In a worm's eye view up a massive stepped wall, a solitary figure crouches on the bottom tier looking up, awed by a view of concrete climbing as far as he can see. The facade shows intricate patterns, like many derelict building merged together. A trapezoid of filtered light stretches along the side wall hinting at a way out somewhere off panel. The muted tones, just gray and rust with a slight hint of blue, combine with dusty quality to give the painting an oppressive atmosphere.