#solarpunksunday #gardening #jardin #garten #bloomscrolling#FleurisTonFil #flores # #insects #insekten#InsektenSamstag #昆虫 #insectos

🌈Garden colors🌈

Marshmallow root flowers

Starfruit, Thai Giant

Peppers (mostly madhatter, Trinidad perfume, cheiro do norte, Sweet Imposter, zavory)

Maypop, Passiflora incarnata with Xylocopa virginica (eastern carpenter bee)

#solarpunksunday #gardening #jardin #garten #bloomscrolling#FleurisTonFil #flores # #insects #insekten#InsektenSamstag #昆虫 #insectos

🌈Garden colors🌈

Marshmallow root flowers

Starfruit, Thai Giant

Peppers (mostly madhatter, Trinidad perfume, cheiro do norte, Sweet Imposter, zavory)

Maypop, Passiflora incarnata with Xylocopa virginica (eastern carpenter bee)

@iscarlosmolero I'm a new GNU/Linux user, just 5 months. I'm sharing my enthusiasm here, with blog posts and have set-up project at our little library in a nearby town to help folks upgrade. Doing a "Intro to GNU/Linux" presentation next month and offering training on using Free Software like LibreOffice, etc.

So, my answer would be organize a project and volunteer. Libraries are a great place for this.

@skyfaller @pthane

@dennyhenke Thanks for posting. Tagging for #SolarPunkSunday
#StitchIt, Don’t ditch it: Resisting #FastFashion through #VisibleMending

Kaja Šeruga
Fri, June 13, 2025

"Once a month between April and October, a group of stitchers takes to the streets of #EdinburghScotland, making themselves comfortable on camping chairs decorated with hand-embroidered banners inviting people to #stitchitdontditchit. Equipped with sewing baskets and mending skills, they repair their garments in public and teach interested passers-by how to do the same.

"The #EdinburghStreetStitchers, as they call themselves, are part of a growing movement that is reclaiming the ancient art of mending. Historically, mending was done in private and in ways that concealed, rather than announced, the repair. Choosing instead to mend visibly—whether through the color of the stitching or by doing it in a public location—is a statement and a conversation starter, Reasons to be Cheerful says.

" 'You are clearly stating that you have kept this from a #landfill,' says Kate Sekules, a mender who teaches fashion history at the Pratt Institute in New York City’s borough of Brooklyn, and is pursuing a PhD in the history and theory of mending. 'It’s also got the advantage of making everything you own unique and special. And when you’ve invested time and energy and thought and craft into your clothing, you value it so much more.'

"Inspired by the global #StreetStitching movement, the former pharmacist Mary Morton started the #Edinburgh group in 2022, three years after a discussion with her son sent her down a rabbit hole of research and learning about the #ClimateCrisis. 'At the end of all of that, I was absolutely horrified. I thought, ‘What can I do about it?' she recalls.

"Volunteering at the #SHRUBCooperative, which is working to reduce waste in Edinburgh, she learned about the high carbon impact of textiles—producing a kilogram of fabric releases 23 kilograms of greenhouse gases on average. 'I’ve always done a bit of sewing, so I thought teaching people how to sew and repair their garments was something I could do to help,' says Morton. She started teaching sewing at the cooperative’s #ZeroWaste Hub, but quickly realized she was preaching to the choir. 'I wanted to do something to reach out to the broader community and make them aware of the situation,' she says.

"The term 'fast fashion' was coined by the New York Times in 1989 to describe Zara’s business model, which turned a designer’s idea into a garment available to consumers in only 15 days. Today’s ultra-fast fashion retailers have further accelerated the pace of production: #Shein, for example, has created 52 micro-seasons per year and adds up to 10,000 items to its website each day. With plummeting prices and a rising throwaway culture, by 2014, people were buying 60 percent more clothes than at the turn of the millennium, and keeping them for only half as long.

"Today the fashion industry is responsible for 92 million metric tons of #TextileWaste annually, and the dyeing and finishing of textiles causes 20 percent of industrial #WaterPollution. Due to energy-intensive production and long supply chains, the apparel industry is responsible for eight percent to 10 percent of global #CarbonEmissions—more than aviation and shipping combined.

"The quiet, simple act of mending can go a long way toward reducing these impacts: According to research by the climate action NGO WRAP, 82 percent of repaired garments prevent the purchase of a new one, and extending the life of an item of clothing by only nine months reduces its carbon, water and waste footprint by a total of 20 percent to 30 percent.

" 'One of the other big benefits is to #NormalizeMending again,' says Morton. For most of human history, textiles were time-consuming to produce and expensive to buy, so mending them was second nature, says Sekules. Repairs were often visible out of necessity, since matching thread to existing fabric was a costly and often impossible proposition. One of the oldest extant examples of visible mending is a 2,000-year-old Egyptian tunic in the Whitworth Geller’s collection in Manchester, England, though the practice is far older than that. Over millennia people across the world developed their own distinct techniques of darning, embroidery and appliqué, using colorful patches or designs to hide holes and stains. 'It was made to seem deliberate, because it was a shameful sign of poverty to look as if you’ve been mended,' says Sekules.

"As mending fell out of favor in Europe and the U.S. in the late 20th century, the skills associated with it were also lost over time. 'As far as we can tell it used to be passed down the maternal line since time immemorial,' says Sekules. 'Then we forgot about it—culturally, it was just no longer a skillset we needed.'

"In recent years a growing opposition to fast fashion has coalesced under the umbrella of #SlowFashion, a movement championing quality over quantity and responsible use of resources. 'People are becoming more aware that the way we produce is harmful to people and the environment,' says Sam Bennett, maker, researcher and one-half of the duo behind Repair Shop, which takes mending commissions and offers online and in-person mending workshops. 'It’s a smaller, quieter form of #activism that I think is really exciting.'

"The resurgence of mending coincided with early Instagram, with visible mending especially well-suited to such a visual medium, and menders like Celia Pym and Tom van Deijnen started to document their mends on the platform in 2014. 'Those posts and popularity then allowed for people to create public workshops, publish books and so on,' says Bennett, who is working on a timeline documenting how mending skills have been passed on over the past 300 years. Much of the skill-sharing has also moved to virtual spaces, which makes it accessible to anyone with an internet connection. But while they serve their purpose, online workshops don’t have quite the same magic, says Bennett: 'It really started with community and sitting side by side with someone. And I think that in the end, that is still the most successful way to learn.'

https://www.yahoo.com/lifestyle/articles/stitch-don-rsquo-t-ditch-153005359.html

#SolarPunkSunday#VisibleRepair#VisibleMending#Mending#FiberArts#Crafting #DIY #MakeAndMend#RepairDontBuy#ResistFastFashion #BuildingCommunity

#StitchIt, Don’t ditch it: Resisting #FastFashion through #VisibleMending

Kaja Šeruga
Fri, June 13, 2025

"Once a month between April and October, a group of stitchers takes to the streets of #EdinburghScotland, making themselves comfortable on camping chairs decorated with hand-embroidered banners inviting people to #stitchitdontditchit. Equipped with sewing baskets and mending skills, they repair their garments in public and teach interested passers-by how to do the same.

"The #EdinburghStreetStitchers, as they call themselves, are part of a growing movement that is reclaiming the ancient art of mending. Historically, mending was done in private and in ways that concealed, rather than announced, the repair. Choosing instead to mend visibly—whether through the color of the stitching or by doing it in a public location—is a statement and a conversation starter, Reasons to be Cheerful says.

" 'You are clearly stating that you have kept this from a #landfill,' says Kate Sekules, a mender who teaches fashion history at the Pratt Institute in New York City’s borough of Brooklyn, and is pursuing a PhD in the history and theory of mending. 'It’s also got the advantage of making everything you own unique and special. And when you’ve invested time and energy and thought and craft into your clothing, you value it so much more.'

"Inspired by the global #StreetStitching movement, the former pharmacist Mary Morton started the #Edinburgh group in 2022, three years after a discussion with her son sent her down a rabbit hole of research and learning about the #ClimateCrisis. 'At the end of all of that, I was absolutely horrified. I thought, ‘What can I do about it?' she recalls.

"Volunteering at the #SHRUBCooperative, which is working to reduce waste in Edinburgh, she learned about the high carbon impact of textiles—producing a kilogram of fabric releases 23 kilograms of greenhouse gases on average. 'I’ve always done a bit of sewing, so I thought teaching people how to sew and repair their garments was something I could do to help,' says Morton. She started teaching sewing at the cooperative’s #ZeroWaste Hub, but quickly realized she was preaching to the choir. 'I wanted to do something to reach out to the broader community and make them aware of the situation,' she says.

"The term 'fast fashion' was coined by the New York Times in 1989 to describe Zara’s business model, which turned a designer’s idea into a garment available to consumers in only 15 days. Today’s ultra-fast fashion retailers have further accelerated the pace of production: #Shein, for example, has created 52 micro-seasons per year and adds up to 10,000 items to its website each day. With plummeting prices and a rising throwaway culture, by 2014, people were buying 60 percent more clothes than at the turn of the millennium, and keeping them for only half as long.

"Today the fashion industry is responsible for 92 million metric tons of #TextileWaste annually, and the dyeing and finishing of textiles causes 20 percent of industrial #WaterPollution. Due to energy-intensive production and long supply chains, the apparel industry is responsible for eight percent to 10 percent of global #CarbonEmissions—more than aviation and shipping combined.

"The quiet, simple act of mending can go a long way toward reducing these impacts: According to research by the climate action NGO WRAP, 82 percent of repaired garments prevent the purchase of a new one, and extending the life of an item of clothing by only nine months reduces its carbon, water and waste footprint by a total of 20 percent to 30 percent.

" 'One of the other big benefits is to #NormalizeMending again,' says Morton. For most of human history, textiles were time-consuming to produce and expensive to buy, so mending them was second nature, says Sekules. Repairs were often visible out of necessity, since matching thread to existing fabric was a costly and often impossible proposition. One of the oldest extant examples of visible mending is a 2,000-year-old Egyptian tunic in the Whitworth Geller’s collection in Manchester, England, though the practice is far older than that. Over millennia people across the world developed their own distinct techniques of darning, embroidery and appliqué, using colorful patches or designs to hide holes and stains. 'It was made to seem deliberate, because it was a shameful sign of poverty to look as if you’ve been mended,' says Sekules.

"As mending fell out of favor in Europe and the U.S. in the late 20th century, the skills associated with it were also lost over time. 'As far as we can tell it used to be passed down the maternal line since time immemorial,' says Sekules. 'Then we forgot about it—culturally, it was just no longer a skillset we needed.'

"In recent years a growing opposition to fast fashion has coalesced under the umbrella of #SlowFashion, a movement championing quality over quantity and responsible use of resources. 'People are becoming more aware that the way we produce is harmful to people and the environment,' says Sam Bennett, maker, researcher and one-half of the duo behind Repair Shop, which takes mending commissions and offers online and in-person mending workshops. 'It’s a smaller, quieter form of #activism that I think is really exciting.'

"The resurgence of mending coincided with early Instagram, with visible mending especially well-suited to such a visual medium, and menders like Celia Pym and Tom van Deijnen started to document their mends on the platform in 2014. 'Those posts and popularity then allowed for people to create public workshops, publish books and so on,' says Bennett, who is working on a timeline documenting how mending skills have been passed on over the past 300 years. Much of the skill-sharing has also moved to virtual spaces, which makes it accessible to anyone with an internet connection. But while they serve their purpose, online workshops don’t have quite the same magic, says Bennett: 'It really started with community and sitting side by side with someone. And I think that in the end, that is still the most successful way to learn.'

https://www.yahoo.com/lifestyle/articles/stitch-don-rsquo-t-ditch-153005359.html

#SolarPunkSunday#VisibleRepair#VisibleMending#Mending#FiberArts#Crafting #DIY #MakeAndMend#RepairDontBuy#ResistFastFashion #BuildingCommunity

Activists are Designing #MeshNetworks to Deploy During Civil Unrest

By Ella Fassler
October 5, 2021

"Imagine waking up and checking your phone after several evenings of mass demonstrations. You try scrolling through your Twitter feed, but it won’t load. You turn your router off and on to no avail. You try texting a friend to complain, but the message fails to send. Frustrated, you walk outside. People scattered along the sidewalk look as disoriented and confused as you feel—except for police officers and the National Guard, who are forcefully telling everyone to immediately return to their homes over a loudspeaker.

Currently, most of us would have no choice but to retreat into isolation in such a situation. But organizers and programmers with the Mycelium Mesh Project are hoping to provide a solution by designing a decentralized, off-grid mesh network for text communications that could be deployed quickly during government-induced blackouts or natural disasters."

Read more:
https://www.vice.com/en/article/activists-are-designing-mesh-networks-to-deploy-during-civil-unrest/

#SolarPunkSunday#AlternativeCommunication