The light keeper.
Gouache on toned paper. Sharing the cleaned-up version for #InverteFest
#Tag
The light keeper.
Gouache on toned paper. Sharing the cleaned-up version for #InverteFest
There was a "Faces you have drawn" Challenge thing that just popped back up in my feed on another site. So I'm extending that here. Post up some faces you have drawn (or painted, whatever.) Then boost this.
The little river town (Augusta, KY) that took me in , nurtured and encouraged me when I was a little baby artist-with a dream of making art my life, had a plein air painting event last friday.
I wanted to create something that captured all the gratitudeI have about that special little river town. I'm so glad I left the house--even when I was tired from a lot of travel.
The little river town (Augusta, KY) that took me in , nurtured and encouraged me when I was a little baby artist-with a dream of making art my life, had a plein air painting event last friday.
I wanted to create something that captured all the gratitudeI have about that special little river town. I'm so glad I left the house--even when I was tired from a lot of travel.
There was a "Faces you have drawn" Challenge thing that just popped back up in my feed on another site. So I'm extending that here. Post up some faces you have drawn (or painted, whatever.) Then boost this.
Alex Colville. Family and Rain Storm, 1955.
Of the Canadian's many dozens of arresting paintings, I could not choose a favorite but this one is probably the most famous, and it includes many of his signature motifs: the act of going somewhere, an oblique anonymity, the fragment of a larger story left untold, and technology as framing geometry.
One surprising facet of his art for me is the date. He was painting us in the West as we were going to be through the height of Empire.
Alex Colville. Family and Rain Storm, 1955.
Of the Canadian's many dozens of arresting paintings, I could not choose a favorite but this one is probably the most famous, and it includes many of his signature motifs: the act of going somewhere, an oblique anonymity, the fragment of a larger story left untold, and technology as framing geometry.
One surprising facet of his art for me is the date. He was painting us in the West as we were going to be through the height of Empire.
we’re painting tiny details onto a funky lil medieval style silksong again, come keep me cozy company?
we’re painting tiny details onto a funky lil medieval style silksong again, come keep me cozy company?
'Kapua's Morning Walk' is my new artwork for the coming group exhibition by Thinkspace projects at the Hawai'i state art museum Capitol Modern. This is part of the Hawai'i Walls event previously known as Pow! Wow! Worldwide, focusing on mural, street and contemporary art.
You can read a little about my doing of this piece composition and theme at my blog.
https://quiralta.substack.com/p/the-earth-laughs-in-flowers
And of course, the first preview of my piece is here at Mastodon! 😁 👇🏼
'Kapua's Morning Walk' is my new artwork for the coming group exhibition by Thinkspace projects at the Hawai'i state art museum Capitol Modern. This is part of the Hawai'i Walls event previously known as Pow! Wow! Worldwide, focusing on mural, street and contemporary art.
You can read a little about my doing of this piece composition and theme at my blog.
https://quiralta.substack.com/p/the-earth-laughs-in-flowers
And of course, the first preview of my piece is here at Mastodon! 😁 👇🏼
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