In a craggy, remote place, a witchlike figure stands next to a large black cauldron with glowing greenish smoke boiling up out of it into the dull blue evening sky. The cauldron is lit yellow-orange from below by fire. The witch isn't looking at the cauldron, though; they're looking at a laptop perched on a stool. While the screen is too small to be legible, someone familiar with YouTube will have the impression that the witch is watching a YouTube video tutorial. The painting is signed "Chris Silverman".

In a craggy, remote place, a witchlike figure stands next to a large black cauldron with glowing greenish smoke boiling up out of it into the dull blue evening sky. The cauldron is lit yellow-orange from below by fire. The witch isn't looking at the cauldron, though; they're looking at a laptop perched on a stool. While the screen is too small to be legible, someone familiar with YouTube will have the impression that the witch is watching a YouTube video tutorial. The painting is signed "Chris Silverman".

The mighty Captain America, resplendent in a blue suit with patriotic red and white stripes and a white star on the front. Captain America is, unfortunately, a skeletal figure, emaciated and hollow. His red boots and gloves are too large, and he seems barely able to hold his circular shield with the red and white stripes, a white star on a blue circle in the center. He stands in a gray, listless space, alone. The painting is signed "Chris Silverman".

The mighty Captain America, resplendent in a blue suit with patriotic red and white stripes and a white star on the front. Captain America is, unfortunately, a skeletal figure, emaciated and hollow. His red boots and gloves are too large, and he seems barely able to hold his circular shield with the red and white stripes, a white star on a blue circle in the center. He stands in a gray, listless space, alone. The painting is signed "Chris Silverman".

The Statue of Liberty, an enormous green metal statue of a woman wearing a robe and carrying a book and torch, stands against a gray sky. The statue stands on a brown stone base. In place of a torch, it is holding up a glowing white logo for the satirical publication The Onion. Quoting Thomas More, “The devil...the proud spirit...cannot endure to be mocked.” The painting is signed “Chris Silverman”.

The Statue of Liberty, an enormous green metal statue of a woman wearing a robe and carrying a book and torch, stands against a gray sky. The statue stands on a brown stone base. In place of a torch, it is holding up a glowing white logo for the satirical publication The Onion. Quoting Thomas More, “The devil...the proud spirit...cannot endure to be mocked.” The painting is signed “Chris Silverman”.

A dark, grim room illuminated with bleak greenish light by a single lamp hanging from the ceiling. Standing in the middle of the room, back to the viewer, is a detective wearing a dark suit and a hat. The detective is staring at a wall, on which are haphazardly taped various sheets of paper with text and handwriting on them. The papers show frenetic scribbles surrounded by red circles, annotations, and yellow highlighter markings. None of this text is legible except for that which is printed in red, on the largest sheet of paper. That text has the characters ΩΗΑΤΣΠΥΖΖΛΙΝΓΥΟΥΙΣΤΗΕΝΑΤΥΡΕΟΦΜΥΓΑΜΕ. The painting is signed “Chris Silverman”.

A dark, grim room illuminated with bleak greenish light by a single lamp hanging from the ceiling. Standing in the middle of the room, back to the viewer, is a detective wearing a dark suit and a hat. The detective is staring at a wall, on which are haphazardly taped various sheets of paper with text and handwriting on them. The papers show frenetic scribbles surrounded by red circles, annotations, and yellow highlighter markings. None of this text is legible except for that which is printed in red, on the largest sheet of paper. That text has the characters ΩΗΑΤΣΠΥΖΖΛΙΝΓΥΟΥΙΣΤΗΕΝΑΤΥΡΕΟΦΜΥΓΑΜΕ. The painting is signed “Chris Silverman”.

A dark night, lit red with flames pouring out of a rusty, graffiti-covered dumpster. The yellow inferno towers above the dumpster, spitting smoke and sparks into the sky. Sitting to the left of the dumpster on a small ladder, holding two marshmallows above the flames on a stick, is a person. The painting is signed "Chris Silverman".

A dark night, lit red with flames pouring out of a rusty, graffiti-covered dumpster. The yellow inferno towers above the dumpster, spitting smoke and sparks into the sky. Sitting to the left of the dumpster on a small ladder, holding two marshmallows above the flames on a stick, is a person. The painting is signed "Chris Silverman".

A gray, mostly cloudy winter night. The large black-and-gold hulk of a ship sits in Boston harbor under a dim white crescent moon. On deck, several dark figures are having a tea party, at least in the historical sense: they are hurling large wooden crates of cargo into the water. Spray-painted on the hull of the ship is a more contemporary symbol: a rudimentary sketch of a crown in white paint, with a red X over it. Fog hovers over the water. In the distance, the gray outline of Boston is visible, punctuated by a few yellow lights. The painting is signed “Chris Silverman”.

A gray, mostly cloudy winter night. The large black-and-gold hulk of a ship sits in Boston harbor under a dim white crescent moon. On deck, several dark figures are having a tea party, at least in the historical sense: they are hurling large wooden crates of cargo into the water. Spray-painted on the hull of the ship is a more contemporary symbol: a rudimentary sketch of a crown in white paint, with a red X over it. Fog hovers over the water. In the distance, the gray outline of Boston is visible, punctuated by a few yellow lights. The painting is signed “Chris Silverman”.

A person stands on the rooftop of a tenement building in the middle of a city. It's a clear, starry night; the sky is a deep blue-green, dotted with bright stars. Some of those stars may be something else, though, going by the cluster of glowing yellow-green fireflies hovering around the person's outstretched hand. The fireflies seem attracted to the person. On the buildings all around, windows glow yellow. The painting is signed "Chris Silverman".

A person stands on the rooftop of a tenement building in the middle of a city. It's a clear, starry night; the sky is a deep blue-green, dotted with bright stars. Some of those stars may be something else, though, going by the cluster of glowing yellow-green fireflies hovering around the person's outstretched hand. The fireflies seem attracted to the person. On the buildings all around, windows glow yellow. The painting is signed "Chris Silverman".

A large, stone-faced figure with a shaved head and dark overcoat and tie stands in a dark space, the background lit with a reddish glow. The figure's face is expressionless and lacking detail, like that of a sculpture or robot. The figure itself is illuminated by a greenish light that makes it look as if it is made of metal. On its left side is pinned a glowing, neon-yellow button with a smiley-face on it. The painting is signed "Chris Silverman".

A large, stone-faced figure with a shaved head and dark overcoat and tie stands in a dark space, the background lit with a reddish glow. The figure's face is expressionless and lacking detail, like that of a sculpture or robot. The figure itself is illuminated by a greenish light that makes it look as if it is made of metal. On its left side is pinned a glowing, neon-yellow button with a smiley-face on it. The painting is signed "Chris Silverman".