Deep space. In the immediate foreground, on the right, is a red, rocky planet with visible craters, a white glow on the horizon. Still close but farther back is a blue-green planet with a rough surface texture and a few slight lines. Streaking between them is a rocket ship that looks like little more than a red bullet with a blazing white glow and rainbow-ish contrails that start yellow and trail off into blue. The rocket is headed towards a purplish nebula region. The painting is signed "Chris Silverman".

Deep space. In the immediate foreground, on the right, is a red, rocky planet with visible craters, a white glow on the horizon. Still close but farther back is a blue-green planet with a rough surface texture and a few slight lines. Streaking between them is a rocket ship that looks like little more than a red bullet with a blazing white glow and rainbow-ish contrails that start yellow and trail off into blue. The rocket is headed towards a purplish nebula region. The painting is signed "Chris Silverman".

A huge, flaming boulder with a smiley face carved into it hovers in a dark, hellish space. The boulder is covered in soft orange flames, and is lit yellow by the inferno below it. Above it is a small orange halo. Standing in the orange and yellow flames is a demonic horned figure, arms up, who appears to be summoning or controlling the boulder. The painting is signed "Chris Silverman".

A huge, flaming boulder with a smiley face carved into it hovers in a dark, hellish space. The boulder is covered in soft orange flames, and is lit yellow by the inferno below it. Above it is a small orange halo. Standing in the orange and yellow flames is a demonic horned figure, arms up, who appears to be summoning or controlling the boulder. The painting is signed "Chris Silverman".

An old-time cathode-ray-tube TV is balanced precariously on a very thin, narrow mountain peak. That is, it would be balanced precariously if it weren't held in place by a multitude of supports, pipes, tubes, and even wires. The mountain is a dull purplish rock, although some of the pipes have a greenish sheen. The screen of the TV shows an iridescent blue-green color, with no discernible image or pattern. The sky is yellow-gold, with a blazing white sun in the top right. A few birds are visible in the distance. The painting is signed "Chris Silverman".

An old-time cathode-ray-tube TV is balanced precariously on a very thin, narrow mountain peak. That is, it would be balanced precariously if it weren't held in place by a multitude of supports, pipes, tubes, and even wires. The mountain is a dull purplish rock, although some of the pipes have a greenish sheen. The screen of the TV shows an iridescent blue-green color, with no discernible image or pattern. The sky is yellow-gold, with a blazing white sun in the top right. A few birds are visible in the distance. The painting is signed "Chris Silverman".

A desolate, barren, gray desert stretches away under a deep indigo night sky that, despite the color, still appears overcast. In the foreground is what looks like an open manhole, the interior glowing green. Planted next to the hole is a triangular warning sign with a question mark. On the foggy horizon is a house with two windows glowing a dull green, and a small light. Beyond the house is a blurry mountain. Above both, filtering down through the clouds, are two blazing greenish-white lights. The painting is signed “Chris Silverman”.

A desolate, barren, gray desert stretches away under a deep indigo night sky that, despite the color, still appears overcast. In the foreground is what looks like an open manhole, the interior glowing green. Planted next to the hole is a triangular warning sign with a question mark. On the foggy horizon is a house with two windows glowing a dull green, and a small light. Beyond the house is a blurry mountain. Above both, filtering down through the clouds, are two blazing greenish-white lights. The painting is signed “Chris Silverman”.

A rather grim and dilapidated structure that suggests Big Ben stands against a blue, pink-tinged sky. The structure is a tall tower with a rusty, patched-together metal base. On the base is a large analog clock face with glowing green digital numerals and hands. The clock looks like a digital clock with an analog face, and is displaying 9:41. The clock is also made of rusty metal, with a few odd controls on the front and side, including a hand crank. The very top of the tower is a small wooden shack with a pointed roof that is perched on top of the clock. The shack is painted a fading red, with a few graffiti tags. Sticking out of the roof are a chimney and some antennae. The front of the shack is dominated by a large arched yellow window. Standing in the window is the silhouette of a figure. The painting is signed “Chris Silverman”.

A rather grim and dilapidated structure that suggests Big Ben stands against a blue, pink-tinged sky. The structure is a tall tower with a rusty, patched-together metal base. On the base is a large analog clock face with glowing green digital numerals and hands. The clock looks like a digital clock with an analog face, and is displaying 9:41. The clock is also made of rusty metal, with a few odd controls on the front and side, including a hand crank. The very top of the tower is a small wooden shack with a pointed roof that is perched on top of the clock. The shack is painted a fading red, with a few graffiti tags. Sticking out of the roof are a chimney and some antennae. The front of the shack is dominated by a large arched yellow window. Standing in the window is the silhouette of a figure. The painting is signed “Chris Silverman”.

A desolate scene: Jesus, in a white robe and halo, sits in an armchair in a darkened apartment lit only by the white glare of a flatscreen television. The entire scene is a dull bluish-green. Hanging on the wall above are the letters “Happy Birthday”, and a few stars, all of which have the effect of making the scene appear even less festive than it would be without these decorations. The painting is signed “Chris Silverman”.

A desolate scene: Jesus, in a white robe and halo, sits in an armchair in a darkened apartment lit only by the white glare of a flatscreen television. The entire scene is a dull bluish-green. Hanging on the wall above are the letters “Happy Birthday”, and a few stars, all of which have the effect of making the scene appear even less festive than it would be without these decorations. The painting is signed “Chris Silverman”.

A person wearing dark green pants, a red jacket with white trimming, and a red stocking cap with a white fringe pushes a large red package up a ramp. The package the size of a mini-fridge, and is tied with a white bow. The ramp it is being pushed up leads into a large red vehicle that looks like the sleigh version of a freight truck. White light glows from the interior of the sleigh. In place of wheels, it has heavy iron runners. The side has a gold border; the word “North”, probably part of “North Pole”, is written in large gold letters. The sleigh has a small orange light on what would be its bumper, and a larger glowing orange light in the top right. A light snow is falling. The background is gray. The painting is signed “Chris Silverman”.

A person wearing dark green pants, a red jacket with white trimming, and a red stocking cap with a white fringe pushes a large red package up a ramp. The package the size of a mini-fridge, and is tied with a white bow. The ramp it is being pushed up leads into a large red vehicle that looks like the sleigh version of a freight truck. White light glows from the interior of the sleigh. In place of wheels, it has heavy iron runners. The side has a gold border; the word “North”, probably part of “North Pole”, is written in large gold letters. The sleigh has a small orange light on what would be its bumper, and a larger glowing orange light in the top right. A light snow is falling. The background is gray. The painting is signed “Chris Silverman”.

A rocky surface sits under a blazing white sun in a yellow-green sky. Sticking up from the surface are three tall, blue, pole-like figures, planted in the rock. The figures look like carved tree trunks. Two have craggy, Viking-esque faces and long beards. The third, on the right, has a more abstract, minimalist face, more like a modern sculpture. All three of them have reddish coloring on their faces and beards, like faded red paint. They lean slightly towards each other, as though conversing. The painting is signed "Chris Silverman".

An unsettling figure hustles through the fog in a dark blue scene. The figure wears a bright green mask: a craggy face with a heavily lined brow. The figure is wearing a heavy dark overcoat with two shiny buttons, and carries a reddish briefcase. It is eerily lit by two blurry streetlamps, one a yellow-green and the other an orangey yellow. The painting is signed "Chris Silverman".

An odd, spherical, metal machine that looks sort of like a submersible hovers in a purple-pink space. The machine is a dull, dark, brassy color, with several pipe-like towers, protuberances, and antennae extending off of it. It has three round windows of varying sizes placed at haphazard locations. All of them reveal a glowing green interior. In one of them sits a cat. In the sky behind the machine are three blazing white-yellow objects that look like celestial bodies. The painting is signed “Chris Silverman”.