Tommi 🤯 boosted
thrum (2016)

An embroidery on off-white linen. A thyroid cartilage is stitched in thick black thread like a woodcut. Below it the word “thrum” is stitched in ochre thread in a type-like font. To the bottom right the initials L.P. are stitched in thin thread the same colour as the linen.
thrum (2016) An embroidery on off-white linen. A thyroid cartilage is stitched in thick black thread like a woodcut. Below it the word “thrum” is stitched in ochre thread in a type-like font. To the bottom right the initials L.P. are stitched in thin thread the same colour as the linen.
Autumnal Mitosis Sampler (2024)

Two cells dividing embroidered on off white linen. A circle of brown stem stitch is the cell membrane, the corona radiata is in bright orangey yellow zig zag chain stitch. The edges of the dividing cells are in bright orange split stitch. The nucleolus of each cell is in bright yellow bullion stitch. The cytoplasm is stitched in variegated orange/brown thread in a mix of seed stitch and French knots. Lia’s initials are stitched in off white whipped back stitch.
Autumnal Mitosis Sampler (2024) Two cells dividing embroidered on off white linen. A circle of brown stem stitch is the cell membrane, the corona radiata is in bright orangey yellow zig zag chain stitch. The edges of the dividing cells are in bright orange split stitch. The nucleolus of each cell is in bright yellow bullion stitch. The cytoplasm is stitched in variegated orange/brown thread in a mix of seed stitch and French knots. Lia’s initials are stitched in off white whipped back stitch.
woman in skull (2016)

An embroidery on bone coloured linen of the inside of a human skull looking down from a cut open top done in thin black thread. The textures make it look like the Vesalius woodcut it is based on. In the bottom left corner of the skull there is the tiny silhouette of a woman done in bronze thread.
woman in skull (2016) An embroidery on bone coloured linen of the inside of a human skull looking down from a cut open top done in thin black thread. The textures make it look like the Vesalius woodcut it is based on. In the bottom left corner of the skull there is the tiny silhouette of a woman done in bronze thread.
Stars within, stars without (2017). Face detial . An embroidery on ochre linen. There is the outline of a head and neck. There are blue filigree lines coming from the sides of the head outline towards the centre of the face. A fine off white line outlines the head and moves down the neck and out along the arms. On the centre chest is a cluster of off-white crosses and a few sparse crosses are around the head and shoulders as well.
Stars within, stars without (2017). Face detial . An embroidery on ochre linen. There is the outline of a head and neck. There are blue filigree lines coming from the sides of the head outline towards the centre of the face. A fine off white line outlines the head and moves down the neck and out along the arms. On the centre chest is a cluster of off-white crosses and a few sparse crosses are around the head and shoulders as well.
Jellyheart. A green skinned mermaid with long dark hair floats at sea, surrounded by a big group of jellyfish of all colours. Her skin is translucent, her empty ribcage clearly visible through it. She is holding a small pink jellyfish against her chest that symbolizes her heart.
Jellyheart. A green skinned mermaid with long dark hair floats at sea, surrounded by a big group of jellyfish of all colours. Her skin is translucent, her empty ribcage clearly visible through it. She is holding a small pink jellyfish against her chest that symbolizes her heart.
llustration of a Red-Winged Blackbird in an autumnal scene, perched on a branch amongst falling leaves, surrounded by burnished filligree on a textured canvas. Colors are browns and oranges, with blues in the distant suggested sky that match the blue blacks in the blackbird.
llustration of a Red-Winged Blackbird in an autumnal scene, perched on a branch amongst falling leaves, surrounded by burnished filligree on a textured canvas. Colors are browns and oranges, with blues in the distant suggested sky that match the blue blacks in the blackbird.
Pond's surface reflecting both the blue of the sky in the upper third of the photo and the green of the shoreline vegetation in the lower third. Thanks to the small undulations of the surface, the transition from blue to green reflections is made gradually by a subtle blending of the two colors in the central band. 
A great crested grebe swims in the all-green lower band, leaving an unexpected and wonderful blue trail in its wake.
Pond's surface reflecting both the blue of the sky in the upper third of the photo and the green of the shoreline vegetation in the lower third. Thanks to the small undulations of the surface, the transition from blue to green reflections is made gradually by a subtle blending of the two colors in the central band. A great crested grebe swims in the all-green lower band, leaving an unexpected and wonderful blue trail in its wake.
a collection of painted 'swords' organized into four rows, oriented with hilt in the bottom left, and tip on the top right, on a neutral, dark grey background. each sword is a strange and fantastical interpretation of a word written in grey text below them. some of the words included are: 'void' (sword resembles a black hole), 'storm' (sword resembles lightning emanating from a cloud), 'mountain' (sword resembles a mountain peak), 'spicy' (sword resembles a smoking chili), 'star' (sword resembles an image of the sun with a solar flare), 'Flowers' (sword resembles a thistle), 'fossil' (sword resembles a trilobite), 'forest' (sword resembles three trees in autumn), 'arachnid' (sword resembles a spiders web in a branch), 'molten' (sword resembles blown glass that has not yet cooled)
a collection of painted 'swords' organized into four rows, oriented with hilt in the bottom left, and tip on the top right, on a neutral, dark grey background. each sword is a strange and fantastical interpretation of a word written in grey text below them. some of the words included are: 'void' (sword resembles a black hole), 'storm' (sword resembles lightning emanating from a cloud), 'mountain' (sword resembles a mountain peak), 'spicy' (sword resembles a smoking chili), 'star' (sword resembles an image of the sun with a solar flare), 'Flowers' (sword resembles a thistle), 'fossil' (sword resembles a trilobite), 'forest' (sword resembles three trees in autumn), 'arachnid' (sword resembles a spiders web in a branch), 'molten' (sword resembles blown glass that has not yet cooled)
A digital illustration showing a floating landmass, grassy with evergreen trees. It appears thin, maybe six feet deep, and underneath it can be seen a starry night sky. a race track passes through the sky and travels through the forest. the sky above is ocher, with puffy white clouds.
A digital illustration showing a floating landmass, grassy with evergreen trees. It appears thin, maybe six feet deep, and underneath it can be seen a starry night sky. a race track passes through the sky and travels through the forest. the sky above is ocher, with puffy white clouds.
a digital painting of a white parrot with yellow crest sitting on a branch. its back is to the viewer, but face can be seen in profile looking to the right. a patch of leaves in the upper left corner casts a shadow on its wings. in the background an abstract pattern of pastel leaves and branches can be seen.
a digital painting of a white parrot with yellow crest sitting on a branch. its back is to the viewer, but face can be seen in profile looking to the right. a patch of leaves in the upper left corner casts a shadow on its wings. in the background an abstract pattern of pastel leaves and branches can be seen.
OliverUv boosted
Original seascape oil painting by Tisha Mark, "We Met Along the Way" 14"x11" oil on Ampersand Gessobord (2025). A seascape painting with a gray-blue sky with textured, atmospheric cloud formations over a dark blue sea. Waves are meeting a rocky shore, and there are hints of green moss or algae on the rocks.
Original seascape oil painting by Tisha Mark, "We Met Along the Way" 14"x11" oil on Ampersand Gessobord (2025). A seascape painting with a gray-blue sky with textured, atmospheric cloud formations over a dark blue sea. Waves are meeting a rocky shore, and there are hints of green moss or algae on the rocks.
Original autumn landscape oil painting by Tisha Mark, "Autumn Mini No. 2501" 4"x4" oil on Ampersand Gessobord (2025). The painting shows a body of water reflecting colors from a sunset sky surrounded by trees that are turning red, brown, and gold.
Original autumn landscape oil painting by Tisha Mark, "Autumn Mini No. 2501" 4"x4" oil on Ampersand Gessobord (2025). The painting shows a body of water reflecting colors from a sunset sky surrounded by trees that are turning red, brown, and gold.
Original seascape oil painting by Tisha Mark, "Knowing Glances" 7"x5" oil on Ampersand Gessobord (2025). This painting has white textured clouds in a moody gray-blue sky over a dark blue sea that is meeting a rocky shore. There are delightful bits of green moss and red algae or seaweed on the rocks.
Original seascape oil painting by Tisha Mark, "Knowing Glances" 7"x5" oil on Ampersand Gessobord (2025). This painting has white textured clouds in a moody gray-blue sky over a dark blue sea that is meeting a rocky shore. There are delightful bits of green moss and red algae or seaweed on the rocks.
Original seascape oil painting by Tisha Mark, "Lighting the Dark" 20"x20" oil on linen (2025). This moody, abstract-leaning seascape painting has a textured, orange-toned, atmospheric sky with textured colors of light on the horizon. Light from the sky reflects in the water below as it meets a dark, rocky, tree-lined coast.
Original seascape oil painting by Tisha Mark, "Lighting the Dark" 20"x20" oil on linen (2025). This moody, abstract-leaning seascape painting has a textured, orange-toned, atmospheric sky with textured colors of light on the horizon. Light from the sky reflects in the water below as it meets a dark, rocky, tree-lined coast.
a collection of painted 'swords' organized into four rows, oriented with hilt in the bottom left, and tip on the top right, on a neutral, dark grey background. each sword is a strange and fantastical interpretation of a word written in grey text below them. some of the words included are: 'void' (sword resembles a black hole), 'storm' (sword resembles lightning emanating from a cloud), 'mountain' (sword resembles a mountain peak), 'spicy' (sword resembles a smoking chili), 'star' (sword resembles an image of the sun with a solar flare), 'Flowers' (sword resembles a thistle), 'fossil' (sword resembles a trilobite), 'forest' (sword resembles three trees in autumn), 'arachnid' (sword resembles a spiders web in a branch), 'molten' (sword resembles blown glass that has not yet cooled)
a collection of painted 'swords' organized into four rows, oriented with hilt in the bottom left, and tip on the top right, on a neutral, dark grey background. each sword is a strange and fantastical interpretation of a word written in grey text below them. some of the words included are: 'void' (sword resembles a black hole), 'storm' (sword resembles lightning emanating from a cloud), 'mountain' (sword resembles a mountain peak), 'spicy' (sword resembles a smoking chili), 'star' (sword resembles an image of the sun with a solar flare), 'Flowers' (sword resembles a thistle), 'fossil' (sword resembles a trilobite), 'forest' (sword resembles three trees in autumn), 'arachnid' (sword resembles a spiders web in a branch), 'molten' (sword resembles blown glass that has not yet cooled)
A digital illustration showing a floating landmass, grassy with evergreen trees. It appears thin, maybe six feet deep, and underneath it can be seen a starry night sky. a race track passes through the sky and travels through the forest. the sky above is ocher, with puffy white clouds.
A digital illustration showing a floating landmass, grassy with evergreen trees. It appears thin, maybe six feet deep, and underneath it can be seen a starry night sky. a race track passes through the sky and travels through the forest. the sky above is ocher, with puffy white clouds.
a digital painting of a white parrot with yellow crest sitting on a branch. its back is to the viewer, but face can be seen in profile looking to the right. a patch of leaves in the upper left corner casts a shadow on its wings. in the background an abstract pattern of pastel leaves and branches can be seen.
a digital painting of a white parrot with yellow crest sitting on a branch. its back is to the viewer, but face can be seen in profile looking to the right. a patch of leaves in the upper left corner casts a shadow on its wings. in the background an abstract pattern of pastel leaves and branches can be seen.
Pond's surface reflecting both the blue of the sky in the upper third of the photo and the green of the shoreline vegetation in the lower third. Thanks to the small undulations of the surface, the transition from blue to green reflections is made gradually by a subtle blending of the two colors in the central band. 
A great crested grebe swims in the all-green lower band, leaving an unexpected and wonderful blue trail in its wake.
Pond's surface reflecting both the blue of the sky in the upper third of the photo and the green of the shoreline vegetation in the lower third. Thanks to the small undulations of the surface, the transition from blue to green reflections is made gradually by a subtle blending of the two colors in the central band. A great crested grebe swims in the all-green lower band, leaving an unexpected and wonderful blue trail in its wake.
llustration of a Red-Winged Blackbird in an autumnal scene, perched on a branch amongst falling leaves, surrounded by burnished filligree on a textured canvas. Colors are browns and oranges, with blues in the distant suggested sky that match the blue blacks in the blackbird.
llustration of a Red-Winged Blackbird in an autumnal scene, perched on a branch amongst falling leaves, surrounded by burnished filligree on a textured canvas. Colors are browns and oranges, with blues in the distant suggested sky that match the blue blacks in the blackbird.
thrum (2016)

An embroidery on off-white linen. A thyroid cartilage is stitched in thick black thread like a woodcut. Below it the word “thrum” is stitched in ochre thread in a type-like font. To the bottom right the initials L.P. are stitched in thin thread the same colour as the linen.
thrum (2016) An embroidery on off-white linen. A thyroid cartilage is stitched in thick black thread like a woodcut. Below it the word “thrum” is stitched in ochre thread in a type-like font. To the bottom right the initials L.P. are stitched in thin thread the same colour as the linen.
Autumnal Mitosis Sampler (2024)

Two cells dividing embroidered on off white linen. A circle of brown stem stitch is the cell membrane, the corona radiata is in bright orangey yellow zig zag chain stitch. The edges of the dividing cells are in bright orange split stitch. The nucleolus of each cell is in bright yellow bullion stitch. The cytoplasm is stitched in variegated orange/brown thread in a mix of seed stitch and French knots. Lia’s initials are stitched in off white whipped back stitch.
Autumnal Mitosis Sampler (2024) Two cells dividing embroidered on off white linen. A circle of brown stem stitch is the cell membrane, the corona radiata is in bright orangey yellow zig zag chain stitch. The edges of the dividing cells are in bright orange split stitch. The nucleolus of each cell is in bright yellow bullion stitch. The cytoplasm is stitched in variegated orange/brown thread in a mix of seed stitch and French knots. Lia’s initials are stitched in off white whipped back stitch.
woman in skull (2016)

An embroidery on bone coloured linen of the inside of a human skull looking down from a cut open top done in thin black thread. The textures make it look like the Vesalius woodcut it is based on. In the bottom left corner of the skull there is the tiny silhouette of a woman done in bronze thread.
woman in skull (2016) An embroidery on bone coloured linen of the inside of a human skull looking down from a cut open top done in thin black thread. The textures make it look like the Vesalius woodcut it is based on. In the bottom left corner of the skull there is the tiny silhouette of a woman done in bronze thread.
Stars within, stars without (2017). Face detial . An embroidery on ochre linen. There is the outline of a head and neck. There are blue filigree lines coming from the sides of the head outline towards the centre of the face. A fine off white line outlines the head and moves down the neck and out along the arms. On the centre chest is a cluster of off-white crosses and a few sparse crosses are around the head and shoulders as well.
Stars within, stars without (2017). Face detial . An embroidery on ochre linen. There is the outline of a head and neck. There are blue filigree lines coming from the sides of the head outline towards the centre of the face. A fine off white line outlines the head and moves down the neck and out along the arms. On the centre chest is a cluster of off-white crosses and a few sparse crosses are around the head and shoulders as well.
Original seascape oil painting by Tisha Mark, "We Met Along the Way" 14"x11" oil on Ampersand Gessobord (2025). A seascape painting with a gray-blue sky with textured, atmospheric cloud formations over a dark blue sea. Waves are meeting a rocky shore, and there are hints of green moss or algae on the rocks.
Original seascape oil painting by Tisha Mark, "We Met Along the Way" 14"x11" oil on Ampersand Gessobord (2025). A seascape painting with a gray-blue sky with textured, atmospheric cloud formations over a dark blue sea. Waves are meeting a rocky shore, and there are hints of green moss or algae on the rocks.
Original autumn landscape oil painting by Tisha Mark, "Autumn Mini No. 2501" 4"x4" oil on Ampersand Gessobord (2025). The painting shows a body of water reflecting colors from a sunset sky surrounded by trees that are turning red, brown, and gold.
Original autumn landscape oil painting by Tisha Mark, "Autumn Mini No. 2501" 4"x4" oil on Ampersand Gessobord (2025). The painting shows a body of water reflecting colors from a sunset sky surrounded by trees that are turning red, brown, and gold.
Original seascape oil painting by Tisha Mark, "Knowing Glances" 7"x5" oil on Ampersand Gessobord (2025). This painting has white textured clouds in a moody gray-blue sky over a dark blue sea that is meeting a rocky shore. There are delightful bits of green moss and red algae or seaweed on the rocks.
Original seascape oil painting by Tisha Mark, "Knowing Glances" 7"x5" oil on Ampersand Gessobord (2025). This painting has white textured clouds in a moody gray-blue sky over a dark blue sea that is meeting a rocky shore. There are delightful bits of green moss and red algae or seaweed on the rocks.
Original seascape oil painting by Tisha Mark, "Lighting the Dark" 20"x20" oil on linen (2025). This moody, abstract-leaning seascape painting has a textured, orange-toned, atmospheric sky with textured colors of light on the horizon. Light from the sky reflects in the water below as it meets a dark, rocky, tree-lined coast.
Original seascape oil painting by Tisha Mark, "Lighting the Dark" 20"x20" oil on linen (2025). This moody, abstract-leaning seascape painting has a textured, orange-toned, atmospheric sky with textured colors of light on the horizon. Light from the sky reflects in the water below as it meets a dark, rocky, tree-lined coast.