The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp 3 days ago
ken Tucky Swinson
@kenSwinson@indieweb.social  ·  activity timestamp 2 weeks ago
ken Tucky Swinson
@kenSwinson@indieweb.social  ·  activity timestamp 2 weeks ago
ken Tucky Swinson
@kenSwinson@indieweb.social  ·  activity timestamp 4 weeks ago
a teapot decorated with a rainbow and flying Canada geese. The lid's knob is shaped like a Canada goose.
ken Tucky Swinson
@kenSwinson@indieweb.social  ·  activity timestamp 4 weeks ago
a teapot decorated with a rainbow and flying Canada geese. The lid's knob is shaped like a Canada goose.
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp 4 weeks ago
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp 4 weeks ago
Børge
@forteller@tutoteket.no  ·  activity timestamp last month
Cress 🏴󠁧󠁢󠁷󠁬󠁳󠁿 🌻
@lexicaleigh@toot.wales  ·  activity timestamp 2 months ago
alcinnz
alcinnz boosted
Eric R. Scott
@LeafyEricScott@hachyderm.io  ·  activity timestamp 2 months ago
ph00lt0 ➡️ Bornhack 🔜 WHY2025
@ph00lt0@mastodon.social  ·  activity timestamp 2 months ago
Eric R. Scott
@LeafyEricScott@hachyderm.io  ·  activity timestamp 2 months ago
Lorry
@lorry@infosec.exchange  ·  activity timestamp 3 months ago
In the foreground at right you see a young man in a dark green hooded jacket, leaning slightly forward as he writes into a small notebook. A pair of binoculars hangs around his neck and a camera strap dangles from his wrist. He’s standing on a narrow yellow line marked “Mind the Gap” beside the platform edge. To his left sits a two‑car diesel train painted in off‑white with a crimson stripe, its front end showing the number “5849” and a headboard reading “via Kingston 24.” Steam or diesel exhaust drifts faintly from its roof‑mounted exhaust port. The train’s doors are open, but no other passengers are visible. Further back on the platform, a middle‑aged woman in a dark overcoat and sensible shoes is pouring tea (or coffee) from a bright blue thermos into a matching mug. Behind her, the station’s red‑painted lamp‑posts, signboards and a low brick waiting shelter stretch into the distance. Beyond the fence at right you can glimpse suburban terraces. Overcast sky and damp‑looking tarmac suggest typical British drizzle. Everything about their posture and gear—the earnest note‑taking, the camera, the flask—marks them out as dedicated trainspotters savouring a rare sighting.
In the foreground at right you see a young man in a dark green hooded jacket, leaning slightly forward as he writes into a small notebook. A pair of binoculars hangs around his neck and a camera strap dangles from his wrist. He’s standing on a narrow yellow line marked “Mind the Gap” beside the platform edge. To his left sits a two‑car diesel train painted in off‑white with a crimson stripe, its front end showing the number “5849” and a headboard reading “via Kingston 24.” Steam or diesel exhaust drifts faintly from its roof‑mounted exhaust port. The train’s doors are open, but no other passengers are visible. Further back on the platform, a middle‑aged woman in a dark overcoat and sensible shoes is pouring tea (or coffee) from a bright blue thermos into a matching mug. Behind her, the station’s red‑painted lamp‑posts, signboards and a low brick waiting shelter stretch into the distance. Beyond the fence at right you can glimpse suburban terraces. Overcast sky and damp‑looking tarmac suggest typical British drizzle. Everything about their posture and gear—the earnest note‑taking, the camera, the flask—marks them out as dedicated trainspotters savouring a rare sighting.
In the foreground at right you see a young man in a dark green hooded jacket, leaning slightly forward as he writes into a small notebook. A pair of binoculars hangs around his neck and a camera strap dangles from his wrist. He’s standing on a narrow yellow line marked “Mind the Gap” beside the platform edge. To his left sits a two‑car diesel train painted in off‑white with a crimson stripe, its front end showing the number “5849” and a headboard reading “via Kingston 24.” Steam or diesel exhaust drifts faintly from its roof‑mounted exhaust port. The train’s doors are open, but no other passengers are visible. Further back on the platform, a middle‑aged woman in a dark overcoat and sensible shoes is pouring tea (or coffee) from a bright blue thermos into a matching mug. Behind her, the station’s red‑painted lamp‑posts, signboards and a low brick waiting shelter stretch into the distance. Beyond the fence at right you can glimpse suburban terraces. Overcast sky and damp‑looking tarmac suggest typical British drizzle. Everything about their posture and gear—the earnest note‑taking, the camera, the flask—marks them out as dedicated trainspotters savouring a rare sighting.
Lorry
@lorry@infosec.exchange  ·  activity timestamp 3 months ago
In the foreground at right you see a young man in a dark green hooded jacket, leaning slightly forward as he writes into a small notebook. A pair of binoculars hangs around his neck and a camera strap dangles from his wrist. He’s standing on a narrow yellow line marked “Mind the Gap” beside the platform edge. To his left sits a two‑car diesel train painted in off‑white with a crimson stripe, its front end showing the number “5849” and a headboard reading “via Kingston 24.” Steam or diesel exhaust drifts faintly from its roof‑mounted exhaust port. The train’s doors are open, but no other passengers are visible. Further back on the platform, a middle‑aged woman in a dark overcoat and sensible shoes is pouring tea (or coffee) from a bright blue thermos into a matching mug. Behind her, the station’s red‑painted lamp‑posts, signboards and a low brick waiting shelter stretch into the distance. Beyond the fence at right you can glimpse suburban terraces. Overcast sky and damp‑looking tarmac suggest typical British drizzle. Everything about their posture and gear—the earnest note‑taking, the camera, the flask—marks them out as dedicated trainspotters savouring a rare sighting.
In the foreground at right you see a young man in a dark green hooded jacket, leaning slightly forward as he writes into a small notebook. A pair of binoculars hangs around his neck and a camera strap dangles from his wrist. He’s standing on a narrow yellow line marked “Mind the Gap” beside the platform edge. To his left sits a two‑car diesel train painted in off‑white with a crimson stripe, its front end showing the number “5849” and a headboard reading “via Kingston 24.” Steam or diesel exhaust drifts faintly from its roof‑mounted exhaust port. The train’s doors are open, but no other passengers are visible. Further back on the platform, a middle‑aged woman in a dark overcoat and sensible shoes is pouring tea (or coffee) from a bright blue thermos into a matching mug. Behind her, the station’s red‑painted lamp‑posts, signboards and a low brick waiting shelter stretch into the distance. Beyond the fence at right you can glimpse suburban terraces. Overcast sky and damp‑looking tarmac suggest typical British drizzle. Everything about their posture and gear—the earnest note‑taking, the camera, the flask—marks them out as dedicated trainspotters savouring a rare sighting.
In the foreground at right you see a young man in a dark green hooded jacket, leaning slightly forward as he writes into a small notebook. A pair of binoculars hangs around his neck and a camera strap dangles from his wrist. He’s standing on a narrow yellow line marked “Mind the Gap” beside the platform edge. To his left sits a two‑car diesel train painted in off‑white with a crimson stripe, its front end showing the number “5849” and a headboard reading “via Kingston 24.” Steam or diesel exhaust drifts faintly from its roof‑mounted exhaust port. The train’s doors are open, but no other passengers are visible. Further back on the platform, a middle‑aged woman in a dark overcoat and sensible shoes is pouring tea (or coffee) from a bright blue thermos into a matching mug. Behind her, the station’s red‑painted lamp‑posts, signboards and a low brick waiting shelter stretch into the distance. Beyond the fence at right you can glimpse suburban terraces. Overcast sky and damp‑looking tarmac suggest typical British drizzle. Everything about their posture and gear—the earnest note‑taking, the camera, the flask—marks them out as dedicated trainspotters savouring a rare sighting.
Steffi Jên 🏴󠁧󠁢󠁷󠁬󠁳󠁿🏳️‍⚧️
@Steffi@toot.wales  ·  activity timestamp 3 months ago
A white certificate with a bright yellow border. At the top is a brown header with yellow text reading 'National Brownie Guide Tea-Making Fortnight April 14th-28th 1984'. The main text is in italics and reads 'This is to certify that Stephanie Burton has qualified as a Brownie Guide Tea-Maker'. It's signed by Illtyd Lewis, Executive Director, The Tea Council, and by A J Deam (Brown Owl). The bottom of the certificate has a drawing of the Brownies logo in the centre of a rosette and the words '70th Anniversary Celebrations'.
A white certificate with a bright yellow border. At the top is a brown header with yellow text reading 'National Brownie Guide Tea-Making Fortnight April 14th-28th 1984'. The main text is in italics and reads 'This is to certify that Stephanie Burton has qualified as a Brownie Guide Tea-Maker'. It's signed by Illtyd Lewis, Executive Director, The Tea Council, and by A J Deam (Brown Owl). The bottom of the certificate has a drawing of the Brownies logo in the centre of a rosette and the words '70th Anniversary Celebrations'.
A white certificate with a bright yellow border. At the top is a brown header with yellow text reading 'National Brownie Guide Tea-Making Fortnight April 14th-28th 1984'. The main text is in italics and reads 'This is to certify that Stephanie Burton has qualified as a Brownie Guide Tea-Maker'. It's signed by Illtyd Lewis, Executive Director, The Tea Council, and by A J Deam (Brown Owl). The bottom of the certificate has a drawing of the Brownies logo in the centre of a rosette and the words '70th Anniversary Celebrations'.
Steffi Jên 🏴󠁧󠁢󠁷󠁬󠁳󠁿🏳️‍⚧️
@Steffi@toot.wales  ·  activity timestamp 3 months ago
A white certificate with a bright yellow border. At the top is a brown header with yellow text reading 'National Brownie Guide Tea-Making Fortnight April 14th-28th 1984'. The main text is in italics and reads 'This is to certify that Stephanie Burton has qualified as a Brownie Guide Tea-Maker'. It's signed by Illtyd Lewis, Executive Director, The Tea Council, and by A J Deam (Brown Owl). The bottom of the certificate has a drawing of the Brownies logo in the centre of a rosette and the words '70th Anniversary Celebrations'.
A white certificate with a bright yellow border. At the top is a brown header with yellow text reading 'National Brownie Guide Tea-Making Fortnight April 14th-28th 1984'. The main text is in italics and reads 'This is to certify that Stephanie Burton has qualified as a Brownie Guide Tea-Maker'. It's signed by Illtyd Lewis, Executive Director, The Tea Council, and by A J Deam (Brown Owl). The bottom of the certificate has a drawing of the Brownies logo in the centre of a rosette and the words '70th Anniversary Celebrations'.
A white certificate with a bright yellow border. At the top is a brown header with yellow text reading 'National Brownie Guide Tea-Making Fortnight April 14th-28th 1984'. The main text is in italics and reads 'This is to certify that Stephanie Burton has qualified as a Brownie Guide Tea-Maker'. It's signed by Illtyd Lewis, Executive Director, The Tea Council, and by A J Deam (Brown Owl). The bottom of the certificate has a drawing of the Brownies logo in the centre of a rosette and the words '70th Anniversary Celebrations'.
Sean and Ruchika
@bunvoyage17@mastodon.social  ·  activity timestamp 3 months ago
Sean and Ruchika
@bunvoyage17@mastodon.social  ·  activity timestamp 3 months ago
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