Wendy Palmer
@wendypalmer@mastodon.au  ·  activity timestamp 2 weeks ago
Mood board for Grace & Favour. Has a painting by Turner (a watercolour of Hampton Court Palace from across the river), a daguerreotype in a case, a ghost postcard, a Scots phrasebook, and a big picture of Max, a Maremma livestock guard dog, big, white and fluffy.
Mood board for Grace & Favour. Has a painting by Turner (a watercolour of Hampton Court Palace from across the river), a daguerreotype in a case, a ghost postcard, a Scots phrasebook, and a big picture of Max, a Maremma livestock guard dog, big, white and fluffy.
Mood board for Grace & Favour. Has a painting by Turner (a watercolour of Hampton Court Palace from across the river), a daguerreotype in a case, a ghost postcard, a Scots phrasebook, and a big picture of Max, a Maremma livestock guard dog, big, white and fluffy.
Cover of Grace & Favour. Blue and brass-yellow colours predominant. The title is in fancy font at the top, and there's what looks like a photo portrait in an ornate frame, of two men, one in a top hat, one holding a pocket watch, and a large white dog. In the background of the photo (actually a daguerreotype, but anachronistically in colour), there is the faint impression of a woman, transparent...you could say, almost ghostly...
Cover of Grace & Favour. Blue and brass-yellow colours predominant. The title is in fancy font at the top, and there's what looks like a photo portrait in an ornate frame, of two men, one in a top hat, one holding a pocket watch, and a large white dog. In the background of the photo (actually a daguerreotype, but anachronistically in colour), there is the faint impression of a woman, transparent...you could say, almost ghostly...
Cover of Grace & Favour. Blue and brass-yellow colours predominant. The title is in fancy font at the top, and there's what looks like a photo portrait in an ornate frame, of two men, one in a top hat, one holding a pocket watch, and a large white dog. In the background of the photo (actually a daguerreotype, but anachronistically in colour), there is the faint impression of a woman, transparent...you could say, almost ghostly...
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