Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 4 days ago
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 4 days ago
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
On the catwalk is a hand-painted acrylic painting in portrait format by artist Karen Kaspar. A black cat balances on the thin bar of a wooden fence. The elegant pose with its paws placed in front of each other and its tail curved upwards gives the impression that the beautiful animal with its shiny black fur is walking on a catwalk like a model. The cat's yellow-green eyes are directed attentively to the left, conveying a sense of curiosity or concentration. The background is abstracted in bright lime green and light green shades, suggesting a natural environment such as the foliage of bushes or trees. The picture is painted with loose and expressive brushstrokes.
Alex, the Hearth Fire
Angela Antunovic
Doug Belshaw
Alex, the Hearth Fire and 2 others boosted
Guus Brugman
@gbrugman@mastodon.social  ·  activity timestamp 2 weeks ago
ajuvo ✔
ajuvo ✔ boosted
Guus Brugman
@gbrugman@mastodon.social  ·  activity timestamp 2 weeks ago
The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://upload.wikimedia.org/wikipedia/commons/a/a2/Clara_Peeters_-_Still_Life_with_Cheeses%2C_Almonds_and_Pretzels_-_detail_with_portrait_of_the_painter.jpg
The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://upload.wikimedia.org/wikipedia/commons/a/a2/Clara_Peeters_-_Still_Life_with_Cheeses%2C_Almonds_and_Pretzels_-_detail_with_portrait_of_the_painter.jpg
The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://upload.wikimedia.org/wikipedia/commons/a/a2/Clara_Peeters_-_Still_Life_with_Cheeses%2C_Almonds_and_Pretzels_-_detail_with_portrait_of_the_painter.jpg
Clara Peeters' 'Still Life with Cheeses, Bread, and Drinking Utensils' is an early 17th-century painting on display at the Mauritshuis in The Hague, The Netherlands. The work, also known as 'Still Life with Cheeses, Almonds, and Pretzels,' is a banquet, a type of food still life that Peeters specialized in, and depicts rich objects such as cheeses, figs, a Chinese dish, and a gilded Venetian glass. Peeters signed the painting on the handle of a richly decorated bridal knife. The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://kunstvensters.com/2017/05/18/onbekende-pareltjes-uit-de-musea-van-de-gouden-eeuw/
Clara Peeters' 'Still Life with Cheeses, Bread, and Drinking Utensils' is an early 17th-century painting on display at the Mauritshuis in The Hague, The Netherlands. The work, also known as 'Still Life with Cheeses, Almonds, and Pretzels,' is a banquet, a type of food still life that Peeters specialized in, and depicts rich objects such as cheeses, figs, a Chinese dish, and a gilded Venetian glass. Peeters signed the painting on the handle of a richly decorated bridal knife. The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://kunstvensters.com/2017/05/18/onbekende-pareltjes-uit-de-musea-van-de-gouden-eeuw/
Clara Peeters' 'Still Life with Cheeses, Bread, and Drinking Utensils' is an early 17th-century painting on display at the Mauritshuis in The Hague, The Netherlands. The work, also known as 'Still Life with Cheeses, Almonds, and Pretzels,' is a banquet, a type of food still life that Peeters specialized in, and depicts rich objects such as cheeses, figs, a Chinese dish, and a gilded Venetian glass. Peeters signed the painting on the handle of a richly decorated bridal knife. The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://kunstvensters.com/2017/05/18/onbekende-pareltjes-uit-de-musea-van-de-gouden-eeuw/
Guus Brugman
@gbrugman@mastodon.social  ·  activity timestamp 2 weeks ago
The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://upload.wikimedia.org/wikipedia/commons/a/a2/Clara_Peeters_-_Still_Life_with_Cheeses%2C_Almonds_and_Pretzels_-_detail_with_portrait_of_the_painter.jpg
The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://upload.wikimedia.org/wikipedia/commons/a/a2/Clara_Peeters_-_Still_Life_with_Cheeses%2C_Almonds_and_Pretzels_-_detail_with_portrait_of_the_painter.jpg
The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://upload.wikimedia.org/wikipedia/commons/a/a2/Clara_Peeters_-_Still_Life_with_Cheeses%2C_Almonds_and_Pretzels_-_detail_with_portrait_of_the_painter.jpg
Clara Peeters' 'Still Life with Cheeses, Bread, and Drinking Utensils' is an early 17th-century painting on display at the Mauritshuis in The Hague, The Netherlands. The work, also known as 'Still Life with Cheeses, Almonds, and Pretzels,' is a banquet, a type of food still life that Peeters specialized in, and depicts rich objects such as cheeses, figs, a Chinese dish, and a gilded Venetian glass. Peeters signed the painting on the handle of a richly decorated bridal knife. The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://kunstvensters.com/2017/05/18/onbekende-pareltjes-uit-de-musea-van-de-gouden-eeuw/
Clara Peeters' 'Still Life with Cheeses, Bread, and Drinking Utensils' is an early 17th-century painting on display at the Mauritshuis in The Hague, The Netherlands. The work, also known as 'Still Life with Cheeses, Almonds, and Pretzels,' is a banquet, a type of food still life that Peeters specialized in, and depicts rich objects such as cheeses, figs, a Chinese dish, and a gilded Venetian glass. Peeters signed the painting on the handle of a richly decorated bridal knife. The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://kunstvensters.com/2017/05/18/onbekende-pareltjes-uit-de-musea-van-de-gouden-eeuw/
Clara Peeters' 'Still Life with Cheeses, Bread, and Drinking Utensils' is an early 17th-century painting on display at the Mauritshuis in The Hague, The Netherlands. The work, also known as 'Still Life with Cheeses, Almonds, and Pretzels,' is a banquet, a type of food still life that Peeters specialized in, and depicts rich objects such as cheeses, figs, a Chinese dish, and a gilded Venetian glass. Peeters signed the painting on the handle of a richly decorated bridal knife. The pewter lid of the earthenware jug reflects the face of a woman wearing a white cap: a tiny self-portrait. Via https://kunstvensters.com/2017/05/18/onbekende-pareltjes-uit-de-musea-van-de-gouden-eeuw/
Guus Brugman
@gbrugman@mastodon.social  ·  activity timestamp 2 weeks ago
Yogthos
Yogthos boosted
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 2 weeks ago
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 2 weeks ago
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
Cat in golden light is an acrylic painting in portrait format hand-painted by the artist Karen Kaspar. The silhouette of a cat is surrounded by brightly coloured autumn leaves, creating a colourful and whimsical atmosphere. The mixture of bright green, purple and orange tones emphasises a feeling of warmth and nature. The cat silhouette is surrounded by glowing warm golden light, which emphasises and highlights the purple silhouette.
der.hans
der.hans boosted
tagesschau
@tagesschau@ard.social  ·  activity timestamp last month
tagesschau
@tagesschau@ard.social  ·  activity timestamp last month
podfeet
podfeet boosted
Guus Brugman
@gbrugman@mastodon.social  ·  activity timestamp 2 months ago
Schilderij van Leonid Afremov: stelletje loopt op regenachtige avond door stadspark Leonid Afremov vluchtte uit de Sovjet-Unie en vond in kleur zijn vrijheid. Hij schilderde altijd met het paletmes, geen penseel. Elk vlak is een laag licht. Afremov geloofde dat kleur emoties losmaakt, en dat zie je hier: geen grijs, alleen gloed. Kunst of kitch? Afremov zelf maakte zich er niet druk om: hij schilderde tot het einde toe elke dag, in hetzelfde ritme van licht en reflectie.
Schilderij van Leonid Afremov: stelletje loopt op regenachtige avond door stadspark Leonid Afremov vluchtte uit de Sovjet-Unie en vond in kleur zijn vrijheid. Hij schilderde altijd met het paletmes, geen penseel. Elk vlak is een laag licht. Afremov geloofde dat kleur emoties losmaakt, en dat zie je hier: geen grijs, alleen gloed. Kunst of kitch? Afremov zelf maakte zich er niet druk om: hij schilderde tot het einde toe elke dag, in hetzelfde ritme van licht en reflectie.
Schilderij van Leonid Afremov: stelletje loopt op regenachtige avond door stadspark Leonid Afremov vluchtte uit de Sovjet-Unie en vond in kleur zijn vrijheid. Hij schilderde altijd met het paletmes, geen penseel. Elk vlak is een laag licht. Afremov geloofde dat kleur emoties losmaakt, en dat zie je hier: geen grijs, alleen gloed. Kunst of kitch? Afremov zelf maakte zich er niet druk om: hij schilderde tot het einde toe elke dag, in hetzelfde ritme van licht en reflectie.
Guus Brugman
@gbrugman@mastodon.social  ·  activity timestamp 2 months ago
Schilderij van Leonid Afremov: stelletje loopt op regenachtige avond door stadspark Leonid Afremov vluchtte uit de Sovjet-Unie en vond in kleur zijn vrijheid. Hij schilderde altijd met het paletmes, geen penseel. Elk vlak is een laag licht. Afremov geloofde dat kleur emoties losmaakt, en dat zie je hier: geen grijs, alleen gloed. Kunst of kitch? Afremov zelf maakte zich er niet druk om: hij schilderde tot het einde toe elke dag, in hetzelfde ritme van licht en reflectie.
Schilderij van Leonid Afremov: stelletje loopt op regenachtige avond door stadspark Leonid Afremov vluchtte uit de Sovjet-Unie en vond in kleur zijn vrijheid. Hij schilderde altijd met het paletmes, geen penseel. Elk vlak is een laag licht. Afremov geloofde dat kleur emoties losmaakt, en dat zie je hier: geen grijs, alleen gloed. Kunst of kitch? Afremov zelf maakte zich er niet druk om: hij schilderde tot het einde toe elke dag, in hetzelfde ritme van licht en reflectie.
Schilderij van Leonid Afremov: stelletje loopt op regenachtige avond door stadspark Leonid Afremov vluchtte uit de Sovjet-Unie en vond in kleur zijn vrijheid. Hij schilderde altijd met het paletmes, geen penseel. Elk vlak is een laag licht. Afremov geloofde dat kleur emoties losmaakt, en dat zie je hier: geen grijs, alleen gloed. Kunst of kitch? Afremov zelf maakte zich er niet druk om: hij schilderde tot het einde toe elke dag, in hetzelfde ritme van licht en reflectie.
Karen Kaspar
@KarenKasparArt@socel.net  ·  activity timestamp 3 months ago
Curious little hedgehog in the meadow is a watercolour painting in landscape format hand-painted by the artist Karen Kaspar. A cute little hedgehog is sitting in a meadow between lush green blades of grass. He looks curiously to the left and seems to be smiling in a friendly manner. The picture is painted in a fresh style with loose brushstrokes and splashes of colour. The picture radiates a calm and peaceful mood. It is ideal for decorating a child's room and for all animal and nature lovers.
Curious little hedgehog in the meadow is a watercolour painting in landscape format hand-painted by the artist Karen Kaspar. A cute little hedgehog is sitting in a meadow between lush green blades of grass. He looks curiously to the left and seems to be smiling in a friendly manner. The picture is painted in a fresh style with loose brushstrokes and splashes of colour. The picture radiates a calm and peaceful mood. It is ideal for decorating a child's room and for all animal and nature lovers.
Curious little hedgehog in the meadow is a watercolour painting in landscape format hand-painted by the artist Karen Kaspar. A cute little hedgehog is sitting in a meadow between lush green blades of grass. He looks curiously to the left and seems to be smiling in a friendly manner. The picture is painted in a fresh style with loose brushstrokes and splashes of colour. The picture radiates a calm and peaceful mood. It is ideal for decorating a child's room and for all animal and nature lovers.
Ciara
@CiaraNi@mastodon.green  ·  activity timestamp 3 months ago
Short version: A brick structure with cylindrical sections and mirrors, built in a fjord. Fuller description: Seen from a slight distance, across a short wooden bridge, as if floating in the water, Olafur Eliasson's architectural artwork Fjordenhus – the house on the fjord. It is on the water in Vejle Fjord, Denmark. Commissioned by Vejle Kunstmuseum (Art Museum), it comprises four interconnected cylinders with a height of 28 meters. The brickwork and angles are gorgeous, both seen together and individually. The overall structure, seen here, is both bombastic and inviting at the same time. It sort of suggests waves or sails on the water, but at the same time has a slight look of a fortress.
Short version: A brick structure with cylindrical sections and mirrors, built in a fjord. Fuller description: Seen from a slight distance, across a short wooden bridge, as if floating in the water, Olafur Eliasson's architectural artwork Fjordenhus – the house on the fjord. It is on the water in Vejle Fjord, Denmark. Commissioned by Vejle Kunstmuseum (Art Museum), it comprises four interconnected cylinders with a height of 28 meters. The brickwork and angles are gorgeous, both seen together and individually. The overall structure, seen here, is both bombastic and inviting at the same time. It sort of suggests waves or sails on the water, but at the same time has a slight look of a fortress.
Short version: A brick structure with cylindrical sections and mirrors, built in a fjord. Fuller description: Seen from a slight distance, across a short wooden bridge, as if floating in the water, Olafur Eliasson's architectural artwork Fjordenhus – the house on the fjord. It is on the water in Vejle Fjord, Denmark. Commissioned by Vejle Kunstmuseum (Art Museum), it comprises four interconnected cylinders with a height of 28 meters. The brickwork and angles are gorgeous, both seen together and individually. The overall structure, seen here, is both bombastic and inviting at the same time. It sort of suggests waves or sails on the water, but at the same time has a slight look of a fortress.
Home Login