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petersuber
@petersuber@fediscience.org  ·  activity timestamp 2 weeks ago

"For Researchers in the Humanities, Is Open Really Fair?"
https://katinamagazine.org/content/article/open-knowledge/2025/for-researchers-in-the-humanities-is-open-really-fair

PS: This article objects to #APCs and "transformative" (#ReadAndPublish) agreements, especially in the humanities. So far, so good. But then it leaves the false impression that all or most #OpenAccess falls into those two categories, which is false and harmful. It never mentions #GreenOA. It mentions #DiamondOA once, for books, and never for articles. It's strong on problems and very weak and even misleading on solutions.

I share the objections to APCs and read-and-publish agreements. I wrote stronger versions of them, extended to all disciplines, for the Budapest Open Access Initiative 20th anniversary statement.
https://www.budapestopenaccessinitiative.org/boai20/

I'm in the humanities and (with the exception of one 1999 book) have made all my books and articles OA. I've never paid an APC and never will. I boycott APC-based publishers both as an author and referee and encourage others to do so.

Scholars in the humanities need accurate info about their OA options, not one-sided criticism of OA as such.

#BOAI20 #Humanities

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Walt Crawford
@waltcrawford@mastodon.social replied  ·  activity timestamp 2 weeks ago

@petersuber Well after all, there were only 210,000 diamond OA humanities/social science articles in 2024, so maybe Katina just didn't notice?

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Zack Batist
@zackbatist@archaeo.social replied  ·  activity timestamp 2 weeks ago

@petersuber "their research and publication practices do not always fit neatly onto open research templates—for example, those governing date reuse and interoperability."

This is dead on, though. Too bad they conflate OA publishing with the whole apparatus of open science. As you remarked from your own experience, publishing manuscripts is a relatively easy hurdle to jump through, but it gets more complicated when factoring in data sharing, reproducibility and experimental media.

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