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Lee 🌏
Lee 🌏
@MrLee@aus.social  ·  activity timestamp 2 days ago
Christian Petersen: Covering alpine skiing is one of the most challenging and rewarding assignments for me. I am always searching for graphic elements to complement the intense action. Slalom's bright gates against the white snow create a striking visual canvas. This image, taken at the Ski World Cup Finals in Idaho, captures that perfectly, blending the racer's motion with a sweep of vivid colour.
Christian Petersen: Covering alpine skiing is one of the most challenging and rewarding assignments for me. I am always searching for graphic elements to complement the intense action. Slalom's bright gates against the white snow create a striking visual canvas. This image, taken at the Ski World Cup Finals in Idaho, captures that perfectly, blending the racer's motion with a sweep of vivid colour.
Christian Petersen: Covering alpine skiing is one of the most challenging and rewarding assignments for me. I am always searching for graphic elements to complement the intense action. Slalom's bright gates against the white snow create a striking visual canvas. This image, taken at the Ski World Cup Finals in Idaho, captures that perfectly, blending the racer's motion with a sweep of vivid colour.
Christian Petersen: It was an honour to be part of the World Athletics Championship in Tokyo, where I set out to capture unique images and fresh perspectives. Noah Lyles' signature pre-race vertical leap inspired me to shoot from high above and behind, creating a new view that highlighted the graphic lines of the track. I was very happy with the result.
Christian Petersen: It was an honour to be part of the World Athletics Championship in Tokyo, where I set out to capture unique images and fresh perspectives. Noah Lyles' signature pre-race vertical leap inspired me to shoot from high above and behind, creating a new view that highlighted the graphic lines of the track. I was very happy with the result.
Christian Petersen: It was an honour to be part of the World Athletics Championship in Tokyo, where I set out to capture unique images and fresh perspectives. Noah Lyles' signature pre-race vertical leap inspired me to shoot from high above and behind, creating a new view that highlighted the graphic lines of the track. I was very happy with the result.
Mahmoud Khaled: I am always searching for grassroots football tournaments in Egypt's villages and working-class neighbourhoods, where spontaneity meets pure passion. The Al-Qudah tournament in Sharqia was one of the most impressively organised I have seen, almost like a professional league match: huge crowds, co-ordinated team entrances, players from the lower divisions, and even referees who officiate in the Egyptian Premier League. What I love most is the journey itself, from discovering the story to reaching the place. The real reward comes afterward, seeing the joy on people's faces when they see their photos published. This frame was taken during the final, capturing the moment a player from Al-Ghaba takes a penalty in the shootout after a 2–2 draw. Al-Numan eventually lifted the trophy.
Mahmoud Khaled: I am always searching for grassroots football tournaments in Egypt's villages and working-class neighbourhoods, where spontaneity meets pure passion. The Al-Qudah tournament in Sharqia was one of the most impressively organised I have seen, almost like a professional league match: huge crowds, co-ordinated team entrances, players from the lower divisions, and even referees who officiate in the Egyptian Premier League. What I love most is the journey itself, from discovering the story to reaching the place. The real reward comes afterward, seeing the joy on people's faces when they see their photos published. This frame was taken during the final, capturing the moment a player from Al-Ghaba takes a penalty in the shootout after a 2–2 draw. Al-Numan eventually lifted the trophy.
Mahmoud Khaled: I am always searching for grassroots football tournaments in Egypt's villages and working-class neighbourhoods, where spontaneity meets pure passion. The Al-Qudah tournament in Sharqia was one of the most impressively organised I have seen, almost like a professional league match: huge crowds, co-ordinated team entrances, players from the lower divisions, and even referees who officiate in the Egyptian Premier League. What I love most is the journey itself, from discovering the story to reaching the place. The real reward comes afterward, seeing the joy on people's faces when they see their photos published. This frame was taken during the final, capturing the moment a player from Al-Ghaba takes a penalty in the shootout after a 2–2 draw. Al-Numan eventually lifted the trophy.
Yong Teck Lim: Photo positions at the World Para Swimming Championships in Singapore were fixed, making it hard to get creative. Still, China's Jincheng Guo was impossible to overlook - competing without goggles, cap and tech suit, and throwing in his trademark bubble technique for good measure. For the first three days he swam only 50m events, leaving me little to capture. On day four the 200m individual medley finally gave me an opening. I went in tight, hoping to catch that bubble magic, and managed this single frame that looks like a UFO. His gold-medal finish made the shot even sweeter.
Yong Teck Lim: Photo positions at the World Para Swimming Championships in Singapore were fixed, making it hard to get creative. Still, China's Jincheng Guo was impossible to overlook - competing without goggles, cap and tech suit, and throwing in his trademark bubble technique for good measure. For the first three days he swam only 50m events, leaving me little to capture. On day four the 200m individual medley finally gave me an opening. I went in tight, hoping to catch that bubble magic, and managed this single frame that looks like a UFO. His gold-medal finish made the shot even sweeter.
Yong Teck Lim: Photo positions at the World Para Swimming Championships in Singapore were fixed, making it hard to get creative. Still, China's Jincheng Guo was impossible to overlook - competing without goggles, cap and tech suit, and throwing in his trademark bubble technique for good measure. For the first three days he swam only 50m events, leaving me little to capture. On day four the 200m individual medley finally gave me an opening. I went in tight, hoping to catch that bubble magic, and managed this single frame that looks like a UFO. His gold-medal finish made the shot even sweeter.
Lee 🌏
Lee 🌏
@MrLee@aus.social  ·  activity timestamp 2 days ago
Christian Petersen: Covering alpine skiing is one of the most challenging and rewarding assignments for me. I am always searching for graphic elements to complement the intense action. Slalom's bright gates against the white snow create a striking visual canvas. This image, taken at the Ski World Cup Finals in Idaho, captures that perfectly, blending the racer's motion with a sweep of vivid colour.
Christian Petersen: Covering alpine skiing is one of the most challenging and rewarding assignments for me. I am always searching for graphic elements to complement the intense action. Slalom's bright gates against the white snow create a striking visual canvas. This image, taken at the Ski World Cup Finals in Idaho, captures that perfectly, blending the racer's motion with a sweep of vivid colour.
Christian Petersen: Covering alpine skiing is one of the most challenging and rewarding assignments for me. I am always searching for graphic elements to complement the intense action. Slalom's bright gates against the white snow create a striking visual canvas. This image, taken at the Ski World Cup Finals in Idaho, captures that perfectly, blending the racer's motion with a sweep of vivid colour.
Christian Petersen: It was an honour to be part of the World Athletics Championship in Tokyo, where I set out to capture unique images and fresh perspectives. Noah Lyles' signature pre-race vertical leap inspired me to shoot from high above and behind, creating a new view that highlighted the graphic lines of the track. I was very happy with the result.
Christian Petersen: It was an honour to be part of the World Athletics Championship in Tokyo, where I set out to capture unique images and fresh perspectives. Noah Lyles' signature pre-race vertical leap inspired me to shoot from high above and behind, creating a new view that highlighted the graphic lines of the track. I was very happy with the result.
Christian Petersen: It was an honour to be part of the World Athletics Championship in Tokyo, where I set out to capture unique images and fresh perspectives. Noah Lyles' signature pre-race vertical leap inspired me to shoot from high above and behind, creating a new view that highlighted the graphic lines of the track. I was very happy with the result.
Mahmoud Khaled: I am always searching for grassroots football tournaments in Egypt's villages and working-class neighbourhoods, where spontaneity meets pure passion. The Al-Qudah tournament in Sharqia was one of the most impressively organised I have seen, almost like a professional league match: huge crowds, co-ordinated team entrances, players from the lower divisions, and even referees who officiate in the Egyptian Premier League. What I love most is the journey itself, from discovering the story to reaching the place. The real reward comes afterward, seeing the joy on people's faces when they see their photos published. This frame was taken during the final, capturing the moment a player from Al-Ghaba takes a penalty in the shootout after a 2–2 draw. Al-Numan eventually lifted the trophy.
Mahmoud Khaled: I am always searching for grassroots football tournaments in Egypt's villages and working-class neighbourhoods, where spontaneity meets pure passion. The Al-Qudah tournament in Sharqia was one of the most impressively organised I have seen, almost like a professional league match: huge crowds, co-ordinated team entrances, players from the lower divisions, and even referees who officiate in the Egyptian Premier League. What I love most is the journey itself, from discovering the story to reaching the place. The real reward comes afterward, seeing the joy on people's faces when they see their photos published. This frame was taken during the final, capturing the moment a player from Al-Ghaba takes a penalty in the shootout after a 2–2 draw. Al-Numan eventually lifted the trophy.
Mahmoud Khaled: I am always searching for grassroots football tournaments in Egypt's villages and working-class neighbourhoods, where spontaneity meets pure passion. The Al-Qudah tournament in Sharqia was one of the most impressively organised I have seen, almost like a professional league match: huge crowds, co-ordinated team entrances, players from the lower divisions, and even referees who officiate in the Egyptian Premier League. What I love most is the journey itself, from discovering the story to reaching the place. The real reward comes afterward, seeing the joy on people's faces when they see their photos published. This frame was taken during the final, capturing the moment a player from Al-Ghaba takes a penalty in the shootout after a 2–2 draw. Al-Numan eventually lifted the trophy.
Yong Teck Lim: Photo positions at the World Para Swimming Championships in Singapore were fixed, making it hard to get creative. Still, China's Jincheng Guo was impossible to overlook - competing without goggles, cap and tech suit, and throwing in his trademark bubble technique for good measure. For the first three days he swam only 50m events, leaving me little to capture. On day four the 200m individual medley finally gave me an opening. I went in tight, hoping to catch that bubble magic, and managed this single frame that looks like a UFO. His gold-medal finish made the shot even sweeter.
Yong Teck Lim: Photo positions at the World Para Swimming Championships in Singapore were fixed, making it hard to get creative. Still, China's Jincheng Guo was impossible to overlook - competing without goggles, cap and tech suit, and throwing in his trademark bubble technique for good measure. For the first three days he swam only 50m events, leaving me little to capture. On day four the 200m individual medley finally gave me an opening. I went in tight, hoping to catch that bubble magic, and managed this single frame that looks like a UFO. His gold-medal finish made the shot even sweeter.
Yong Teck Lim: Photo positions at the World Para Swimming Championships in Singapore were fixed, making it hard to get creative. Still, China's Jincheng Guo was impossible to overlook - competing without goggles, cap and tech suit, and throwing in his trademark bubble technique for good measure. For the first three days he swam only 50m events, leaving me little to capture. On day four the 200m individual medley finally gave me an opening. I went in tight, hoping to catch that bubble magic, and managed this single frame that looks like a UFO. His gold-medal finish made the shot even sweeter.
Sam Beebe boosted
Bob Tregilus
Bob Tregilus
@elaterite@mastoart.social  ·  activity timestamp 3 weeks ago
A color landscape photo of two longboard skiers about half way down the race hill. The old wood ski lodge is seen in the upper right. A crowd of people stand along the race hill in front of the lodge. Tall green conifer trees are seen in the background.
A color landscape photo of two longboard skiers about half way down the race hill. The old wood ski lodge is seen in the upper right. A crowd of people stand along the race hill in front of the lodge. Tall green conifer trees are seen in the background.
A color landscape photo of two longboard skiers about half way down the race hill. The old wood ski lodge is seen in the upper right. A crowd of people stand along the race hill in front of the lodge. Tall green conifer trees are seen in the background.
A color landscape photo of two women racing down a snow covered hill on old fashioned longboard skis. They both wear dresses that look old style. Each skier hold a long wood pole with a disk on the bottom. The pole is used as brakes at the bottom of the run.
A color landscape photo of two women racing down a snow covered hill on old fashioned longboard skis. They both wear dresses that look old style. Each skier hold a long wood pole with a disk on the bottom. The pole is used as brakes at the bottom of the run.
A color landscape photo of two women racing down a snow covered hill on old fashioned longboard skis. They both wear dresses that look old style. Each skier hold a long wood pole with a disk on the bottom. The pole is used as brakes at the bottom of the run.
A color landscape photo of two men in old style looking clothes leaning forward and about to launch their longboard skis down a hill. Two other men behind the ski competitors stand watching while a photography across from me is photographing the same scene.
A color landscape photo of two men in old style looking clothes leaning forward and about to launch their longboard skis down a hill. Two other men behind the ski competitors stand watching while a photography across from me is photographing the same scene.
A color landscape photo of two men in old style looking clothes leaning forward and about to launch their longboard skis down a hill. Two other men behind the ski competitors stand watching while a photography across from me is photographing the same scene.
A sepia toned landscape photo of about 50 people standing in front of an old wooden ski lodge in the mountains. The ground is snow covered and there are conifer trees in the background behind the lodge. A long narrow sign at ground level reads, "Historic Longboard Revival Series, Plumas Ski Club. Behind the sign are the 50 people balancing vertically many longboard ski that over 6 meters (20 feet) long.
A sepia toned landscape photo of about 50 people standing in front of an old wooden ski lodge in the mountains. The ground is snow covered and there are conifer trees in the background behind the lodge. A long narrow sign at ground level reads, "Historic Longboard Revival Series, Plumas Ski Club. Behind the sign are the 50 people balancing vertically many longboard ski that over 6 meters (20 feet) long.
A sepia toned landscape photo of about 50 people standing in front of an old wooden ski lodge in the mountains. The ground is snow covered and there are conifer trees in the background behind the lodge. A long narrow sign at ground level reads, "Historic Longboard Revival Series, Plumas Ski Club. Behind the sign are the 50 people balancing vertically many longboard ski that over 6 meters (20 feet) long.
The Japan Times
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp 2 weeks ago
jaz :twt: :wales_flag:
jaz :twt: :wales_flag:
@jaz@toot.wales  ·  activity timestamp 3 weeks ago
Flipboard boosted
Flipboard Culture Desk
Flipboard Culture Desk
@CultureDesk@flipboard.social  ·  activity timestamp 3 weeks ago
Bob Tregilus
Bob Tregilus
@elaterite@mastoart.social  ·  activity timestamp 3 weeks ago
A color landscape photo of two longboard skiers about half way down the race hill. The old wood ski lodge is seen in the upper right. A crowd of people stand along the race hill in front of the lodge. Tall green conifer trees are seen in the background.
A color landscape photo of two longboard skiers about half way down the race hill. The old wood ski lodge is seen in the upper right. A crowd of people stand along the race hill in front of the lodge. Tall green conifer trees are seen in the background.
A color landscape photo of two longboard skiers about half way down the race hill. The old wood ski lodge is seen in the upper right. A crowd of people stand along the race hill in front of the lodge. Tall green conifer trees are seen in the background.
A color landscape photo of two women racing down a snow covered hill on old fashioned longboard skis. They both wear dresses that look old style. Each skier hold a long wood pole with a disk on the bottom. The pole is used as brakes at the bottom of the run.
A color landscape photo of two women racing down a snow covered hill on old fashioned longboard skis. They both wear dresses that look old style. Each skier hold a long wood pole with a disk on the bottom. The pole is used as brakes at the bottom of the run.
A color landscape photo of two women racing down a snow covered hill on old fashioned longboard skis. They both wear dresses that look old style. Each skier hold a long wood pole with a disk on the bottom. The pole is used as brakes at the bottom of the run.
A color landscape photo of two men in old style looking clothes leaning forward and about to launch their longboard skis down a hill. Two other men behind the ski competitors stand watching while a photography across from me is photographing the same scene.
A color landscape photo of two men in old style looking clothes leaning forward and about to launch their longboard skis down a hill. Two other men behind the ski competitors stand watching while a photography across from me is photographing the same scene.
A color landscape photo of two men in old style looking clothes leaning forward and about to launch their longboard skis down a hill. Two other men behind the ski competitors stand watching while a photography across from me is photographing the same scene.
A sepia toned landscape photo of about 50 people standing in front of an old wooden ski lodge in the mountains. The ground is snow covered and there are conifer trees in the background behind the lodge. A long narrow sign at ground level reads, "Historic Longboard Revival Series, Plumas Ski Club. Behind the sign are the 50 people balancing vertically many longboard ski that over 6 meters (20 feet) long.
A sepia toned landscape photo of about 50 people standing in front of an old wooden ski lodge in the mountains. The ground is snow covered and there are conifer trees in the background behind the lodge. A long narrow sign at ground level reads, "Historic Longboard Revival Series, Plumas Ski Club. Behind the sign are the 50 people balancing vertically many longboard ski that over 6 meters (20 feet) long.
A sepia toned landscape photo of about 50 people standing in front of an old wooden ski lodge in the mountains. The ground is snow covered and there are conifer trees in the background behind the lodge. A long narrow sign at ground level reads, "Historic Longboard Revival Series, Plumas Ski Club. Behind the sign are the 50 people balancing vertically many longboard ski that over 6 meters (20 feet) long.
Fitness Foundry (Coach Julio)
Fitness Foundry (Coach Julio)
@Fitnessfoundry@mas.to  ·  activity timestamp 3 weeks ago
jaz :twt: :wales_flag:
jaz :twt: :wales_flag:
@jaz@toot.wales  ·  activity timestamp 3 weeks ago
Flipboard Culture Desk
Flipboard Culture Desk
@CultureDesk@flipboard.social  ·  activity timestamp 3 weeks ago
Surf
Surf
@surf@flipboard.social  ·  activity timestamp last month
The Japan Times
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp last month
The Japan Times
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp last month
Ben Royce 🇺🇦 🇸🇩
Ben Royce 🇺🇦 🇸🇩
@benroyce@mastodon.social  ·  activity timestamp last month
a man skateboards fast down a hill, using metal discs on his wrist to slow down and stop, throwing sparks