Greg Lloyd
@Roundtrip@federate.social  ·  activity timestamp 3 weeks ago
Color photo of a dramatically darkened exhibit hall of a ‘20,000 Leagues Under the Sea’ exhibit at Mystic Seaport, Mystic CT. A walk-through model of Captain Nemo’s Nautilus features a horse with the hind quarters of a fish — mermaid style — riding a long cylindrical prow jutting from the hull. The hull of the Nautilus is matte black, about child-height and about twice as wide, like a horizontally stretched cylinder. To the right of the prow is a large circular window — almost the height of the hull — circled by a bright blue ring of light. Behind the Nautilus, a brightly lit fluorescent orange giant squid hangs from the ceiling of the exhibit hall.
Color photo of a dramatically darkened exhibit hall of a ‘20,000 Leagues Under the Sea’ exhibit at Mystic Seaport, Mystic CT. A walk-through model of Captain Nemo’s Nautilus features a horse with the hind quarters of a fish — mermaid style — riding a long cylindrical prow jutting from the hull. The hull of the Nautilus is matte black, about child-height and about twice as wide, like a horizontally stretched cylinder. To the right of the prow is a large circular window — almost the height of the hull — circled by a bright blue ring of light. Behind the Nautilus, a brightly lit fluorescent orange giant squid hangs from the ceiling of the exhibit hall.
Color photo of a dramatically darkened exhibit hall of a ‘20,000 Leagues Under the Sea’ exhibit at Mystic Seaport, Mystic CT. A walk-through model of Captain Nemo’s Nautilus features a horse with the hind quarters of a fish — mermaid style — riding a long cylindrical prow jutting from the hull. The hull of the Nautilus is matte black, about child-height and about twice as wide, like a horizontally stretched cylinder. To the right of the prow is a large circular window — almost the height of the hull — circled by a bright blue ring of light. Behind the Nautilus, a brightly lit fluorescent orange giant squid hangs from the ceiling of the exhibit hall.
Jason Baluyut
@bluejay@ohai.social  ·  activity timestamp 3 weeks ago
Jason Baluyut
@bluejay@ohai.social  ·  activity timestamp 3 weeks ago
Greg Lloyd
@Roundtrip@federate.social  ·  activity timestamp last month
Color photo of about twenty casually dressed older people standing on a broad flat beach, talking in small groups that are scattered from the shallow waves on the left, to the flat tide line on the right. Most of the people wear low, cloth shoes, colorful shorts or bathing suits, and shirts — many wear hats. The sun is beginning to set to the right, brightly highlighting the tops and edge of a wide, dense bank of gray-bottomed clouds that extends from the ocean to the beach. The cloud bank stretches from just beyond where the people are standing to about a third of the way down the beach, as the beach extends to the horizon.
Color photo of about twenty casually dressed older people standing on a broad flat beach, talking in small groups that are scattered from the shallow waves on the left, to the flat tide line on the right. Most of the people wear low, cloth shoes, colorful shorts or bathing suits, and shirts — many wear hats. The sun is beginning to set to the right, brightly highlighting the tops and edge of a wide, dense bank of gray-bottomed clouds that extends from the ocean to the beach. The cloud bank stretches from just beyond where the people are standing to about a third of the way down the beach, as the beach extends to the horizon.
Color photo of about twenty casually dressed older people standing on a broad flat beach, talking in small groups that are scattered from the shallow waves on the left, to the flat tide line on the right. Most of the people wear low, cloth shoes, colorful shorts or bathing suits, and shirts — many wear hats. The sun is beginning to set to the right, brightly highlighting the tops and edge of a wide, dense bank of gray-bottomed clouds that extends from the ocean to the beach. The cloud bank stretches from just beyond where the people are standing to about a third of the way down the beach, as the beach extends to the horizon.
Greg Lloyd
@Roundtrip@federate.social  ·  activity timestamp last month
Coincidence Engine One: Universal People’s Republic Time (2008) by [The User]. Color photo of an art installation with twelve hundred identical small white electric battery-powered alarm clocks with white faces, black dials and hands. The clocks are tightly stacked on more than 25 small, curved and narrow steps cut into a tall custom designed C-curved white stand which is much wider at its base than at the final step which forms its open top. Starting at floor level, each step is set back a small distance — about the same as the width of the each step — creating a curved wall of clocks sloping up and away from the viewer. The clocks are brilliantly lit from above, inviting a single viewer to step into the open side of the stand to feel surrounded by the many small clocks, watch the second hands move in near unison, and feel immersed in their nearly synchronized sound. [The User] is an art collective comprised of architect and installation artist [Thomas McIntosh](http://www.undefine.ca/en/artists/thomas-mcintosh/), and composer and sound artist Emmanuel Madan.
Coincidence Engine One: Universal People’s Republic Time (2008) by [The User]. Color photo of an art installation with twelve hundred identical small white electric battery-powered alarm clocks with white faces, black dials and hands. The clocks are tightly stacked on more than 25 small, curved and narrow steps cut into a tall custom designed C-curved white stand which is much wider at its base than at the final step which forms its open top. Starting at floor level, each step is set back a small distance — about the same as the width of the each step — creating a curved wall of clocks sloping up and away from the viewer. The clocks are brilliantly lit from above, inviting a single viewer to step into the open side of the stand to feel surrounded by the many small clocks, watch the second hands move in near unison, and feel immersed in their nearly synchronized sound. [The User] is an art collective comprised of architect and installation artist [Thomas McIntosh](http://www.undefine.ca/en/artists/thomas-mcintosh/), and composer and sound artist Emmanuel Madan.
Coincidence Engine One: Universal People’s Republic Time (2008) by [The User]. Color photo of an art installation with twelve hundred identical small white electric battery-powered alarm clocks with white faces, black dials and hands. The clocks are tightly stacked on more than 25 small, curved and narrow steps cut into a tall custom designed C-curved white stand which is much wider at its base than at the final step which forms its open top. Starting at floor level, each step is set back a small distance — about the same as the width of the each step — creating a curved wall of clocks sloping up and away from the viewer. The clocks are brilliantly lit from above, inviting a single viewer to step into the open side of the stand to feel surrounded by the many small clocks, watch the second hands move in near unison, and feel immersed in their nearly synchronized sound. [The User] is an art collective comprised of architect and installation artist [Thomas McIntosh](http://www.undefine.ca/en/artists/thomas-mcintosh/), and composer and sound artist Emmanuel Madan.
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