Nero sang while Rome burned. Caligula proclaimed himself a god. If not mad enough already, he also gave one of his horses a place on the senate. Rome rejoiced when many emperors died, only to find that they hated the next one just as much. From the death of Julius Caesar in 44BC to the fall of Rome in 476AD, Dark History of the Roman Emperors presents a wry and witty look at five centuries of Roman mayhem, murder, incest, infanticide, sadism, sexual depravity and madness. Featuring such notorious names as Claudius, Tiberius and Commodus, this book retells all of the most eye-opening accounts of imperial misdeeds, drawing on many original Roman sources. Illustrated with striking images of the protagonists and their deeds, from ancient statues to medieval engravings and renaissance paintings, Dark History of the Roman Emperors is an entertaining and visually spectacular account of the skulduggery of the greatest empire the world has ever known – and the hubris that came with it.
Nero sang while Rome burned. Caligula proclaimed himself a god. If not mad enough already, he also gave one of his horses a place on the senate. Rome rejoiced when many emperors died, only to find that they hated the next one just as much. From the death of Julius Caesar in 44BC to the fall of Rome in 476AD, Dark History of the Roman Emperors presents a wry and witty look at five centuries of Roman mayhem, murder, incest, infanticide, sadism, sexual depravity and madness. Featuring such notorious names as Claudius, Tiberius and Commodus, this book retells all of the most eye-opening accounts of imperial misdeeds, drawing on many original Roman sources. Illustrated with striking images of the protagonists and their deeds, from ancient statues to medieval engravings and renaissance paintings, Dark History of the Roman Emperors is an entertaining and visually spectacular account of the skulduggery of the greatest empire the world has ever known – and the hubris that came with it.
As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation's transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion. 
In this outstanding work, Susana M. Morris places Butler's story firmly within the cultural, social, and historical context that shaped her.
As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation's transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion. In this outstanding work, Susana M. Morris places Butler's story firmly within the cultural, social, and historical context that shaped her.