A bizarre, dark-colored chunk of something hangs in a dismal drab-green and orange vacuum. The something looks like a large fragment of a building or infrastructure; maybe several fragments combined. It has numerous pipes and beams sticking off it at odd angles. Part of it is a large boxy chunk that contains a glowing yellow-green arched window. A figure wearing a suit and tie stands in the window, looking out. Attached to the left side of the box is a tall smokestack. A dish antenna is on top of the box. The painting is signed "Chris Silverman".

A bizarre, dark-colored chunk of something hangs in a dismal drab-green and orange vacuum. The something looks like a large fragment of a building or infrastructure; maybe several fragments combined. It has numerous pipes and beams sticking off it at odd angles. Part of it is a large boxy chunk that contains a glowing yellow-green arched window. A figure wearing a suit and tie stands in the window, looking out. Attached to the left side of the box is a tall smokestack. A dish antenna is on top of the box. The painting is signed "Chris Silverman".

A small, strange figure wearing a metallic suit and giant mask stands against a reddish sky. The mask is a dull reddish-brass color, square, and made from several ragged chunks of metal welded together. It has two round holes for eyes and a smaller hole where the mouth would be. Each hole is very precisely machined, with a bezel around it. Sticking out of the right side of the mask is a small smoking chimney that looks like a snorkel tube. The figure's suit is also a tarnished brassy gold. Its arms are oddly long and thin, suggesting either a robot or an insect. A dull orange sun hangs in the sky. The painting is signed "Chris Silverman".

A small, strange figure wearing a metallic suit and giant mask stands against a reddish sky. The mask is a dull reddish-brass color, square, and made from several ragged chunks of metal welded together. It has two round holes for eyes and a smaller hole where the mouth would be. Each hole is very precisely machined, with a bezel around it. Sticking out of the right side of the mask is a small smoking chimney that looks like a snorkel tube. The figure's suit is also a tarnished brassy gold. Its arms are oddly long and thin, suggesting either a robot or an insect. A dull orange sun hangs in the sky. The painting is signed "Chris Silverman".

A person drives a bizarre contraption that looks like it is one bump in the road away from collapsing into a pile of rusty parts. The vehicle has four wheels like a car, but the front is slightly smaller than the rear. It is taller than it is long, with an open cockpit like a tractor and a heavy, L-shaped body. It looks like something between a farm machine and a zamboni. The body is a dull rust-covered greenish brown, complex with beams, pipes, and patches. A red warning triangle is painted at the top; a yellow and black hazard strip is along one fender. It has a smokestack-like tailpipe, a glowing white light mounted on a pipe, and a headlight. The sky is a greenish-yellow; the ground is dark and shows evenly mowed grass. The painting is signed "Chris Silverman".

A person drives a bizarre contraption that looks like it is one bump in the road away from collapsing into a pile of rusty parts. The vehicle has four wheels like a car, but the front is slightly smaller than the rear. It is taller than it is long, with an open cockpit like a tractor and a heavy, L-shaped body. It looks like something between a farm machine and a zamboni. The body is a dull rust-covered greenish brown, complex with beams, pipes, and patches. A red warning triangle is painted at the top; a yellow and black hazard strip is along one fender. It has a smokestack-like tailpipe, a glowing white light mounted on a pipe, and a headlight. The sky is a greenish-yellow; the ground is dark and shows evenly mowed grass. The painting is signed "Chris Silverman".

A dim forest: evening-blue background, tall purple trees looming out of the fog. In the foreground is a ground of dark grass and the trunk of a huge tree. Hovering at the base of the tree is a glowing yellow orb, a trail of light behind it. The light it casts turns the trunk a yellowish-red. In the background are a few other, dimmer orbs. The painting is signed "Chris Silverman".

A dim forest: evening-blue background, tall purple trees looming out of the fog. In the foreground is a ground of dark grass and the trunk of a huge tree. Hovering at the base of the tree is a glowing yellow orb, a trail of light behind it. The light it casts turns the trunk a yellowish-red. In the background are a few other, dimmer orbs. The painting is signed "Chris Silverman".

A clear blue evening. At the edge of a cliff, a bizarre rocky structure extends into the air. It best resembles some weird crystalline outgrowth; a tower made of cubical boulders that have been fused together. Sitting on the top boulder is a person, dimly illuminated by a glowing yellow lantern. The painting is signed "Chris Silverman".

A clear blue evening. At the edge of a cliff, a bizarre rocky structure extends into the air. It best resembles some weird crystalline outgrowth; a tower made of cubical boulders that have been fused together. Sitting on the top boulder is a person, dimly illuminated by a glowing yellow lantern. The painting is signed "Chris Silverman".

A craggy mountain peak, cast red in the late afternoon sun. At the very top of the peak, appearing to grow out of it as the trunk of a tree might emerge from roots, is an odd towerlike structure that is clearly a dwelling, but looks more organic than architected. It has a winding staircase leading up to it, a small door, and two glowing windows. A few antennas are placed at the top. A blazing white sun hangs in the yellow sky. The painting is signed "Chris Silverman".

A craggy mountain peak, cast red in the late afternoon sun. At the very top of the peak, appearing to grow out of it as the trunk of a tree might emerge from roots, is an odd towerlike structure that is clearly a dwelling, but looks more organic than architected. It has a winding staircase leading up to it, a small door, and two glowing windows. A few antennas are placed at the top. A blazing white sun hangs in the yellow sky. The painting is signed "Chris Silverman".

A smiley-face emoji with eerily empty black eyes, set on a black background. Below, it are two crossed lines, conveying the impression of a skull and crossbones. Both the face and the lines are rendered in blazing neon rainbow colors. A pattern of vertical lines partially covers the face and the crossbones. The vertical lines have their own colors which blur as they intersect the face and crossbones, giving the overall painting, a sort of drippy/rasterized effect. The painting is signed "Chris Silverman".

A smiley-face emoji with eerily empty black eyes, set on a black background. Below, it are two crossed lines, conveying the impression of a skull and crossbones. Both the face and the lines are rendered in blazing neon rainbow colors. A pattern of vertical lines partially covers the face and the crossbones. The vertical lines have their own colors which blur as they intersect the face and crossbones, giving the overall painting, a sort of drippy/rasterized effect. The painting is signed "Chris Silverman".

A lone figure walks through an abandoned city street on a pale green night illuminated by a full white moon. On the left, the buildings loom up and away. The street is just an empty space where no buildings are. The painting is signed "Chris Silverman".