We’re kind of having a Vendôme moment, eh?
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I was *sure* I had seen Vendôme in a French film from the late fifties or early sixties, and somewhat recently I went through a bunch of them to see if I could jog my memory. Now I realize, after reading Doug Hayes’s fantastic case study of Rempart, that I was probably thinking of Louis Malle’s Ascenseur pour l’échafaud.
Do read this case study; it’s great. It also features a favorite image of mine: Fonderie Olive’s display at the Salon International des Techniques: a type specimen visitors can walk through.
@litherland You’re reminding me that I have a question about type and J-LG films.
@adamgreenfield Ah, I may have a link for you, please hold :)