Leonora Tindall
@noracodes@tenforward.social  ·  activity timestamp last year
A photograph of a cityscape from a shallow downward angle. In the foreground is a helipad, at a gentle angle to the viewer, extending off the right side of the frame. The building the helipad sits on is bluish-grey, while the pad itself is a yellowy-brown concrete marked with red and white lines and a billowing red stain - blood? Surely not. Lights are just visible in the burgeoning dusk, burning overexposure-white within their red and green halos. The pad reads, PRIVATE 12.5 PERMISSION TO LAND REQUIRED Behind the building with the helipad, various low commercial buildings are visible, with streets in the background leading to the LA river. There is a parking lot with commercial vehicles, of various classes but identical within their class, and a massive red brick skyscraper takes up the left side of the frame.
A photograph of a cityscape from a shallow downward angle. In the foreground is a helipad, at a gentle angle to the viewer, extending off the right side of the frame. The building the helipad sits on is bluish-grey, while the pad itself is a yellowy-brown concrete marked with red and white lines and a billowing red stain - blood? Surely not. Lights are just visible in the burgeoning dusk, burning overexposure-white within their red and green halos. The pad reads, PRIVATE 12.5 PERMISSION TO LAND REQUIRED Behind the building with the helipad, various low commercial buildings are visible, with streets in the background leading to the LA river. There is a parking lot with commercial vehicles, of various classes but identical within their class, and a massive red brick skyscraper takes up the left side of the frame.
A photograph of a cityscape from a shallow downward angle. In the foreground is a helipad, at a gentle angle to the viewer, extending off the right side of the frame. The building the helipad sits on is bluish-grey, while the pad itself is a yellowy-brown concrete marked with red and white lines and a billowing red stain - blood? Surely not. Lights are just visible in the burgeoning dusk, burning overexposure-white within their red and green halos. The pad reads, PRIVATE 12.5 PERMISSION TO LAND REQUIRED Behind the building with the helipad, various low commercial buildings are visible, with streets in the background leading to the LA river. There is a parking lot with commercial vehicles, of various classes but identical within their class, and a massive red brick skyscraper takes up the left side of the frame.
A photograph of a landscape at sunset. The sun shines from behind the viewer onto low commercial buildings and a few residential towers, looking straight down a wide avenue that curves into the distance, around distant hills nearly hidden by smog. Just at the point that the smog totally obscures the landscape, a red and white radio tower is visible, standing proudly above a scrub-brush hill. Lights - brake lights from cars, spotlights on the sides of buildings, and a lone aircraft-avoidance light atop one - burn into the image, making points of overexposure-white within their colored halos. No lights are visible in windows; is it too early, or is nobody home?
A photograph of a landscape at sunset. The sun shines from behind the viewer onto low commercial buildings and a few residential towers, looking straight down a wide avenue that curves into the distance, around distant hills nearly hidden by smog. Just at the point that the smog totally obscures the landscape, a red and white radio tower is visible, standing proudly above a scrub-brush hill. Lights - brake lights from cars, spotlights on the sides of buildings, and a lone aircraft-avoidance light atop one - burn into the image, making points of overexposure-white within their colored halos. No lights are visible in windows; is it too early, or is nobody home?
A photograph of a landscape at sunset. The sun shines from behind the viewer onto low commercial buildings and a few residential towers, looking straight down a wide avenue that curves into the distance, around distant hills nearly hidden by smog. Just at the point that the smog totally obscures the landscape, a red and white radio tower is visible, standing proudly above a scrub-brush hill. Lights - brake lights from cars, spotlights on the sides of buildings, and a lone aircraft-avoidance light atop one - burn into the image, making points of overexposure-white within their colored halos. No lights are visible in windows; is it too early, or is nobody home?
A photograph of a cliff at twilight. The cliff is southern California sandstone and pourous with holes; where the rock is not exposed, low grasses and red flowerbushes bloom. At the top of the cliff, palms and ornamental bushes grow behind a rustic but well-kept wooden fence. In the distance, visible only in the middle-right of the frame, a beach stretches into the horizon. A long pier extends into the ocean, out of frame right, and a Ferris wheel sits astride it, nearly edge-on to the viewer, reflecting evening light.
A photograph of a cliff at twilight. The cliff is southern California sandstone and pourous with holes; where the rock is not exposed, low grasses and red flowerbushes bloom. At the top of the cliff, palms and ornamental bushes grow behind a rustic but well-kept wooden fence. In the distance, visible only in the middle-right of the frame, a beach stretches into the horizon. A long pier extends into the ocean, out of frame right, and a Ferris wheel sits astride it, nearly edge-on to the viewer, reflecting evening light.
A photograph of a cliff at twilight. The cliff is southern California sandstone and pourous with holes; where the rock is not exposed, low grasses and red flowerbushes bloom. At the top of the cliff, palms and ornamental bushes grow behind a rustic but well-kept wooden fence. In the distance, visible only in the middle-right of the frame, a beach stretches into the horizon. A long pier extends into the ocean, out of frame right, and a Ferris wheel sits astride it, nearly edge-on to the viewer, reflecting evening light.
A photograph of a cityscape at dusk. Foreground buildings end below the viewer, while background skyscrapers extend out of the image upwards. The sky behind the buildings is orange and yellow, and the setting sun casts the whole photo in yellows and greens. Few lights are visible; aside from the sky, the brightest things in the image are two aircraft avoidance lights on a building in the foreground.
A photograph of a cityscape at dusk. Foreground buildings end below the viewer, while background skyscrapers extend out of the image upwards. The sky behind the buildings is orange and yellow, and the setting sun casts the whole photo in yellows and greens. Few lights are visible; aside from the sky, the brightest things in the image are two aircraft avoidance lights on a building in the foreground.
A photograph of a cityscape at dusk. Foreground buildings end below the viewer, while background skyscrapers extend out of the image upwards. The sky behind the buildings is orange and yellow, and the setting sun casts the whole photo in yellows and greens. Few lights are visible; aside from the sky, the brightest things in the image are two aircraft avoidance lights on a building in the foreground.
Leonora Tindall
@noracodes@tenforward.social  ·  activity timestamp last year
A photograph of a Black man with a shaved head in a white shirt standing in front of a fence, looking into the camera with a slight smile. Slightly out of focus, a car - noticably a taxicab by its coloration - stands between the viewer and the man.
A photograph of a Black man with a shaved head in a white shirt standing in front of a fence, looking into the camera with a slight smile. Slightly out of focus, a car - noticably a taxicab by its coloration - stands between the viewer and the man.
A photograph of a Black man with a shaved head in a white shirt standing in front of a fence, looking into the camera with a slight smile. Slightly out of focus, a car - noticably a taxicab by its coloration - stands between the viewer and the man.
Leonora Tindall
@noracodes@tenforward.social  ·  activity timestamp last year
A long exposure photograph looking across Lake Michigan to Gary, Indiana. Lights at industrial facilities make stars through the constricted aperture; in the moonlight, the water appears green and unhealthy. Streaks of light in the sky show the progress of planes and helicopters making their way around the lake.
A long exposure photograph looking across Lake Michigan to Gary, Indiana. Lights at industrial facilities make stars through the constricted aperture; in the moonlight, the water appears green and unhealthy. Streaks of light in the sky show the progress of planes and helicopters making their way around the lake.
A long exposure photograph looking across Lake Michigan to Gary, Indiana. Lights at industrial facilities make stars through the constricted aperture; in the moonlight, the water appears green and unhealthy. Streaks of light in the sky show the progress of planes and helicopters making their way around the lake.
Tyler Jacobs
@threexs@photog.social  ·  activity timestamp 6 days ago
Tyler Jacobs
@threexs@photog.social  ·  activity timestamp 6 days ago
Nicolas Hoizey
@nhoizey@mamot.fr  ·  activity timestamp 2 weeks ago
Nicolas Hoizey
@nhoizey@mamot.fr  ·  activity timestamp 2 weeks ago
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp 2 months ago
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