An autumn landscape at sunset. Bare trees dominate the upper frame, their branches reaching across a golden sky. Below, vibrant green grass covers the ground, and a small stream winds through the scene, reflecting the warm light. A large tree trunk stands on the right, scarred where a branch was cut, but still alive with orange leaves clinging to its younger branches.
This is how I see the world. The bare trees, what we notice most, seem dead, like today's civilization: governed by hatred, coldness, selfishness, rampant individualism. But at the base, the grass is green. Because at the base, there are wonderful people who often go unnoticed, yet they are the most important part of everything. And beyond: light and color, because life can give us far more than these bare "trees" show right now. And the trees themselves, if not rotten inside, will bloom again.
I intentionally increased the saturation to create this contrast: to flood the scene with light.
An autumn landscape at sunset. Bare trees dominate the upper frame, their branches reaching across a golden sky. Below, vibrant green grass covers the ground, and a small stream winds through the scene, reflecting the warm light. A large tree trunk stands on the right, scarred where a branch was cut, but still alive with orange leaves clinging to its younger branches. This is how I see the world. The bare trees, what we notice most, seem dead, like today's civilization: governed by hatred, coldness, selfishness, rampant individualism. But at the base, the grass is green. Because at the base, there are wonderful people who often go unnoticed, yet they are the most important part of everything. And beyond: light and color, because life can give us far more than these bare "trees" show right now. And the trees themselves, if not rotten inside, will bloom again. I intentionally increased the saturation to create this contrast: to flood the scene with light.
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In a shot taken from a high angle, five people are cast into silhouette by the bright sunlight behind them as they walk in formation along a broad city street, the shadows of the two people in front and the three behind reveal that the sun is low and it is late in the afternoon.
In a shot taken from a high angle, five people are cast into silhouette by the bright sunlight behind them as they walk in formation along a broad city street, the shadows of the two people in front and the three behind reveal that the sun is low and it is late in the afternoon.
A person is captured in silhouette against a large, oval-shaped and ornately-patterned window which is letting in just enough light to reveal a series of four lamps hanging from the ceiling, and causing the ancient, polished stone floor tiles to glow and reveal the person's blurred shadow.
A person is captured in silhouette against a large, oval-shaped and ornately-patterned window which is letting in just enough light to reveal a series of four lamps hanging from the ceiling, and causing the ancient, polished stone floor tiles to glow and reveal the person's blurred shadow.
The face of a man wearing a cap is caught in a tiny shaft of light as he emerges from a building which is in dark shadows, apart from a short flight of stone steps which are caught in a wider, angled beam of bright sunlight falling on a diagonal toward the man.
The face of a man wearing a cap is caught in a tiny shaft of light as he emerges from a building which is in dark shadows, apart from a short flight of stone steps which are caught in a wider, angled beam of bright sunlight falling on a diagonal toward the man.
In a shot taken from a high angle, five people are cast into silhouette by the bright sunlight behind them as they walk in formation along a broad city street, the shadows of the two people in front and the three behind reveal that the sun is low and it is late in the afternoon.
In a shot taken from a high angle, five people are cast into silhouette by the bright sunlight behind them as they walk in formation along a broad city street, the shadows of the two people in front and the three behind reveal that the sun is low and it is late in the afternoon.
A person is captured in silhouette against a large, oval-shaped and ornately-patterned window which is letting in just enough light to reveal a series of four lamps hanging from the ceiling, and causing the ancient, polished stone floor tiles to glow and reveal the person's blurred shadow.
A person is captured in silhouette against a large, oval-shaped and ornately-patterned window which is letting in just enough light to reveal a series of four lamps hanging from the ceiling, and causing the ancient, polished stone floor tiles to glow and reveal the person's blurred shadow.
The face of a man wearing a cap is caught in a tiny shaft of light as he emerges from a building which is in dark shadows, apart from a short flight of stone steps which are caught in a wider, angled beam of bright sunlight falling on a diagonal toward the man.
The face of a man wearing a cap is caught in a tiny shaft of light as he emerges from a building which is in dark shadows, apart from a short flight of stone steps which are caught in a wider, angled beam of bright sunlight falling on a diagonal toward the man.