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Petra van Cronenburg
@NatureMC@mastodon.online  ·  activity timestamp 2 weeks ago

#ScribesAndMakers 9/25. How would you describe your #fashion sense?

I don't follow #trends and I don't let anyone tell me what to wear. It has to be comfortable, made from natural fibres. I mostly buy second-hand and I love #upcycling and #visibleMending.

Sometimes I wear boring grey or leggings, sometimes I get compliments like "how dare you at your age!" Then I dare even more: I do love colours! I love jeans.

#slowFashion #secondHand #FastFashionSucks #solarpunk

A bright green patch with red intuitive stitching covers a hole in a dark blue linen shirt. Why throw clothes away when you can embellish them with visible mending!
A bright green patch with red intuitive stitching covers a hole in a dark blue linen shirt. Why throw clothes away when you can embellish them with visible mending!
A bright green patch with red intuitive stitching covers a hole in a dark blue linen shirt. Why throw clothes away when you can embellish them with visible mending!
A checked blazer in English country style had a worn collar. I revamped it with a traditional, cheerful yellow Provençal print featuring chickens and added patches at the bottom and on the side pocket for a more harmonious look.
A checked blazer in English country style had a worn collar. I revamped it with a traditional, cheerful yellow Provençal print featuring chickens and added patches at the bottom and on the side pocket for a more harmonious look.
A checked blazer in English country style had a worn collar. I revamped it with a traditional, cheerful yellow Provençal print featuring chickens and added patches at the bottom and on the side pocket for a more harmonious look.
A long jeans coat was so boring that I coloured it up with applications of patches and spirals of saree silk.
A long jeans coat was so boring that I coloured it up with applications of patches and spirals of saree silk.
A long jeans coat was so boring that I coloured it up with applications of patches and spirals of saree silk.
very colourful jeans with visible mending, inspired by a famous 1960s cover.
very colourful jeans with visible mending, inspired by a famous 1960s cover.
very colourful jeans with visible mending, inspired by a famous 1960s cover.
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Jess Mahler
Jess Mahler boosted
Marty Cormack
@MartyCormack@urbanists.social  ·  activity timestamp 2 months ago
#SlowFashion
I just read an article about the glut of used clothing in Africa due to Western culture and "Fast Fashion."

Well as I read it, I looked at the shirt that I was wearing. It is over 10 years old. I have a lot of clothing I've had for many, many years. You might say I have no fashion sense at all.

I prefer to say I practice "Slow Fashion...."

... to a fault.

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Marty Cormack
@MartyCormack@urbanists.social  ·  activity timestamp 2 months ago
#SlowFashion
I just read an article about the glut of used clothing in Africa due to Western culture and "Fast Fashion."

Well as I read it, I looked at the shirt that I was wearing. It is over 10 years old. I have a lot of clothing I've had for many, many years. You might say I have no fashion sense at all.

I prefer to say I practice "Slow Fashion...."

... to a fault.

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goth in the shell
@gothintheshell@mas.to  ·  activity timestamp 2 months ago

New instance, so posting a new intro! blobheartcat

I've made it to my 40-something years old era and consider it a privilege.

I'm into slow fashion, human rights, crafting, cats, music, and cult horror and sci-fi movies. My latest obsession is with snails.

A few more of my interests:
#knitting #crochet#python#SlowFashion #folklore #snail #cats #sewing #candles #CozyGames #privacy #nature #introduction#NewHere

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ariana_makes
@ariana_makes@pixelfed.social  ·  activity timestamp 2 months ago

I made a shirt! That's all I have to say 🌺 ✨


Design is the Millefleur Top by Maeli Designs

#crochet #handmade #maker #diy #imadethis #craft #crafting #yarnaddict #wearable #makersmovement #makermovement #makersgonnamake #slowfashion

Sorry, no caption provided by author
Sorry, no caption provided by author
Sorry, no caption provided by author
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Alex, the Hearth Fire
Alex, the Hearth Fire boosted
FanCityKnits 🇺🇦🧶
@FanCityKnits@troet.cafe  ·  activity timestamp 2 months ago

Finished ... And worn.

It's been done for a while but it was always too warm to actually wear it so: no pictures so far. But yesterday it was finally ok.

My colleague said, if it were in black to grey it would be an Ozzy Osbourne memorial coat after seeing me spinning around to show it off. She might be on to something ...

@knitting @fiberarts #knitting #fiberarts#HandmadeWardrobe #slowfashion

This time she is spinning to show the flare of the garment.
This time she is spinning to show the flare of the garment.
This time she is spinning to show the flare of the garment.
Same woman wearing the same coat, this time picture from the backside.
Same woman wearing the same coat, this time picture from the backside.
Same woman wearing the same coat, this time picture from the backside.
A woman wearing a hand knit cardigan / coat. The garment is almost knee length and flaring out towards to bottom, the sleeves are close fitting. 

It has a color gradient, starting in dark dusty rose at the sleeves and going to very pale rose towards center and bottom. 

The woman is standing in front of a large bush, arms spread wide to show off the coat. The weather is sunny with blue sky. Her face is blurred with a pink color splash.
A woman wearing a hand knit cardigan / coat. The garment is almost knee length and flaring out towards to bottom, the sleeves are close fitting. It has a color gradient, starting in dark dusty rose at the sleeves and going to very pale rose towards center and bottom. The woman is standing in front of a large bush, arms spread wide to show off the coat. The weather is sunny with blue sky. Her face is blurred with a pink color splash.
A woman wearing a hand knit cardigan / coat. The garment is almost knee length and flaring out towards to bottom, the sleeves are close fitting. It has a color gradient, starting in dark dusty rose at the sleeves and going to very pale rose towards center and bottom. The woman is standing in front of a large bush, arms spread wide to show off the coat. The weather is sunny with blue sky. Her face is blurred with a pink color splash.
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FanCityKnits 🇺🇦🧶
@FanCityKnits@troet.cafe  ·  activity timestamp 2 months ago

Finished ... And worn.

It's been done for a while but it was always too warm to actually wear it so: no pictures so far. But yesterday it was finally ok.

My colleague said, if it were in black to grey it would be an Ozzy Osbourne memorial coat after seeing me spinning around to show it off. She might be on to something ...

@knitting @fiberarts #knitting #fiberarts#HandmadeWardrobe #slowfashion

This time she is spinning to show the flare of the garment.
This time she is spinning to show the flare of the garment.
This time she is spinning to show the flare of the garment.
Same woman wearing the same coat, this time picture from the backside.
Same woman wearing the same coat, this time picture from the backside.
Same woman wearing the same coat, this time picture from the backside.
A woman wearing a hand knit cardigan / coat. The garment is almost knee length and flaring out towards to bottom, the sleeves are close fitting. 

It has a color gradient, starting in dark dusty rose at the sleeves and going to very pale rose towards center and bottom. 

The woman is standing in front of a large bush, arms spread wide to show off the coat. The weather is sunny with blue sky. Her face is blurred with a pink color splash.
A woman wearing a hand knit cardigan / coat. The garment is almost knee length and flaring out towards to bottom, the sleeves are close fitting. It has a color gradient, starting in dark dusty rose at the sleeves and going to very pale rose towards center and bottom. The woman is standing in front of a large bush, arms spread wide to show off the coat. The weather is sunny with blue sky. Her face is blurred with a pink color splash.
A woman wearing a hand knit cardigan / coat. The garment is almost knee length and flaring out towards to bottom, the sleeves are close fitting. It has a color gradient, starting in dark dusty rose at the sleeves and going to very pale rose towards center and bottom. The woman is standing in front of a large bush, arms spread wide to show off the coat. The weather is sunny with blue sky. Her face is blurred with a pink color splash.
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Jess Mahler
Jess Mahler boosted
FanCityKnits 🇺🇦🧶
@FanCityKnits@troet.cafe  ·  activity timestamp 2 months ago
#ThrowbackThursday

Maybe I should knit another one? This is a skirt I've made for my daughter around 10 years ago. It's a variation of the famous Lanesplitter Pattern, but with short rows so it flares a bit around the bottom

And I started along one of the diagonal lines so there's no visible seam

It has moved on to another girl many years ago and I don't know what happened to it after that. But I still think it's nice

@knitting @fiberarts #knitting#HandmadeWardrobe #fiberarts #slowfashion

A handknit skirt with diagonal lines / ridges. The ridges are in a gradient of light to dark grey, while the valleys in between are a gradient from yellow to turqois to purple.

Towards the bottom the valleys flare out.

The skirt lays flat on a surface of concrete tiles.
A handknit skirt with diagonal lines / ridges. The ridges are in a gradient of light to dark grey, while the valleys in between are a gradient from yellow to turqois to purple. Towards the bottom the valleys flare out. The skirt lays flat on a surface of concrete tiles.
A handknit skirt with diagonal lines / ridges. The ridges are in a gradient of light to dark grey, while the valleys in between are a gradient from yellow to turqois to purple. Towards the bottom the valleys flare out. The skirt lays flat on a surface of concrete tiles.
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FanCityKnits 🇺🇦🧶
@FanCityKnits@troet.cafe  ·  activity timestamp 2 months ago
#ThrowbackThursday

Maybe I should knit another one? This is a skirt I've made for my daughter around 10 years ago. It's a variation of the famous Lanesplitter Pattern, but with short rows so it flares a bit around the bottom

And I started along one of the diagonal lines so there's no visible seam

It has moved on to another girl many years ago and I don't know what happened to it after that. But I still think it's nice

@knitting @fiberarts #knitting#HandmadeWardrobe #fiberarts #slowfashion

A handknit skirt with diagonal lines / ridges. The ridges are in a gradient of light to dark grey, while the valleys in between are a gradient from yellow to turqois to purple.

Towards the bottom the valleys flare out.

The skirt lays flat on a surface of concrete tiles.
A handknit skirt with diagonal lines / ridges. The ridges are in a gradient of light to dark grey, while the valleys in between are a gradient from yellow to turqois to purple. Towards the bottom the valleys flare out. The skirt lays flat on a surface of concrete tiles.
A handknit skirt with diagonal lines / ridges. The ridges are in a gradient of light to dark grey, while the valleys in between are a gradient from yellow to turqois to purple. Towards the bottom the valleys flare out. The skirt lays flat on a surface of concrete tiles.
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Alex, the Hearth Fire
Alex, the Hearth Fire boosted
La Visch
@LaVisch@mastodon.social  ·  activity timestamp 3 months ago

Sock progress! Have a lovely Friday! 😃

#Knitting#KnittingLife#KnittingLove#KnittingProject#SlowFashion#SockKnitting#KnittedSocks#SocksYeah

Flat lay view of a sock on a tiny circular needle in self-striping yarn in yellow, orange, pink, and teal, on a light wooden background together with the ball of yarn.
Flat lay view of a sock on a tiny circular needle in self-striping yarn in yellow, orange, pink, and teal, on a light wooden background together with the ball of yarn.
Flat lay view of a sock on a tiny circular needle in self-striping yarn in yellow, orange, pink, and teal, on a light wooden background together with the ball of yarn.
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La Visch
@LaVisch@mastodon.social  ·  activity timestamp 3 months ago

Sock progress! Have a lovely Friday! 😃

#Knitting#KnittingLife#KnittingLove#KnittingProject#SlowFashion#SockKnitting#KnittedSocks#SocksYeah

Flat lay view of a sock on a tiny circular needle in self-striping yarn in yellow, orange, pink, and teal, on a light wooden background together with the ball of yarn.
Flat lay view of a sock on a tiny circular needle in self-striping yarn in yellow, orange, pink, and teal, on a light wooden background together with the ball of yarn.
Flat lay view of a sock on a tiny circular needle in self-striping yarn in yellow, orange, pink, and teal, on a light wooden background together with the ball of yarn.
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Alex, the Hearth Fire
Alex, the Hearth Fire boosted
DoomsdaysCW
@DoomsdaysCW@kolektiva.social  ·  activity timestamp 3 months ago
#StitchIt, Don’t ditch it: Resisting #FastFashion through #VisibleMending

Kaja Šeruga
Fri, June 13, 2025

"Once a month between April and October, a group of stitchers takes to the streets of #EdinburghScotland, making themselves comfortable on camping chairs decorated with hand-embroidered banners inviting people to #stitchitdontditchit. Equipped with sewing baskets and mending skills, they repair their garments in public and teach interested passers-by how to do the same.

"The #EdinburghStreetStitchers, as they call themselves, are part of a growing movement that is reclaiming the ancient art of mending. Historically, mending was done in private and in ways that concealed, rather than announced, the repair. Choosing instead to mend visibly—whether through the color of the stitching or by doing it in a public location—is a statement and a conversation starter, Reasons to be Cheerful says.

" 'You are clearly stating that you have kept this from a #landfill,' says Kate Sekules, a mender who teaches fashion history at the Pratt Institute in New York City’s borough of Brooklyn, and is pursuing a PhD in the history and theory of mending. 'It’s also got the advantage of making everything you own unique and special. And when you’ve invested time and energy and thought and craft into your clothing, you value it so much more.'

"Inspired by the global #StreetStitching movement, the former pharmacist Mary Morton started the #Edinburgh group in 2022, three years after a discussion with her son sent her down a rabbit hole of research and learning about the #ClimateCrisis. 'At the end of all of that, I was absolutely horrified. I thought, ‘What can I do about it?' she recalls.

"Volunteering at the #SHRUBCooperative, which is working to reduce waste in Edinburgh, she learned about the high carbon impact of textiles—producing a kilogram of fabric releases 23 kilograms of greenhouse gases on average. 'I’ve always done a bit of sewing, so I thought teaching people how to sew and repair their garments was something I could do to help,' says Morton. She started teaching sewing at the cooperative’s #ZeroWaste Hub, but quickly realized she was preaching to the choir. 'I wanted to do something to reach out to the broader community and make them aware of the situation,' she says.

"The term 'fast fashion' was coined by the New York Times in 1989 to describe Zara’s business model, which turned a designer’s idea into a garment available to consumers in only 15 days. Today’s ultra-fast fashion retailers have further accelerated the pace of production: #Shein, for example, has created 52 micro-seasons per year and adds up to 10,000 items to its website each day. With plummeting prices and a rising throwaway culture, by 2014, people were buying 60 percent more clothes than at the turn of the millennium, and keeping them for only half as long.

"Today the fashion industry is responsible for 92 million metric tons of #TextileWaste annually, and the dyeing and finishing of textiles causes 20 percent of industrial #WaterPollution. Due to energy-intensive production and long supply chains, the apparel industry is responsible for eight percent to 10 percent of global #CarbonEmissions—more than aviation and shipping combined.

"The quiet, simple act of mending can go a long way toward reducing these impacts: According to research by the climate action NGO WRAP, 82 percent of repaired garments prevent the purchase of a new one, and extending the life of an item of clothing by only nine months reduces its carbon, water and waste footprint by a total of 20 percent to 30 percent.

" 'One of the other big benefits is to #NormalizeMending again,' says Morton. For most of human history, textiles were time-consuming to produce and expensive to buy, so mending them was second nature, says Sekules. Repairs were often visible out of necessity, since matching thread to existing fabric was a costly and often impossible proposition. One of the oldest extant examples of visible mending is a 2,000-year-old Egyptian tunic in the Whitworth Geller’s collection in Manchester, England, though the practice is far older than that. Over millennia people across the world developed their own distinct techniques of darning, embroidery and appliqué, using colorful patches or designs to hide holes and stains. 'It was made to seem deliberate, because it was a shameful sign of poverty to look as if you’ve been mended,' says Sekules.

"As mending fell out of favor in Europe and the U.S. in the late 20th century, the skills associated with it were also lost over time. 'As far as we can tell it used to be passed down the maternal line since time immemorial,' says Sekules. 'Then we forgot about it—culturally, it was just no longer a skillset we needed.'

"In recent years a growing opposition to fast fashion has coalesced under the umbrella of #SlowFashion, a movement championing quality over quantity and responsible use of resources. 'People are becoming more aware that the way we produce is harmful to people and the environment,' says Sam Bennett, maker, researcher and one-half of the duo behind Repair Shop, which takes mending commissions and offers online and in-person mending workshops. 'It’s a smaller, quieter form of #activism that I think is really exciting.'

"The resurgence of mending coincided with early Instagram, with visible mending especially well-suited to such a visual medium, and menders like Celia Pym and Tom van Deijnen started to document their mends on the platform in 2014. 'Those posts and popularity then allowed for people to create public workshops, publish books and so on,' says Bennett, who is working on a timeline documenting how mending skills have been passed on over the past 300 years. Much of the skill-sharing has also moved to virtual spaces, which makes it accessible to anyone with an internet connection. But while they serve their purpose, online workshops don’t have quite the same magic, says Bennett: 'It really started with community and sitting side by side with someone. And I think that in the end, that is still the most successful way to learn.'

https://www.yahoo.com/lifestyle/articles/stitch-don-rsquo-t-ditch-153005359.html

#SolarPunkSunday#VisibleRepair#VisibleMending#Mending#FiberArts#Crafting #DIY #MakeAndMend#RepairDontBuy#ResistFastFashion #BuildingCommunity

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DoomsdaysCW
@DoomsdaysCW@kolektiva.social  ·  activity timestamp 3 months ago
#StitchIt, Don’t ditch it: Resisting #FastFashion through #VisibleMending

Kaja Šeruga
Fri, June 13, 2025

"Once a month between April and October, a group of stitchers takes to the streets of #EdinburghScotland, making themselves comfortable on camping chairs decorated with hand-embroidered banners inviting people to #stitchitdontditchit. Equipped with sewing baskets and mending skills, they repair their garments in public and teach interested passers-by how to do the same.

"The #EdinburghStreetStitchers, as they call themselves, are part of a growing movement that is reclaiming the ancient art of mending. Historically, mending was done in private and in ways that concealed, rather than announced, the repair. Choosing instead to mend visibly—whether through the color of the stitching or by doing it in a public location—is a statement and a conversation starter, Reasons to be Cheerful says.

" 'You are clearly stating that you have kept this from a #landfill,' says Kate Sekules, a mender who teaches fashion history at the Pratt Institute in New York City’s borough of Brooklyn, and is pursuing a PhD in the history and theory of mending. 'It’s also got the advantage of making everything you own unique and special. And when you’ve invested time and energy and thought and craft into your clothing, you value it so much more.'

"Inspired by the global #StreetStitching movement, the former pharmacist Mary Morton started the #Edinburgh group in 2022, three years after a discussion with her son sent her down a rabbit hole of research and learning about the #ClimateCrisis. 'At the end of all of that, I was absolutely horrified. I thought, ‘What can I do about it?' she recalls.

"Volunteering at the #SHRUBCooperative, which is working to reduce waste in Edinburgh, she learned about the high carbon impact of textiles—producing a kilogram of fabric releases 23 kilograms of greenhouse gases on average. 'I’ve always done a bit of sewing, so I thought teaching people how to sew and repair their garments was something I could do to help,' says Morton. She started teaching sewing at the cooperative’s #ZeroWaste Hub, but quickly realized she was preaching to the choir. 'I wanted to do something to reach out to the broader community and make them aware of the situation,' she says.

"The term 'fast fashion' was coined by the New York Times in 1989 to describe Zara’s business model, which turned a designer’s idea into a garment available to consumers in only 15 days. Today’s ultra-fast fashion retailers have further accelerated the pace of production: #Shein, for example, has created 52 micro-seasons per year and adds up to 10,000 items to its website each day. With plummeting prices and a rising throwaway culture, by 2014, people were buying 60 percent more clothes than at the turn of the millennium, and keeping them for only half as long.

"Today the fashion industry is responsible for 92 million metric tons of #TextileWaste annually, and the dyeing and finishing of textiles causes 20 percent of industrial #WaterPollution. Due to energy-intensive production and long supply chains, the apparel industry is responsible for eight percent to 10 percent of global #CarbonEmissions—more than aviation and shipping combined.

"The quiet, simple act of mending can go a long way toward reducing these impacts: According to research by the climate action NGO WRAP, 82 percent of repaired garments prevent the purchase of a new one, and extending the life of an item of clothing by only nine months reduces its carbon, water and waste footprint by a total of 20 percent to 30 percent.

" 'One of the other big benefits is to #NormalizeMending again,' says Morton. For most of human history, textiles were time-consuming to produce and expensive to buy, so mending them was second nature, says Sekules. Repairs were often visible out of necessity, since matching thread to existing fabric was a costly and often impossible proposition. One of the oldest extant examples of visible mending is a 2,000-year-old Egyptian tunic in the Whitworth Geller’s collection in Manchester, England, though the practice is far older than that. Over millennia people across the world developed their own distinct techniques of darning, embroidery and appliqué, using colorful patches or designs to hide holes and stains. 'It was made to seem deliberate, because it was a shameful sign of poverty to look as if you’ve been mended,' says Sekules.

"As mending fell out of favor in Europe and the U.S. in the late 20th century, the skills associated with it were also lost over time. 'As far as we can tell it used to be passed down the maternal line since time immemorial,' says Sekules. 'Then we forgot about it—culturally, it was just no longer a skillset we needed.'

"In recent years a growing opposition to fast fashion has coalesced under the umbrella of #SlowFashion, a movement championing quality over quantity and responsible use of resources. 'People are becoming more aware that the way we produce is harmful to people and the environment,' says Sam Bennett, maker, researcher and one-half of the duo behind Repair Shop, which takes mending commissions and offers online and in-person mending workshops. 'It’s a smaller, quieter form of #activism that I think is really exciting.'

"The resurgence of mending coincided with early Instagram, with visible mending especially well-suited to such a visual medium, and menders like Celia Pym and Tom van Deijnen started to document their mends on the platform in 2014. 'Those posts and popularity then allowed for people to create public workshops, publish books and so on,' says Bennett, who is working on a timeline documenting how mending skills have been passed on over the past 300 years. Much of the skill-sharing has also moved to virtual spaces, which makes it accessible to anyone with an internet connection. But while they serve their purpose, online workshops don’t have quite the same magic, says Bennett: 'It really started with community and sitting side by side with someone. And I think that in the end, that is still the most successful way to learn.'

https://www.yahoo.com/lifestyle/articles/stitch-don-rsquo-t-ditch-153005359.html

#SolarPunkSunday#VisibleRepair#VisibleMending#Mending#FiberArts#Crafting #DIY #MakeAndMend#RepairDontBuy#ResistFastFashion #BuildingCommunity

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