A view from the surface of the moon: a vast white expanse under a starry black sky. In the top right of the sky sits the earth, a blue and brown half-moon covered with white clouds. Visible in the distance are mountains. Closer to the viewer is a round hole in the ground. A ladder is sticking out of it, leading down to who knows where. Next to the hole is an orange warning cone. The painting is signed "Chris Silverman".

A tree with no leaves on its branches stands in a bright yellow and bluish space. The area is blurry, but gives the impression of a sunny day, and a vast, icy expanse. The tree stands in the middle of this. Hanging from one of its branches, on the right, is a small sign that reads "open" in large, pinkish-white block letters. Below the sign is placed a chair. The painting is signed "Chris Silverman".

A hunched figure wearing a coat and a hat walks under a gray night sky and a slightly hazy full moon. The figure has a gnarled cane, and might look like an elderly person out for a walk if it weren't for the fact that its entire upper body is a traffic signal, the red and yellow lights blazing. A low fog hangs over the ground. The painting is signed "Chris Silverman".

A view from the surface of the moon: a vast white expanse under a starry black sky. In the top right of the sky sits the earth, a blue and brown half-moon covered with white clouds. Visible in the distance are mountains. Closer to the viewer is a round hole in the ground. A ladder is sticking out of it, leading down to who knows where. Next to the hole is an orange warning cone. The painting is signed "Chris Silverman".

A person stands in a bright red space, holding a yellow flame. Rather than appearing brightly lit, the space feels more like a dark room lit by a fire, with shadows pressing in all around. In front of the person, mounted on a pillar like a sculpture, is a vast and weird object: part asteroid, part machine, with organic folds and striations. The parts of the object closest to the flame glow yellow, fading into red and purple. The painting is signed "Chris Silverman".

A tree with no leaves on its branches stands in a bright yellow and bluish space. The area is blurry, but gives the impression of a sunny day, and a vast, icy expanse. The tree stands in the middle of this. Hanging from one of its branches, on the right, is a small sign that reads "open" in large, pinkish-white block letters. Below the sign is placed a chair. The painting is signed "Chris Silverman".

A bleak industrial scene: hulking brownish factories pouring yellow smoke into a dull red sky. In the foreground, a cat sits on a dark, greenish log, observing the scene. The painting is signed "Chris Silverman".

A strange, heavily industrial building stands against a yellow sky. The building is tall—think of two differently-sized file cabinets stacked on each other—and looks more like a machine part or piece of equipment than a dwelling. It is a drab dark gray with a brownish tinge that suggests weathered concrete. The sides have numerous odd crevices, pipes, and striations, with a red triangle that suggests a hazard symbol painted on the right side. It has a few small windows that reveal a blue interior, as well as glowing white LED-esque lights embedded in the side. On the roof are a few antennas and a radio dish. Out front is a small mailbox. The grass around the building is tinged red from the sun. The painting is signed "Chris Silverman".

A hunched figure wearing a coat and a hat walks under a gray night sky and a slightly hazy full moon. The figure has a gnarled cane, and might look like an elderly person out for a walk if it weren't for the fact that its entire upper body is a traffic signal, the red and yellow lights blazing. A low fog hangs over the ground. The painting is signed "Chris Silverman".

A dark night, with a glowing green celestial body—a moon? an orb? a ball of white light surrounded by a greenish glow—in the top right. Below it, knee deep in greenish fog, is a small figure. The figure has a large shiny spherical bomb for a head. The fuse is where its face would be, and it is casually lighting the fuse as though lighting a cigarette, the rest of it dimly illuminated by both the yellow flame of the lighter and the blazing white light in the sky. Its head has a faded red stencil of a warning triangle with an exclamation point inside it, in case the risks of the situation were unclear. The painting is signed "Chris Silverman".

A person stands in a bright red space, holding a yellow flame. Rather than appearing brightly lit, the space feels more like a dark room lit by a fire, with shadows pressing in all around. In front of the person, mounted on a pillar like a sculpture, is a vast and weird object: part asteroid, part machine, with organic folds and striations. The parts of the object closest to the flame glow yellow, fading into red and purple. The painting is signed "Chris Silverman".

A bleak industrial scene: hulking brownish factories pouring yellow smoke into a dull red sky. In the foreground, a cat sits on a dark, greenish log, observing the scene. The painting is signed "Chris Silverman".

An eerie green world. A tall, crumbling stone arch rises up from the ground, like the one doorway left after the rest of the house vanished. Above the archway, in the center, is a mask-shaped stone face, eyes in shadow, mouth stretched into an unpleasant smile. The mask is revealing teeth and sticking out a long pointed tongue. Sitting on the top right corner of the arch is a raven. Walking under the arch is a strange figure: arms a little longer than they ought to be, the outline of a top hat, and two glowing eyes. The figure is silhouetted, so not much in the way of details can be seen. This is an entirely green painting, signed "Chris Silverman".

A strange, heavily industrial building stands against a yellow sky. The building is tall—think of two differently-sized file cabinets stacked on each other—and looks more like a machine part or piece of equipment than a dwelling. It is a drab dark gray with a brownish tinge that suggests weathered concrete. The sides have numerous odd crevices, pipes, and striations, with a red triangle that suggests a hazard symbol painted on the right side. It has a few small windows that reveal a blue interior, as well as glowing white LED-esque lights embedded in the side. On the roof are a few antennas and a radio dish. Out front is a small mailbox. The grass around the building is tinged red from the sun. The painting is signed "Chris Silverman".

A figure wearing an indigo-colored full-body suit. The suit is wrinkled, looks sort of rubbery, and has an iridescent greenish sheen to it. The figure, though humanoid, does not look human, with long, thin arms and long, thin fingers. The suit—or maybe the creature inside it—has two pointed horns. Where the face would be is a circular faceplate, glowing green. Sticking out of the figure's back is a metallic clock key. The background is a hot pink. The painting is signed "Chris Silverman".

A dark night, with a glowing green celestial body—a moon? an orb? a ball of white light surrounded by a greenish glow—in the top right. Below it, knee deep in greenish fog, is a small figure. The figure has a large shiny spherical bomb for a head. The fuse is where its face would be, and it is casually lighting the fuse as though lighting a cigarette, the rest of it dimly illuminated by both the yellow flame of the lighter and the blazing white light in the sky. Its head has a faded red stencil of a warning triangle with an exclamation point inside it, in case the risks of the situation were unclear. The painting is signed "Chris Silverman".

An eerie green world. A tall, crumbling stone arch rises up from the ground, like the one doorway left after the rest of the house vanished. Above the archway, in the center, is a mask-shaped stone face, eyes in shadow, mouth stretched into an unpleasant smile. The mask is revealing teeth and sticking out a long pointed tongue. Sitting on the top right corner of the arch is a raven. Walking under the arch is a strange figure: arms a little longer than they ought to be, the outline of a top hat, and two glowing eyes. The figure is silhouetted, so not much in the way of details can be seen. This is an entirely green painting, signed "Chris Silverman".

A figure wearing an indigo-colored full-body suit. The suit is wrinkled, looks sort of rubbery, and has an iridescent greenish sheen to it. The figure, though humanoid, does not look human, with long, thin arms and long, thin fingers. The suit—or maybe the creature inside it—has two pointed horns. Where the face would be is a circular faceplate, glowing green. Sticking out of the figure's back is a metallic clock key. The background is a hot pink. The painting is signed "Chris Silverman".

A clear blue sky, with a few stars visible, sometime around dusk or dawn. In the background is a blurry treeline, with a yellow-green glow about it. In the foreground is a small dark mailbox in the middle of a grassy area. Hovering in the sky above is a vast black UFO. A circular hatch is open underneath it, revealing a glowing green interior. The UFO is surrounded by an eerie glow. The painting is signed "Chris Silverman".