Karis
@qaris@mas.to  ·  activity timestamp 2 weeks ago
The image features a black woman with long, straight hair, smiling and pointing upwards with both index fingers. She is wearing a black crop top with cut-out details and a studded belt. Her accessories include multiple black bracelets and a necklace with a pendant. The background is a plain, neutral color, and there is a hint of a plant on the right side. The image is accompanied by a caption that reads, "I don't remember a time when I wasn't into rock..." by Clayrocksu, with a credit to Adetayo Fotograf. The article title is "It's not noise. It's a message: the misunderstood misfits of Nigeria's underground rock scene," and it discusses Nigerian musicians reawakening their country's rock scene. The article was written by Tílewa Kazeem and published on August 12, 2025.
The image features a black woman with long, straight hair, smiling and pointing upwards with both index fingers. She is wearing a black crop top with cut-out details and a studded belt. Her accessories include multiple black bracelets and a necklace with a pendant. The background is a plain, neutral color, and there is a hint of a plant on the right side. The image is accompanied by a caption that reads, "I don't remember a time when I wasn't into rock..." by Clayrocksu, with a credit to Adetayo Fotograf. The article title is "It's not noise. It's a message: the misunderstood misfits of Nigeria's underground rock scene," and it discusses Nigerian musicians reawakening their country's rock scene. The article was written by Tílewa Kazeem and published on August 12, 2025.
The image features a black woman with long, straight hair, smiling and pointing upwards with both index fingers. She is wearing a black crop top with cut-out details and a studded belt. Her accessories include multiple black bracelets and a necklace with a pendant. The background is a plain, neutral color, and there is a hint of a plant on the right side. The image is accompanied by a caption that reads, "I don't remember a time when I wasn't into rock..." by Clayrocksu, with a credit to Adetayo Fotograf. The article title is "It's not noise. It's a message: the misunderstood misfits of Nigeria's underground rock scene," and it discusses Nigerian musicians reawakening their country's rock scene. The article was written by Tílewa Kazeem and published on August 12, 2025.
Tom
Tom boosted
DJM (freelance for hire)
@cybeardjm@masto.ai  ·  activity timestamp 3 weeks ago
Tom
Tom boosted
JdeB
@JdeB@climatejustice.social  ·  activity timestamp 3 weeks ago
Drive to solar power gathers pace across Nigeria
Tom
Tom boosted
Author-ized L.J.
@ljwrites@writeout.ink  ·  activity timestamp 3 weeks ago
DJM (freelance for hire)
@cybeardjm@masto.ai  ·  activity timestamp 3 weeks ago
JdeB
@JdeB@climatejustice.social  ·  activity timestamp 3 weeks ago
Drive to solar power gathers pace across Nigeria
Author-ized L.J.
@ljwrites@writeout.ink  ·  activity timestamp 3 weeks ago
𝚃𝚊𝚛𝚊𝚜 𝙶𝚛𝚎𝚜𝚌𝚘𝚎 🚇
@straphanger@urbanists.social  ·  activity timestamp last month
𝚃𝚊𝚛𝚊𝚜 𝙶𝚛𝚎𝚜𝚌𝚘𝚎 🚇
@straphanger@urbanists.social  ·  activity timestamp last month
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp last month
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp last month
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp 2 months ago
Pottery by Osa
@potterybyosa@mastodon.social  ·  activity timestamp 2 months ago
A ceramic face jug on a plain, olive green background. The jug is painted with terra sigillata made with clay from Tennessee. It is a rich, reddish brown color with a semi-matte, slightly satin sheen. The features of the face are smooth and calm. There are tribal marks—three lines in the middle of the forehead, one long line on each cheek and one short line in the middle of the chin. The top of the head is carved with fine lines mimicking a hairstyle. The neck of the vessel is textured with geometric patterning and concentric rings. A handle comes out of the top of the neck and attaches to the top of the head of the vessel. There is a historical feel to the piece.
A ceramic face jug on a plain, olive green background. The jug is painted with terra sigillata made with clay from Tennessee. It is a rich, reddish brown color with a semi-matte, slightly satin sheen. The features of the face are smooth and calm. There are tribal marks—three lines in the middle of the forehead, one long line on each cheek and one short line in the middle of the chin. The top of the head is carved with fine lines mimicking a hairstyle. The neck of the vessel is textured with geometric patterning and concentric rings. A handle comes out of the top of the neck and attaches to the top of the head of the vessel. There is a historical feel to the piece.
A ceramic face jug on a plain, olive green background. The jug is painted with terra sigillata made with clay from Tennessee. It is a rich, reddish brown color with a semi-matte, slightly satin sheen. The features of the face are smooth and calm. There are tribal marks—three lines in the middle of the forehead, one long line on each cheek and one short line in the middle of the chin. The top of the head is carved with fine lines mimicking a hairstyle. The neck of the vessel is textured with geometric patterning and concentric rings. A handle comes out of the top of the neck and attaches to the top of the head of the vessel. There is a historical feel to the piece.
Pottery by Osa
@potterybyosa@mastodon.social  ·  activity timestamp 2 months ago
A ceramic face jug on a plain, olive green background. The jug is painted with terra sigillata made with clay from Tennessee. It is a rich, reddish brown color with a semi-matte, slightly satin sheen. The features of the face are smooth and calm. There are tribal marks—three lines in the middle of the forehead, one long line on each cheek and one short line in the middle of the chin. The top of the head is carved with fine lines mimicking a hairstyle. The neck of the vessel is textured with geometric patterning and concentric rings. A handle comes out of the top of the neck and attaches to the top of the head of the vessel. There is a historical feel to the piece.
A ceramic face jug on a plain, olive green background. The jug is painted with terra sigillata made with clay from Tennessee. It is a rich, reddish brown color with a semi-matte, slightly satin sheen. The features of the face are smooth and calm. There are tribal marks—three lines in the middle of the forehead, one long line on each cheek and one short line in the middle of the chin. The top of the head is carved with fine lines mimicking a hairstyle. The neck of the vessel is textured with geometric patterning and concentric rings. A handle comes out of the top of the neck and attaches to the top of the head of the vessel. There is a historical feel to the piece.
A ceramic face jug on a plain, olive green background. The jug is painted with terra sigillata made with clay from Tennessee. It is a rich, reddish brown color with a semi-matte, slightly satin sheen. The features of the face are smooth and calm. There are tribal marks—three lines in the middle of the forehead, one long line on each cheek and one short line in the middle of the chin. The top of the head is carved with fine lines mimicking a hairstyle. The neck of the vessel is textured with geometric patterning and concentric rings. A handle comes out of the top of the neck and attaches to the top of the head of the vessel. There is a historical feel to the piece.
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp 2 months ago
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