Four value marker study of small colonial houses in downtown Middlebury VT. A tall, dark telephone pole stands in the center of the scene, above short house fronts drenched in shadow from sunlight coming from the upper left of the scene.

Four value marker study of the backside of apartments and businesses in downtown Montpelier VT. A telephone wire to the left is lugging multiple transformers, delivering wires to several buildings, as a dark angular shadow cuts from the right to lower left covering empty parking spaces.

Four value marker study of the side entry to a church. Arched, stained windows rest in different sizes on different levels and recesses, below steep roofs.

Four value marker study of the backside of a white clapboard house. Facades and roofs are stacked in a jumble, with a back entry door prevailing in the lower center of the scene. Windows dot the facades as a chimney rises from the larger roof in the upper third.

Four value marker study of small colonial houses in downtown Middlebury VT. A tall, dark telephone pole stands in the center of the scene, above short house fronts drenched in shadow from sunlight coming from the upper left of the scene.

Four value marker study of the backside of apartments and businesses in downtown Montpelier VT. A telephone wire to the left is lugging multiple transformers, delivering wires to several buildings, as a dark angular shadow cuts from the right to lower left covering empty parking spaces.

Four value marker study of the side entry to a church. Arched, stained windows rest in different sizes on different levels and recesses, below steep roofs.

Four value marker study of the backside of a white clapboard house. Facades and roofs are stacked in a jumble, with a back entry door prevailing in the lower center of the scene. Windows dot the facades as a chimney rises from the larger roof in the upper third.

Two four-value notan marker drawing panels from a single sketchbook page. In the left panel is a long single story side of a building with various electrical boxes along its facade to the left and a set of windows to the the right. In the background are peaks of houses and chimneys. A tall telephone pole rises in the center, emanating wires. In the right panel is an overhead view of a long empty street with a single car parked slightly in shadows cast from a sharp sun on the right. Flat rooftops creep upward on the left in sunlight.

Two four-value notan marker drawing panels from a single sketchbook page. In the left panel is a dark brick building entering from the left with a white wooden framed entry, darkened building shapes in the background and a segmented cement sidewalk in the foreground. In the right panel is a white clapboard business side facade with several electrical boxes, windows and cable wires swooping to the right. Shadows hug eaves and hide behind structures as the sun hangs in the mid-afternoon sky.

Two four-value notan marker drawing panels from a single sketchbook page. In the left panel is a long single story side of a building with various electrical boxes along its facade to the left and a set of windows to the the right. In the background are peaks of houses and chimneys. A tall telephone pole rises in the center, emanating wires. In the right panel is an overhead view of a long empty street with a single car parked slightly in shadows cast from a sharp sun on the right. Flat rooftops creep upward on the left in sunlight.

Two four-value notan marker drawing panels from a single sketchbook page. In the left panel is a dark brick building entering from the left with a white wooden framed entry, darkened building shapes in the background and a segmented cement sidewalk in the foreground. In the right panel is a white clapboard business side facade with several electrical boxes, windows and cable wires swooping to the right. Shadows hug eaves and hide behind structures as the sun hangs in the mid-afternoon sky.