Silver Spook Live - State of Our Dystopian Game / Present! Holidays edition! https://twitch.tv/silverspook #indiedev #indiegame #indiegamedev #gamedev #scifiart #NoAI #noAIart
Silver Spook Live - State of Our Dystopian Game / Present! Holidays edition! https://twitch.tv/silverspook #indiedev #indiegame #indiegamedev #gamedev #scifiart
ALIENS (1979)
Acrylic on Watercolor Board - 23” x 14”
The concept here is that the aliens and the lone human-—who is an alien to the others—are posing for a group photograph, with the photographer being out of view to the right. ¼
#sciencefiction #scifi #scifiart #illustration #anthology #gardnerdozois #jackdann
CHANUR’S HOMECOMING (1986)
Acrylic on Watercolor Board - 30” X 18”
The biggest challenge painting alien creatures is finding ways to communicate information about the way they think via gestures available to their peculiar forms. The more humanoid the alien, the easier the job because everyone has innate knowledge of the subtleties of human nonverbal expression. 1/3
#sciencefiction #scifi #scifiart #illustration #cjcherryh #dawbooks
CHANUR’S HOMECOMING (1986)
Acrylic on Watercolor Board - 30” X 18”
The biggest challenge painting alien creatures is finding ways to communicate information about the way they think via gestures available to their peculiar forms. The more humanoid the alien, the easier the job because everyone has innate knowledge of the subtleties of human nonverbal expression. 1/3
#sciencefiction #scifi #scifiart #illustration #cjcherryh #dawbooks
THE MULE (1985)
Acrylic on Canvas 32” x 20”
For book two of the Foundation series, there was once again a clear choice for the central subject.
Outwardly a buffoon, the Mule is the greatest concentration of power in a single individual in the Galaxy, the one variable Seldon overlooked in his massive plan. 1/3
#sciencefiction #scifi #scifiart #sff #illustration #foundation #isaacasimov #delreybooks
THE MULE (1985)
Acrylic on Canvas 32” x 20”
For book two of the Foundation series, there was once again a clear choice for the central subject.
Outwardly a buffoon, the Mule is the greatest concentration of power in a single individual in the Galaxy, the one variable Seldon overlooked in his massive plan. 1/3
#sciencefiction #scifi #scifiart #sff #illustration #foundation #isaacasimov #delreybooks
FLANDRY OF TERRA (1979)
Acrylic on Board - 27 ½" x 16"
This illustration differed from others at the time in that I used models. 1/3
#sciencefiction #sff #scifi #scifiart #illustration #poulanderson #dominicflandry
PEGASUS IN FLIGHT (1990)
Acrylic on Watercolor Board - 29” x 20”
This was a rare instance, especially with Anne’s books, when Del Rey dictated what they wanted on the cover. I didn’t get to read the manuscript. Instead I worked with a brief overview. 1/3
#sciencefiction #scifi #scifiart #sff #illustration #annemccaffrey #delreybooks
FLANDRY OF TERRA (1979)
Acrylic on Board - 27 ½" x 16"
This illustration differed from others at the time in that I used models. 1/3
#sciencefiction #sff #scifi #scifiart #illustration #poulanderson #dominicflandry
ALIENS (1979)
Acrylic on Watercolor Board - 23” x 14”
The concept here is that the aliens and the lone human-—who is an alien to the others—are posing for a group photograph, with the photographer being out of view to the right. ¼
#sciencefiction #scifi #scifiart #illustration #anthology #gardnerdozois #jackdann
PEGASUS IN FLIGHT (1990)
Acrylic on Watercolor Board - 29” x 20”
This was a rare instance, especially with Anne’s books, when Del Rey dictated what they wanted on the cover. I didn’t get to read the manuscript. Instead I worked with a brief overview. 1/3
#sciencefiction #scifi #scifiart #sff #illustration #annemccaffrey #delreybooks
CHANUR’S BREAKOUT (1991)
Acrylic on Watercolor Board - 30” X 22”
An opportunity to paint C.J. Cherryh’s catlike Hani was always welcome. I was fortunate to have done several covers for this popular series, yet for CHANUR’S LEGACY I came up with more new concepts than ever before. 1/5
#sciencefiction #scifi #scifiart #illustration #cjcherryh #hani #chanur #dawbooks
CHANUR’S BREAKOUT (1991)
Acrylic on Watercolor Board - 30” X 22”
An opportunity to paint C.J. Cherryh’s catlike Hani was always welcome. I was fortunate to have done several covers for this popular series, yet for CHANUR’S LEGACY I came up with more new concepts than ever before. 1/5
#sciencefiction #scifi #scifiart #illustration #cjcherryh #hani #chanur #dawbooks
THE SNOW QUEEN (1988)
Acrylic on Panel - 36” x 24”
Though the cover illustration by Leo and Diane Dillon on the first edition of The Snow Queen, by Joan D. Vinge, was excellent, Warner Books decided to commission me to do a new one.
Perhaps the sequel was in the works, and they wanted a consistent style on the covers of the two volumes. 1/4
THE SNOW QUEEN (1988)
Acrylic on Panel - 36” x 24”
Though the cover illustration by Leo and Diane Dillon on the first edition of The Snow Queen, by Joan D. Vinge, was excellent, Warner Books decided to commission me to do a new one.
Perhaps the sequel was in the works, and they wanted a consistent style on the covers of the two volumes. 1/4