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1984

Paperback Edition
400 pages
Published in 2020 by Éditions Gallimard

Année 1984 en Océanie. 1984 ? C'est en tout cas ce qu'il semble à Winston, qui ne saurait toutefois en jurer. Le passé a été réinventé, et les événements les plus récents sont susceptibles d'être modifiés. Winston est lui-même chargé de récrire les archives qui contredisent le présent et les promesses de Big Brother. Grâce à une technologie de pointe, ce dernier sait tout, voit tout. Liberté est Servitude. Ignorance est Puissance. Telles sont les devises du régime. Pourtant Winston refuse de perdre espoir. Avec l'insoumise...

Traduction de Philippe Jaworski.

The Materials and Techniques of Medieval Painting

Paperback Edition
239 pages
Published in 1956 by Dover Publications

Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes.

Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting.

It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques.

Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence.