Gray-scale marker drawing of a house in Middlebury, VT. A tree, out of view on the right, casts a large sharp shadow of its trunk against the side of a white clapboard house. Craggy branches wind their way into the scene in the upper corners as grass shoots out from a snow covered bed in the foreground.

Gray-scale marker drawing of a barn in. Charlotte, VT. A gray sky hangs above a large barn and its side entrance. In front of the barn are various livestock and hay bales set on a snowy ground with tall grass and bent fencing growing.

Gray-scale marker drawing of the back of apartment buildings in downtown Montpelier, VT. Brick buildings clamor around a parking lot above a single car, covered in snow. Two telephone poles rise from the scene, throwing wires to and fro.

Gray-scale marker drawing of a side entrance to a dwelling in Middlebury, VT. To the left, an entrance is flanked by windows with slatted shutters. In the middle is a single story addition to the house with its roof holding chimneys and satellite dishes. To the right, another addition and entrance is cut off from the scene.

Gray-scale marker drawing of a house in Middlebury, VT. A tree, out of view on the right, casts a large sharp shadow of its trunk against the side of a white clapboard house. Craggy branches wind their way into the scene in the upper corners as grass shoots out from a snow covered bed in the foreground.

Gray-scale marker drawing of a barn in. Charlotte, VT. A gray sky hangs above a large barn and its side entrance. In front of the barn are various livestock and hay bales set on a snowy ground with tall grass and bent fencing growing.

Gray-scale marker drawing of the back of apartment buildings in downtown Montpelier, VT. Brick buildings clamor around a parking lot above a single car, covered in snow. Two telephone poles rise from the scene, throwing wires to and fro.

Gray-scale marker drawing of a side entrance to a dwelling in Middlebury, VT. To the left, an entrance is flanked by windows with slatted shutters. In the middle is a single story addition to the house with its roof holding chimneys and satellite dishes. To the right, another addition and entrance is cut off from the scene.

A stylized digital drawing of a face of a white senior man with short, thick white hair, looking to the side. The drawing has sketchy qualities while it attempts to portray skin tones somewhat realistically, with a light-blue color peeking through a top layer of yellowish skin, with some redness in the ears.

Four value marker study of the backside of a white clapboard house. Facades and roofs are stacked in a jumble, with a back entry door prevailing in the lower center of the scene. Windows dot the facades as a chimney rises from the larger roof in the upper third.

Four value marker study of the side entry to a church. Arched, stained windows rest in different sizes on different levels and recesses, below steep roofs.

Four value marker study of the backside of apartments and businesses in downtown Montpelier VT. A telephone wire to the left is lugging multiple transformers, delivering wires to several buildings, as a dark angular shadow cuts from the right to lower left covering empty parking spaces.

Four value marker study of small colonial houses in downtown Middlebury VT. A tall, dark telephone pole stands in the center of the scene, above short house fronts drenched in shadow from sunlight coming from the upper left of the scene.

Four value marker study of the backside of a white clapboard house. Facades and roofs are stacked in a jumble, with a back entry door prevailing in the lower center of the scene. Windows dot the facades as a chimney rises from the larger roof in the upper third.

Four value marker study of the side entry to a church. Arched, stained windows rest in different sizes on different levels and recesses, below steep roofs.

Four value marker study of the backside of apartments and businesses in downtown Montpelier VT. A telephone wire to the left is lugging multiple transformers, delivering wires to several buildings, as a dark angular shadow cuts from the right to lower left covering empty parking spaces.

Four value marker study of small colonial houses in downtown Middlebury VT. A tall, dark telephone pole stands in the center of the scene, above short house fronts drenched in shadow from sunlight coming from the upper left of the scene.

Two four-value notan marker drawing panels from a single sketchbook page. In the left panel is a dark brick building entering from the left with a white wooden framed entry, darkened building shapes in the background and a segmented cement sidewalk in the foreground. In the right panel is a white clapboard business side facade with several electrical boxes, windows and cable wires swooping to the right. Shadows hug eaves and hide behind structures as the sun hangs in the mid-afternoon sky.

Two four-value notan marker drawing panels from a single sketchbook page. In the left panel is a long single story side of a building with various electrical boxes along its facade to the left and a set of windows to the the right. In the background are peaks of houses and chimneys. A tall telephone pole rises in the center, emanating wires. In the right panel is an overhead view of a long empty street with a single car parked slightly in shadows cast from a sharp sun on the right. Flat rooftops creep upward on the left in sunlight.

Two four-value notan marker drawing panels from a single sketchbook page. In the left panel is a dark brick building entering from the left with a white wooden framed entry, darkened building shapes in the background and a segmented cement sidewalk in the foreground. In the right panel is a white clapboard business side facade with several electrical boxes, windows and cable wires swooping to the right. Shadows hug eaves and hide behind structures as the sun hangs in the mid-afternoon sky.

Two four-value notan marker drawing panels from a single sketchbook page. In the left panel is a long single story side of a building with various electrical boxes along its facade to the left and a set of windows to the the right. In the background are peaks of houses and chimneys. A tall telephone pole rises in the center, emanating wires. In the right panel is an overhead view of a long empty street with a single car parked slightly in shadows cast from a sharp sun on the right. Flat rooftops creep upward on the left in sunlight.

A stylized digital drawing of a face of a white senior man with short, thick white hair, looking to the side. The drawing has sketchy qualities while it attempts to portray skin tones somewhat realistically, with a light-blue color peeking through a top layer of yellowish skin, with some redness in the ears.