is made from a recycled wind turbine blade. Other recycled elements: bricks, aluminium facade sheets, light fittings. Lendager Architects designed Træ to be sustainable and to capture C02.

A section of facade with windows, each with an open vertical sun screen made of wind turbine blade. Same long overall description as in other Alt Texts follows: the new Træ (Danish for Wood, and also Tree) office block at Sydhavnen (South Harbour), Aarhus, Denmark. It is Denmark’s tallest wooden building at 20 storeys and 78 metres high. Concrete and glass are also used. Most of the material is reused or recycled. It is quite narrow and cylindrical in three sections connected with enclosed bridges at upper floors and an outer red ramp footbridge. The cladding is very striking, sort of tiled or patchworked, lighter and darker areas dotted with reflective silver patches that snake down the façade almost like lightning, shining out across the city in different light. The many rectangular windows deeply reflect the surroundings and sky. Each rectangular window has an external sun screen that can be extended vertically. Each shade is made from a recycled wind turbine blade. Other recycled elements: bricks, aluminium facade sheets, light fittings. Lendager Architects designed Træ to be sustainable and to capture C02.

A section of facade with several windows visible, each with an open vertical sun screen made of wind turbine blade. Same long overall description as in other Alt Texts follows: the new Træ (Danish for Wood, and also Tree) office block at Sydhavnen (South Harbour), Aarhus, Denmark. It is Denmark’s tallest wooden building at 20 storeys and 78 metres high. Concrete and glass are also used. Most of the material is reused or recycled. It is quite narrow and cylindrical in three sections connected with enclosed bridges at upper floors and an outer red ramp footbridge. The cladding is very striking, sort of tiled or patchworked, lighter and darker areas dotted with reflective silver patches that snake down the façade almost like lightning, shining out across the city in different light. The many rectangular windows deeply reflect the surroundings and sky. Each rectangular window has an external sun screen that can be extended vertically. Each shade is made from a recycled wind turbine blade. Other recycled elements: bricks, aluminium facade sheets, light fittings. Lendager Architects designed Træ to be sustainable and to capture C02.

Close up of section of the Træ building with sun shade recognisably made of old wind turbine blade, open against a cloudless blue sky. Same long overall description as in other Alt Text follows: the new Træ (Danish for Wood, and also Tree) office block at Sydhavnen (South Harbour), Aarhus, Denmark. It is Denmark’s tallest wooden building at 20 storeys and 78 metres high. Concrete and glass are also used. Most of the material is reused or recycled. It is quite narrow and cylindrical in three sections connected with enclosed bridges at upper floors and an outer red ramp footbridge. The cladding is very striking, sort of tiled or patchworked, lighter and darker areas dotted with reflective silver patches that snake down the façade almost like lightning, shining out across the city in different light. The many rectangular windows deeply reflect the surroundings and sky. Each rectangular window has an external sun screen that can be extended vertically. Each shade is made from a recycled wind turbine blade. Other recycled elements: bricks, aluminium facade sheets, light fittings. Lendager Architects designed Træ to be sustainable and to capture C02.

Close up of a single dark-toned window in an aluminium facade. A vertical sun screen made of wind turbine blade is extended vertically on our side. There’s a vase with long-stemmed colourful flowers on the windowsill inside. Same long overall description as in other Alt Texts follows: the new Træ (Danish for Wood, and also Tree) office block at Sydhavnen (South Harbour), Aarhus, Denmark. It is Denmark’s tallest wooden building at 20 storeys and 78 metres high. Concrete and glass are also used. Most of the material is reused or recycled. It is quite narrow and cylindrical in three sections connected with enclosed bridges at upper floors and an outer red ramp footbridge. The cladding is very striking, sort of tiled or patchworked, lighter and darker areas dotted with reflective silver patches that snake down the façade almost like lightning, shining out across the city in different light. The many rectangular windows deeply reflect the surroundings and sky. Each rectangular window has an external sun screen that can be extended vertically. Each shade is made from a recycled wind turbine blade. Other recycled elements: bricks, aluminium facade sheets, light fittings. Lendager Architects designed Træ to be sustainable and to capture C02.

A section of facade with windows, each with an open vertical sun screen made of wind turbine blade. Same long overall description as in other Alt Texts follows: the new Træ (Danish for Wood, and also Tree) office block at Sydhavnen (South Harbour), Aarhus, Denmark. It is Denmark’s tallest wooden building at 20 storeys and 78 metres high. Concrete and glass are also used. Most of the material is reused or recycled. It is quite narrow and cylindrical in three sections connected with enclosed bridges at upper floors and an outer red ramp footbridge. The cladding is very striking, sort of tiled or patchworked, lighter and darker areas dotted with reflective silver patches that snake down the façade almost like lightning, shining out across the city in different light. The many rectangular windows deeply reflect the surroundings and sky. Each rectangular window has an external sun screen that can be extended vertically. Each shade is made from a recycled wind turbine blade. Other recycled elements: bricks, aluminium facade sheets, light fittings. Lendager Architects designed Træ to be sustainable and to capture C02.

A section of facade with several windows visible, each with an open vertical sun screen made of wind turbine blade. Same long overall description as in other Alt Texts follows: the new Træ (Danish for Wood, and also Tree) office block at Sydhavnen (South Harbour), Aarhus, Denmark. It is Denmark’s tallest wooden building at 20 storeys and 78 metres high. Concrete and glass are also used. Most of the material is reused or recycled. It is quite narrow and cylindrical in three sections connected with enclosed bridges at upper floors and an outer red ramp footbridge. The cladding is very striking, sort of tiled or patchworked, lighter and darker areas dotted with reflective silver patches that snake down the façade almost like lightning, shining out across the city in different light. The many rectangular windows deeply reflect the surroundings and sky. Each rectangular window has an external sun screen that can be extended vertically. Each shade is made from a recycled wind turbine blade. Other recycled elements: bricks, aluminium facade sheets, light fittings. Lendager Architects designed Træ to be sustainable and to capture C02.

Close up of section of the Træ building with sun shade recognisably made of old wind turbine blade, open against a cloudless blue sky. Same long overall description as in other Alt Text follows: the new Træ (Danish for Wood, and also Tree) office block at Sydhavnen (South Harbour), Aarhus, Denmark. It is Denmark’s tallest wooden building at 20 storeys and 78 metres high. Concrete and glass are also used. Most of the material is reused or recycled. It is quite narrow and cylindrical in three sections connected with enclosed bridges at upper floors and an outer red ramp footbridge. The cladding is very striking, sort of tiled or patchworked, lighter and darker areas dotted with reflective silver patches that snake down the façade almost like lightning, shining out across the city in different light. The many rectangular windows deeply reflect the surroundings and sky. Each rectangular window has an external sun screen that can be extended vertically. Each shade is made from a recycled wind turbine blade. Other recycled elements: bricks, aluminium facade sheets, light fittings. Lendager Architects designed Træ to be sustainable and to capture C02.

Several old rooftops and chimneys huddled together. The chimneys are made from natural stone, the roofs covered in slate. Pigeons are scattered about. In the middle of the centre roof is a small but prominent window. In the background a small corner of sea is visible.

Several old rooftops and chimneys huddled together. The chimneys are made from natural stone, the roofs covered in slate. Pigeons are scattered about. In the middle of the centre roof is a small but prominent window. In the background a small corner of sea is visible.

A photo looking out through a window with two horizontal slats, and a view of an enclosed catio outside. The far end of the catio is lit with dappled sunlight, and features three tabby cats. One flopped on the cement floor, one lounging on a low platform, and the third on his side on a high platform, with his tail dangling down. Outside the catio is a lawn bounded by a white fence with trees beyond.

A photo looking out through a window with two horizontal slats, and a view of an enclosed catio outside. The far end of the catio is lit with dappled sunlight, and features three tabby cats. One flopped on the cement floor, one lounging on a low platform, and the third on his side on a high platform, with his tail dangling down. Outside the catio is a lawn bounded by a white fence with trees beyond.

Das Bild zeigt ein altes, verwittertes Fenster mit beschädigten und teilweise abgelösten Holzläden. Der Fensterrahmen ist schwarz und scheint zu verfallen, mit sichtbaren Rissen und abblätternder Farbe. Auch die Wand um das Fenster herum ist in schlechtem Zustand, mit großen Flächen abgeplatzter Farbe und freigelegtem Mauerwerk. Die gesamte Szene vermittelt einen Eindruck von Vernachlässigung und Verfall.

Das Bild zeigt ein altes, verwittertes Fenster mit beschädigten und teilweise abgelösten Holzläden. Der Fensterrahmen ist schwarz und scheint zu verfallen, mit sichtbaren Rissen und abblätternder Farbe. Auch die Wand um das Fenster herum ist in schlechtem Zustand, mit großen Flächen abgeplatzter Farbe und freigelegtem Mauerwerk. Die gesamte Szene vermittelt einen Eindruck von Vernachlässigung und Verfall.

Window on a dark plane looking out on the upper layer of some white clouds. Above is a bright blue sky.