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Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 2 weeks ago
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 2 weeks ago
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Deep-Sea Biology Society Arts
@dsbsoc_arts@mastodon.social  ·  activity timestamp 4 weeks ago
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Deep-Sea Biology Society Arts
@dsbsoc_arts@mastodon.social  ·  activity timestamp 4 weeks ago
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
"This is the potential I see in combining art with deep-sea science: transforming the distant into the immediate, and the unknown into something people care about protecting. Through my work, I aim to make these hidden worlds both visible and meaningful to audiences who may never see them firsthand. In an era where we're poised to industrialize deep-sea environments before fully understanding them, art becomes a bridge between scientific discovery and public stewardship.” The image shown is a digital scientific illustration, it's a composition of multiple deep sea creatures such as tube worms, deep sea corals and a yeti crab.
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
Artist statement: “My path to the deep-sea began with a paintbrush, using art to capture the beauty and vulnerability of marine ecosystems. Now, as a deep-sea biologist specializing in coral ecosystems and hydrothermal vents, I've realized that scientific discoveries often require more than data to reach their audience. My work aims to complement research publications by translating biological processes into visual narratives that make science accessible. Because deep-sea ecosystems exist beyond human experience, art offers a way to spark curiosity about the deep-sea, and that sense of wonder is the first step towards protection. The power of this approach was beautifully demonstrated during Schmidt Ocean Institute's expedition to Argentina's Mar del Plata Submarine Canyon in July 2025. As millions of citizens watched live streams of lush deep-sea ecosystems, Argentine artists began creating their own interpretations of the ROV footage - from detailed scientific illustrations to whimsical comics, and across every medium imaginable. This spontaneous response didn't just amplify public interest; it catalyzed a national conversation about ocean science that ultimately led to scientists testifying before Congress and sparking national discussions about restoring research funding."
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp last month
Black and white photo of a Sylvia Sidney posing in a room with dark floor and white wall, wearing a wool suit with two contrasting fabrics, one dark and one light with a subtle check pattern. The skirt has a slight flare and ends mid-calf. The jacked has large white buttons pinning back large lapels. She wears short gloves and a hat with a curving brim, and holds a small matching handbag.
Black and white photo of a Sylvia Sidney posing in a room with dark floor and white wall, wearing a wool suit with two contrasting fabrics, one dark and one light with a subtle check pattern. The skirt has a slight flare and ends mid-calf. The jacked has large white buttons pinning back large lapels. She wears short gloves and a hat with a curving brim, and holds a small matching handbag.
Black and white photo of a Sylvia Sidney posing in a room with dark floor and white wall, wearing a wool suit with two contrasting fabrics, one dark and one light with a subtle check pattern. The skirt has a slight flare and ends mid-calf. The jacked has large white buttons pinning back large lapels. She wears short gloves and a hat with a curving brim, and holds a small matching handbag.
Black and white photo of a slender white woman posing in blank space, wearing a light, long gown in a gauzy fabric, with a long swath draped from the waist down to her ankle and pulled back up to her chest, pinned with flowers. She wears dark gloves and holds some of the gauzy fabric out at her side so it sways back and forth.
Black and white photo of a slender white woman posing in blank space, wearing a light, long gown in a gauzy fabric, with a long swath draped from the waist down to her ankle and pulled back up to her chest, pinned with flowers. She wears dark gloves and holds some of the gauzy fabric out at her side so it sways back and forth.
Black and white photo of a slender white woman posing in blank space, wearing a light, long gown in a gauzy fabric, with a long swath draped from the waist down to her ankle and pulled back up to her chest, pinned with flowers. She wears dark gloves and holds some of the gauzy fabric out at her side so it sways back and forth.
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp last month
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 2 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 2 months ago
Painting in a red and pink palette depicting a woman with long brown hair wearing a long-sleeved dress, holding a pair of floating eyes. A large red hand floats outstretched in front of her, below a trio of pink oyster shells with pearls inside. Two green diaries sit on a black and white checkered floor behind her.
Painting in a red and pink palette depicting a woman with long brown hair wearing a long-sleeved dress, holding a pair of floating eyes. A large red hand floats outstretched in front of her, below a trio of pink oyster shells with pearls inside. Two green diaries sit on a black and white checkered floor behind her.
Painting in a red and pink palette depicting a woman with long brown hair wearing a long-sleeved dress, holding a pair of floating eyes. A large red hand floats outstretched in front of her, below a trio of pink oyster shells with pearls inside. Two green diaries sit on a black and white checkered floor behind her.
Painting of a young woman with light brown hair wearing a pink dress, sitting on a red and green checkered floor with her arms outstretched. She is surrounded by various objects including toys, clothes, and cherries. Behind her are wooden green shutters open to reveal a cloudy sky with hanging red streamers.
Painting of a young woman with light brown hair wearing a pink dress, sitting on a red and green checkered floor with her arms outstretched. She is surrounded by various objects including toys, clothes, and cherries. Behind her are wooden green shutters open to reveal a cloudy sky with hanging red streamers.
Painting of a young woman with light brown hair wearing a pink dress, sitting on a red and green checkered floor with her arms outstretched. She is surrounded by various objects including toys, clothes, and cherries. Behind her are wooden green shutters open to reveal a cloudy sky with hanging red streamers.
Painting in a red and pink palette depicting a woman with long brown hair wearing a frilly long-sleeved dress, lying on her side on the floor. Two floating hands hold up a pearl necklace near her throat. A pair of rabbits stands near her torso, and a pair of swans stands behind her.
Painting in a red and pink palette depicting a woman with long brown hair wearing a frilly long-sleeved dress, lying on her side on the floor. Two floating hands hold up a pearl necklace near her throat. A pair of rabbits stands near her torso, and a pair of swans stands behind her.
Painting in a red and pink palette depicting a woman with long brown hair wearing a frilly long-sleeved dress, lying on her side on the floor. Two floating hands hold up a pearl necklace near her throat. A pair of rabbits stands near her torso, and a pair of swans stands behind her.
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 2 months ago
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 2 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 3 months ago
Painting of two women's legs in black heels painted in a soft blue palette. Below their feet is a painting of a bent white and pink bicycle wheel. The canvas is surrounded by small, pale yellow and green ceramic pieces including socks, flowers, and two marionettes.
Painting of two women's legs in black heels painted in a soft blue palette. Below their feet is a painting of a bent white and pink bicycle wheel. The canvas is surrounded by small, pale yellow and green ceramic pieces including socks, flowers, and two marionettes.
Painting of two women's legs in black heels painted in a soft blue palette. Below their feet is a painting of a bent white and pink bicycle wheel. The canvas is surrounded by small, pale yellow and green ceramic pieces including socks, flowers, and two marionettes.
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 3 months ago
Sculpture installation of a large amorphous form covered in expressive paint daubs and drips, with various human body parts like legs, arms, and hair emerging from various areas. The wall behind it is covered in gestural paint and airbrush strokes.
Sculpture installation of a large amorphous form covered in expressive paint daubs and drips, with various human body parts like legs, arms, and hair emerging from various areas. The wall behind it is covered in gestural paint and airbrush strokes.
Sculpture installation of a large amorphous form covered in expressive paint daubs and drips, with various human body parts like legs, arms, and hair emerging from various areas. The wall behind it is covered in gestural paint and airbrush strokes.
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
Classical style painting of a white woman in rust-orange gown, sitting on a plush teal chair resting her arm on a pillow, against a grey background. Her head and face are completely covered by white and orange fabrics, topped with a cluster of lemons and apples.
Classical style painting of a white woman in rust-orange gown, sitting on a plush teal chair resting her arm on a pillow, against a grey background. Her head and face are completely covered by white and orange fabrics, topped with a cluster of lemons and apples.
Classical style painting of a white woman in rust-orange gown, sitting on a plush teal chair resting her arm on a pillow, against a grey background. Her head and face are completely covered by white and orange fabrics, topped with a cluster of lemons and apples.
Classical style painting of a white woman in a white gown, sitting on a plush red chair with her hand up to her chin, against a grey-blue background. Her head and face are completely covered by white fabric, with sprigs of long green grass bursting out.
Classical style painting of a white woman in a white gown, sitting on a plush red chair with her hand up to her chin, against a grey-blue background. Her head and face are completely covered by white fabric, with sprigs of long green grass bursting out.
Classical style painting of a white woman in a white gown, sitting on a plush red chair with her hand up to her chin, against a grey-blue background. Her head and face are completely covered by white fabric, with sprigs of long green grass bursting out.
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
Classical style painting of a white woman in rust-orange gown, sitting on a plush teal chair resting her arm on a pillow, against a grey background. Her head and face are completely covered by white and orange fabrics, topped with a cluster of lemons and apples.
Classical style painting of a white woman in rust-orange gown, sitting on a plush teal chair resting her arm on a pillow, against a grey background. Her head and face are completely covered by white and orange fabrics, topped with a cluster of lemons and apples.
Classical style painting of a white woman in rust-orange gown, sitting on a plush teal chair resting her arm on a pillow, against a grey background. Her head and face are completely covered by white and orange fabrics, topped with a cluster of lemons and apples.
Classical style painting of a white woman in a white gown, sitting on a plush red chair with her hand up to her chin, against a grey-blue background. Her head and face are completely covered by white fabric, with sprigs of long green grass bursting out.
Classical style painting of a white woman in a white gown, sitting on a plush red chair with her hand up to her chin, against a grey-blue background. Her head and face are completely covered by white fabric, with sprigs of long green grass bursting out.
Classical style painting of a white woman in a white gown, sitting on a plush red chair with her hand up to her chin, against a grey-blue background. Her head and face are completely covered by white fabric, with sprigs of long green grass bursting out.
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
alex kittle
@alexxkittle@mastodon.online  ·  activity timestamp 8 months ago
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