#Tag
BEE TAXI (2016)
Acrylic on Gessobord - 12" x 16"
The last painting I used this palette for, HARBINGER, had a lot of yellows in it. When I finished, I covered the palette with a yellow ochre gesso so I could use it again. 1/3
BEE TAXI (2016)
Acrylic on Gessobord - 12" x 16"
The last painting I used this palette for, HARBINGER, had a lot of yellows in it. When I finished, I covered the palette with a yellow ochre gesso so I could use it again. 1/3
OVER THE MOUNTAINS OF MADNESS (2017)
Acrylic on Illustration Board - 6” x 10”
I bought some slanted brushes that I found fun to play with when I want straight edges in a picture. 1/3
OVER THE MOUNTAINS OF MADNESS (2017)
Acrylic on Illustration Board - 6” x 10”
I bought some slanted brushes that I found fun to play with when I want straight edges in a picture. 1/3
TRIPOD WALKER (2016)
Acrylic on Watercolor Paper - 19" x 13"
Painted on the back of a misprinted Dark Tower image I was using as a mixing palette of mostly white, yellow ocher, and raw umber. The print is on such a fine grade of heavyweight watercolor paper that I was loathe to throw it away. 1/3
#horror #illustration #leftoversandpalettegremlins #darktower
TRIPOD WALKER (2016)
Acrylic on Watercolor Paper - 19" x 13"
Painted on the back of a misprinted Dark Tower image I was using as a mixing palette of mostly white, yellow ocher, and raw umber. The print is on such a fine grade of heavyweight watercolor paper that I was loathe to throw it away. 1/3
#horror #illustration #leftoversandpalettegremlins #darktower
TABLETOP RAMBLER (2016)
Acrylic - 16” x 20”
I was chatting with Jordu Schell on the phone one night while working on a painting. I should have known better than to try to get serious work done! He’s too entertaining to listen to. 😉 1/4
TABLETOP RAMBLER (2016)
Acrylic - 16” x 20”
I was chatting with Jordu Schell on the phone one night while working on a painting. I should have known better than to try to get serious work done! He’s too entertaining to listen to. 😉 1/4
TRUST (2016)
Acrylic - 12” x 16”
The masonite board I had been using became a painting that fits a theme begun with LEAP OF FAITH and runs through WINGING IT and other paintings. 1/3
TRUST (2016)
Acrylic - 12” x 16”
The masonite board I had been using became a painting that fits a theme begun with LEAP OF FAITH and runs through WINGING IT and other paintings. 1/3
ACCIDENTAL ALIEN LANDSCAPE (2016)
Acrylic on Mat Board - 17” x 17”
Week 34(!) from the first Leftovers & Palette Gremlins gallery back in 2016. I set out to share a painting a week, and it ending up being mostly new work except for a couple older pieces. 1/3
ACCIDENTAL ALIEN LANDSCAPE (2016)
Acrylic on Mat Board - 17” x 17”
Week 34(!) from the first Leftovers & Palette Gremlins gallery back in 2016. I set out to share a painting a week, and it ending up being mostly new work except for a couple older pieces. 1/3
ASTRAL MUSE (2016)
Acrylic - 9” x 6”
This piece of mat board was used as a palette while working on the cover for Brandon Sanderson’s WORDS OF RADIANCE. Half of the scrap was turquoise while the rest was reds and oranges. Random brushstrokes suggested the figure that I painted in. 1/2
ASTRAL MUSE (2016)
Acrylic - 9” x 6”
This piece of mat board was used as a palette while working on the cover for Brandon Sanderson’s WORDS OF RADIANCE. Half of the scrap was turquoise while the rest was reds and oranges. Random brushstrokes suggested the figure that I painted in. 1/2
BEYOND THE VEIL (2023)
Acrylic on Canvas - 6 ¼” x 6 ¼”
This began as an abstract color experiment. I had no particular subject in mind until I recalled a drawing in my sketchbook. Staring at a darkly swathed figure earlier that day, I felt that she’d been waiting for a painting to float into. 1/2
BEYOND THE VEIL (2023)
Acrylic on Canvas - 6 ¼” x 6 ¼”
This began as an abstract color experiment. I had no particular subject in mind until I recalled a drawing in my sketchbook. Staring at a darkly swathed figure earlier that day, I felt that she’d been waiting for a painting to float into. 1/2
PERILOUS PLANET (2022)
Acrylic - 7 ½” x 6”
Palette Gremlins are often a matter of perspective. 1/3
PERILOUS PLANET (2022)
Acrylic - 7 ½” x 6”
Palette Gremlins are often a matter of perspective. 1/3
YOUR RIDE IS HERE (2024)
Acrylic on Paper, 13” x 8 ¼”
As I take afternoon walks, I relish the reds, golds, and greens all around me. It’s no accident to see the colors of autumn represented on my palette. 1/2
YOUR RIDE IS HERE (2024)
Acrylic on Paper, 13” x 8 ¼”
As I take afternoon walks, I relish the reds, golds, and greens all around me. It’s no accident to see the colors of autumn represented on my palette. 1/2
