Greg Lloyd boosted
Greg Lloyd boosted
The view from above the camera, looking down through the giant viewfinder on top of the camera.

In this particular snap, there is a lovely, bendy image of some flowers in a vase looks distorted, like a fun-house mirror at a carnival. The view is is 1:1 square-ish... a crop not completely square because the corners of the square are softly rounded, not cut at a sharp angle.
The view from above the camera, looking down through the giant viewfinder on top of the camera. In this particular snap, there is a lovely, bendy image of some flowers in a vase looks distorted, like a fun-house mirror at a carnival. The view is is 1:1 square-ish... a crop not completely square because the corners of the square are softly rounded, not cut at a sharp angle.
A picture of an unusual, green and silver enameled-metal camera with two lenses (one for shooting, one for the viewfinder). There is one large dial on the side to advance the film, one red button to release the shutter, and a plastic green strap to carry the camera around your neck. 

A lift-up garage door-like plate in the front opened the camera for shooting... and opened the viewfinder bay doors up top for viewing.
A picture of an unusual, green and silver enameled-metal camera with two lenses (one for shooting, one for the viewfinder). There is one large dial on the side to advance the film, one red button to release the shutter, and a plastic green strap to carry the camera around your neck. A lift-up garage door-like plate in the front opened the camera for shooting... and opened the viewfinder bay doors up top for viewing.