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Michael Whelan
Michael Whelan
@MichaelWhelan@mastodon.art  ·  activity timestamp 24 hours ago

STONE OF FAREWELL (1989)
Acrylic on Canvas - 21” X 46”

The main problem in doing what is called a wraparound cover—art that wraps around from the front to the back of the book—is in trying to avoid pieces that look like two different paintings stuck together. 1/4

#fantasy #illustration #bookcover #tadwilliams #ostenard #dawbooks

Standing in a wintry forest, a man grips the blade of a smooth black sword that stands hilt up as tall as he is. In a kaleidoscope of thousands of wings, butterflies burst through the woods behind him. Dour faced, Simon is wrapped plainly in heavy green cloak. A snowy lock set in red hair sweeps wide across his forehead. The channel of a scar meanders down from his temple following the curve of his cheek all the way to his jaw. He clutches a white arrow and silver hand mirror in the crook of his arm. Set opposite panel left, the forest opens to a serene view of a lake. Framed by birch trees, a tall cool stone rises from the water. Barely perceptible, a castle sits at the top. The shape of the stone implies an open hand in its gray outline. Evergreens line tiered ridges, arching low on the rock to suggest a bearded face.
Standing in a wintry forest, a man grips the blade of a smooth black sword that stands hilt up as tall as he is. In a kaleidoscope of thousands of wings, butterflies burst through the woods behind him. Dour faced, Simon is wrapped plainly in heavy green cloak. A snowy lock set in red hair sweeps wide across his forehead. The channel of a scar meanders down from his temple following the curve of his cheek all the way to his jaw. He clutches a white arrow and silver hand mirror in the crook of his arm. Set opposite panel left, the forest opens to a serene view of a lake. Framed by birch trees, a tall cool stone rises from the water. Barely perceptible, a castle sits at the top. The shape of the stone implies an open hand in its gray outline. Evergreens line tiered ridges, arching low on the rock to suggest a bearded face.
Standing in a wintry forest, a man grips the blade of a smooth black sword that stands hilt up as tall as he is. In a kaleidoscope of thousands of wings, butterflies burst through the woods behind him. Dour faced, Simon is wrapped plainly in heavy green cloak. A snowy lock set in red hair sweeps wide across his forehead. The channel of a scar meanders down from his temple following the curve of his cheek all the way to his jaw. He clutches a white arrow and silver hand mirror in the crook of his arm. Set opposite panel left, the forest opens to a serene view of a lake. Framed by birch trees, a tall cool stone rises from the water. Barely perceptible, a castle sits at the top. The shape of the stone implies an open hand in its gray outline. Evergreens line tiered ridges, arching low on the rock to suggest a bearded face.
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