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Jo - pièce de résistance
Jo - pièce de résistance
@JoBlakely@mastodon.social  ·  activity timestamp 4 weeks ago

Another fairly quick study painting today.
It’s been a very good art day. Same model, slightly different pose. Much better painting, imo.

Maybe some tiny tweaks when I have better light to see it in. Quite please with it.

Oil painting, 6 x 8”

#art #artwork #portrait #portraitpainting #mastoart #oilpainting #redhead

A white woman with long red hair leaning her head on her hand, making her mouth stretch a bit to one side. She is wearing a white shirt.
A white woman with long red hair leaning her head on her hand, making her mouth stretch a bit to one side. She is wearing a white shirt.
A white woman with long red hair leaning her head on her hand, making her mouth stretch a bit to one side. She is wearing a white shirt.
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Jo - pièce de résistance
Jo - pièce de résistance
@JoBlakely@mastodon.social  ·  activity timestamp 4 weeks ago

Another fairly quick study painting today.
It’s been a very good art day. Same model, slightly different pose. Much better painting, imo.

Maybe some tiny tweaks when I have better light to see it in. Quite please with it.

Oil painting, 6 x 8”

#art #artwork #portrait #portraitpainting #mastoart #oilpainting #redhead

A white woman with long red hair leaning her head on her hand, making her mouth stretch a bit to one side. She is wearing a white shirt.
A white woman with long red hair leaning her head on her hand, making her mouth stretch a bit to one side. She is wearing a white shirt.
A white woman with long red hair leaning her head on her hand, making her mouth stretch a bit to one side. She is wearing a white shirt.
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Laura G, Sassy 70’s
Laura G, Sassy 70’s
@LauraJG@deacon.social  ·  activity timestamp 5 months ago

Your art history post for today: by Jules Bastien-Lepage (French, 1848-1884), Portrait de Sarah Bernhardt, 1879, oil on canvas, 17 1/8 x 13 5/8 in. (43.5 x 34.6 cm.), photo: Christie’s New York, 20 Oct 2022. #arthistory #portrait #portraitpainting #painting #oilpainting

Excerpt from the Lot Essay: “… in profile to focus on her form - clad in figure-hugging silk brocades, offset by an extravagant chiffon bow at the neck. Surface, thus exposed, contained soul. The eye ranges freely over the narrow seventeen-inch waist, the ramrod line of her back, the measurement between ear, nose and mouth, carefully calibrated, and the shock of unruly tresses tamed, it was said, by no more than two pins. By its very nature, a profile is more intimate than a full face; we observe without being observed. The mask is not in place and the eyes do not distract. In this instance, they cast their gaze upon a sculpture as a connoisseur might, and the piece Mlle Bernhardt delicately fingers is that of Orpheus, given to her to hold at this moment by Bastien-Lepage, in order to compliment and express her aspirations as a sculptor.”
Excerpt from the Lot Essay: “… in profile to focus on her form - clad in figure-hugging silk brocades, offset by an extravagant chiffon bow at the neck. Surface, thus exposed, contained soul. The eye ranges freely over the narrow seventeen-inch waist, the ramrod line of her back, the measurement between ear, nose and mouth, carefully calibrated, and the shock of unruly tresses tamed, it was said, by no more than two pins. By its very nature, a profile is more intimate than a full face; we observe without being observed. The mask is not in place and the eyes do not distract. In this instance, they cast their gaze upon a sculpture as a connoisseur might, and the piece Mlle Bernhardt delicately fingers is that of Orpheus, given to her to hold at this moment by Bastien-Lepage, in order to compliment and express her aspirations as a sculptor.”
Excerpt from the Lot Essay: “… in profile to focus on her form - clad in figure-hugging silk brocades, offset by an extravagant chiffon bow at the neck. Surface, thus exposed, contained soul. The eye ranges freely over the narrow seventeen-inch waist, the ramrod line of her back, the measurement between ear, nose and mouth, carefully calibrated, and the shock of unruly tresses tamed, it was said, by no more than two pins. By its very nature, a profile is more intimate than a full face; we observe without being observed. The mask is not in place and the eyes do not distract. In this instance, they cast their gaze upon a sculpture as a connoisseur might, and the piece Mlle Bernhardt delicately fingers is that of Orpheus, given to her to hold at this moment by Bastien-Lepage, in order to compliment and express her aspirations as a sculptor.”
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