Instance directory: post.lurk.org
making live coded computer music as 'eye measure' ✽ organising things @patternclubsheffield ✽ + doing a phd at university of sheffield ✽
Computing and digital art lecturer at SETU (ex IT Carlow), media artist and graphic designer, based in Carlow Ireland
PhD researcher in Education and Social Justice at Lancaster University
Chipmusic and text graphics. In a good way. Aciiieeed!
Teacher and learner.
Queer. Nonbinary, bi, aroace.
Anti-racist. Intersectional feminist. Anticapitalist, although trapped by capitalist forces.
In my fifties.
I laugh a lot.
Sound artist exploring the human voice, simulacrum, and mechanisms for lyricism.
These are some of my favorite things: vocal synthesis, generative music, Palestrina, audio DSP, baking, croissants, tea, dogs, grids, retrogaming, computer graphics, powers of 2, 1-bit art/sound.
Over the years, I've developed several audio engines and music software ecosystems, and like to talk about them here. I also have a quieter account where I mainly talk about vocal synthesis: @patchlore
inveterate walker. working on it.
The Libre Graphics Meeting (LGM) is an annual meeting on free/libre and open source software for graphics.
At the conference an when watching the streams: use our chat for comments, latest updates and coordination.
Our IRC is at “#lgm” at irc.libera.chat: https://libera.chat/guides/connect
There is a Matrix channel that also bridges to the IRC at #lgm:kde.org: https://matrix.to/#/%23lgm:kde.org
between book and web — quaternum.net
internet synths
graphic design × web+print FR
passion livres, code(s) et jeux de mots
toots mostly in french but occasionally in english (passions are books, code(s) and word plays)
open source enthusiast
Professor of Film, Media, and Digital Studies at Davidson College. Makes weird things for the internet. Teaches, researches, and practices computational creativity. Current project: reading Moby Dick a few words at a time for the next 150 years.
I founded Disquiet.com in 1996 at the intersection of sound, art, and technology. Since 2012 I've moderated the Disquiet Junto, a community of weekly music/sonic projects. I publish the email newsletter This Week in Sound, and I've written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. I'm the author of the 33⅓ book on Aphex Twin’s classic album Selected Ambient Works Volume II. I spend weekends mostly offline.
Hi , I'm Quentin, I'm graphic designer free-software and #webtoprint enthusiast
Retired but working IT person in London. Philosophy mainly political and logic, open source, anarchism (Bookchinism!),ecology, music, and miscellaneous mischief. I have left X now to 'celebrate' Trump. The picture is Umi paddling near the statues Gruissan Plage, chalets in the distance.
Well qualified clown now too, last workshop with:
https://www.lucyhopkins.com/ highly recommended. No red noses.
With Miriyam Aouragh, @Seda, @Crittercompiler and @jxxx running the activist research gathering @titipi. Part of the Infrastructural Rehearsals Collective and supporting local mail and storage at @nubo_coop
#CloudAbolition #PalestineWillBeFree #TransSolidarity #NoTechForGenocide
The Institute for Technology in the Public Interest (TITiPI) is a trans-practice gathering of activists, artists, engineers and theorists ran by Miriyam Aouragh, Seda Gürses, Helen Pritchard and Femke Snelting. TITiPI generates currently inexistant vocabularies, methodologies and imaginaries for articulating, activating and re-imagining the way that "Digital Transformation" impacts the capacity of public institutions.
Bye Bye Binary (BBB) is a Franco-Belgian collective, a pedagogical experiment, a community, a variable typo·graphic design workshop, a network, an alliance.
Bye Bye Binary (BBB) est une collective franco-belge, une expérimentation pédagogique, une communauté, un atelier de création typo·graphique variable, un réseau, une alliance.
Practice-based research in arts and design. Interested in sociotechnical systems, DIY, self-organization and alternative technological trajectories.