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Assoc for Scottish Literature
@scotlit@mastodon.scot  ·  activity timestamp 4 months ago

As well as scriptwriting, Moon achieved critical success with her 1929 novel DARK STAR – “an uncompromising picture of rural life… it explores the precarious social structures, sexual instabilities & surface hypocrisies that shape its confines”. It was adapted for the screen as MIN & BILL (1930), starring Marie Dressler & Wallace Beery

2/4

#Scottish #literature #20thcentury #womenwriters #screenwriting #Hollywood #HollywoodHistory #film #cinema #Aberdeenshire

Cover of the first edition of Lorna Moon’s novel DARK STAR (1929)

A striking red cover, with large, bold black lettering across the top, reading

DARK
STAR

The bottom third of the cover is dominated by a single, high, curling white wave. On top of that, along the base of the cover, are three smaller black wakes. Written on top of the black waves, in white, is the author's name: LORNA MOON
Cover of the first edition of Lorna Moon’s novel DARK STAR (1929) A striking red cover, with large, bold black lettering across the top, reading DARK STAR The bottom third of the cover is dominated by a single, high, curling white wave. On top of that, along the base of the cover, are three smaller black wakes. Written on top of the black waves, in white, is the author's name: LORNA MOON
Cover of the first edition of Lorna Moon’s novel DARK STAR (1929) A striking red cover, with large, bold black lettering across the top, reading DARK STAR The bottom third of the cover is dominated by a single, high, curling white wave. On top of that, along the base of the cover, are three smaller black wakes. Written on top of the black waves, in white, is the author's name: LORNA MOON
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Assoc for Scottish Literature
@scotlit@mastodon.scot replied  ·  activity timestamp 4 months ago

As well as scriptwriting, Moon achieved critical success with her 1929 novel DARK STAR – “an uncompromising picture of rural life… it explores the precarious social structures, sexual instabilities & surface hypocrisies that shape its confines”. It was adapted for the screen as MIN & BILL (1930), starring Marie Dressler & Wallace Beery

2/4

#Scottish #literature #20thcentury #womenwriters #screenwriting #Hollywood #HollywoodHistory #film #cinema #Aberdeenshire

Cover of the first edition of Lorna Moon’s novel DARK STAR (1929)

A striking red cover, with large, bold black lettering across the top, reading

DARK
STAR

The bottom third of the cover is dominated by a single, high, curling white wave. On top of that, along the base of the cover, are three smaller black wakes. Written on top of the black waves, in white, is the author's name: LORNA MOON
Cover of the first edition of Lorna Moon’s novel DARK STAR (1929) A striking red cover, with large, bold black lettering across the top, reading DARK STAR The bottom third of the cover is dominated by a single, high, curling white wave. On top of that, along the base of the cover, are three smaller black wakes. Written on top of the black waves, in white, is the author's name: LORNA MOON
Cover of the first edition of Lorna Moon’s novel DARK STAR (1929) A striking red cover, with large, bold black lettering across the top, reading DARK STAR The bottom third of the cover is dominated by a single, high, curling white wave. On top of that, along the base of the cover, are three smaller black wakes. Written on top of the black waves, in white, is the author's name: LORNA MOON
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Assoc for Scottish Literature
@scotlit@mastodon.scot replied  ·  activity timestamp 4 months ago

“The story of how Marion & Kate Corbaley tricked the studio executives into paying Lorna Moon $7500, while reviving Marie Dressler’s career, should be a legend in the history of female networking in the motion picture business”

from the Women Film Pioneers Project, Columbia University

3/4

https://wfpp.columbia.edu/pioneer/ccp-lorna-moon/

#Scottish #literature #20thcentury #womenwriters #screenwriting #Hollywood #HollywoodHistory #film #cinema #Aberdeenshire

Lobby card for the 1930 film Min and Bill.

A downwards-pointing triangular cut frames a photograph of "Min and Bill", played by Marie Dressler and Wallace Beery. "Min" is a middle-aged woman with short dark hair. She is cradling the head of "Bill", a middle-aged man. "Min" looks steely and determined; "Bill" looks dazed and confused, and is draped in a fishing net.

Text reads: A Metro-Goldwyn-Mayer ALL TALKING picture

Marie Dressler
Wallace Beery
in
MIN and BILL

A George Hill production

Suggested from the book "Dark Star" by Lorna Moon
Scenario and dialogue by Frances Marion and Marion Jackson – Directed by George Hill
Lobby card for the 1930 film Min and Bill. A downwards-pointing triangular cut frames a photograph of "Min and Bill", played by Marie Dressler and Wallace Beery. "Min" is a middle-aged woman with short dark hair. She is cradling the head of "Bill", a middle-aged man. "Min" looks steely and determined; "Bill" looks dazed and confused, and is draped in a fishing net. Text reads: A Metro-Goldwyn-Mayer ALL TALKING picture Marie Dressler Wallace Beery in MIN and BILL A George Hill production Suggested from the book "Dark Star" by Lorna Moon Scenario and dialogue by Frances Marion and Marion Jackson – Directed by George Hill
Lobby card for the 1930 film Min and Bill. A downwards-pointing triangular cut frames a photograph of "Min and Bill", played by Marie Dressler and Wallace Beery. "Min" is a middle-aged woman with short dark hair. She is cradling the head of "Bill", a middle-aged man. "Min" looks steely and determined; "Bill" looks dazed and confused, and is draped in a fishing net. Text reads: A Metro-Goldwyn-Mayer ALL TALKING picture Marie Dressler Wallace Beery in MIN and BILL A George Hill production Suggested from the book "Dark Star" by Lorna Moon Scenario and dialogue by Frances Marion and Marion Jackson – Directed by George Hill
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Assoc for Scottish Literature
@scotlit@mastodon.scot replied  ·  activity timestamp 4 months ago

Lorna Moon, she liked the ring of it,
transformed from Nora Helen Wilson Low.
Names need to have a resonance, a fit
and this could take her where she yearned to go…

—Kay Clive, “Lorna Moon”
published in NORTHWORDS NOW 40 (Autumn-Winter 2020)

4/4

https://www.northwordsnow.co.uk/issue40/Lorna-Moon

#Scottish #literature #20thcentury #womenwriters #screenwriting #Hollywood #HollywoodHistory #film #cinema #Aberdeenshire #poem #poetry

LORNA MOON
BORN STRICHEN 1886, DIED NEW MEXICO 1930
BY KAY CLIVE

Lorna Moon, she liked the ring of it,
transformed from Nora Helen Wilson Low.
Names need to have a resonance, a fit
and this could take her where she yearned to go.
“Shameless”, they called her in the staid wee town,
between the Buchan farmland and the sea,
writing about the folk she’d always known
probing pretence, revealing oddity.
The library refused to stock her book -
the quine whose scripts had dazzled Hollywood
was shunned in Strichen. They could not overlook
that searing light that showed more than it should.

She planned a journey home  when gravely ill,
her ashes in a “trochie”, back to Mormond Hill.
LORNA MOON BORN STRICHEN 1886, DIED NEW MEXICO 1930 BY KAY CLIVE Lorna Moon, she liked the ring of it, transformed from Nora Helen Wilson Low. Names need to have a resonance, a fit and this could take her where she yearned to go. “Shameless”, they called her in the staid wee town, between the Buchan farmland and the sea, writing about the folk she’d always known probing pretence, revealing oddity. The library refused to stock her book - the quine whose scripts had dazzled Hollywood was shunned in Strichen. They could not overlook that searing light that showed more than it should. She planned a journey home when gravely ill, her ashes in a “trochie”, back to Mormond Hill.
LORNA MOON BORN STRICHEN 1886, DIED NEW MEXICO 1930 BY KAY CLIVE Lorna Moon, she liked the ring of it, transformed from Nora Helen Wilson Low. Names need to have a resonance, a fit and this could take her where she yearned to go. “Shameless”, they called her in the staid wee town, between the Buchan farmland and the sea, writing about the folk she’d always known probing pretence, revealing oddity. The library refused to stock her book - the quine whose scripts had dazzled Hollywood was shunned in Strichen. They could not overlook that searing light that showed more than it should. She planned a journey home when gravely ill, her ashes in a “trochie”, back to Mormond Hill.
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