Anke and 2 others boosted
Lukas VFN 🇪🇺
@animalculum@scholar.social  ·  activity timestamp 3 weeks ago
Lukas VFN 🇪🇺
@animalculum@scholar.social  ·  activity timestamp 3 weeks ago
The Kid Should See This 🌈🪐✨
@tksst@fediscience.org  ·  activity timestamp 3 weeks ago
Greenpeace International
@greenpeace@mastodon.social  ·  activity timestamp 3 weeks ago
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text.
Greenpeace International
@greenpeace@mastodon.social  ·  activity timestamp 3 weeks ago
Amazon ash art performance by Brazilian artivist Mundano demands action for forests at COP30 Greenpeace International 18 Nov 2025 Belém, Brazil – Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30, today. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text. The ashes used in the performance were taken from the Anambé Indigenous land, near Belém, in 2024, when the territory was impacted by forest fires. Photos of and videos of the performance are available at the Greenpeace Media Library. Carolina Pasquali, Executive Director, Greenpeace Brazil said: “Time is running out at COP30. We cannot leave this COP with symbolic gestures, voluntary commitments or vague promises. We need a concrete, time-bound action plan to end deforestation in all forests by 2030. The Global Stocktake at COP28 recognised this goal, but recognition is not action. This artwork stands here today as a warning and an invitation to negotiators, ministers and governments: the future is burning, and the world is watching. Deliver real action now.”
Amazon ash art performance by Brazilian artivist Mundano demands action for forests at COP30 Greenpeace International 18 Nov 2025 Belém, Brazil – Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30, today. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text. The ashes used in the performance were taken from the Anambé Indigenous land, near Belém, in 2024, when the territory was impacted by forest fires. Photos of and videos of the performance are available at the Greenpeace Media Library. Carolina Pasquali, Executive Director, Greenpeace Brazil said: “Time is running out at COP30. We cannot leave this COP with symbolic gestures, voluntary commitments or vague promises. We need a concrete, time-bound action plan to end deforestation in all forests by 2030. The Global Stocktake at COP28 recognised this goal, but recognition is not action. This artwork stands here today as a warning and an invitation to negotiators, ministers and governments: the future is burning, and the world is watching. Deliver real action now.”
Amazon ash art performance by Brazilian artivist Mundano demands action for forests at COP30 Greenpeace International 18 Nov 2025 Belém, Brazil – Brazilian artivist Mundano delivered, in partnership with Greenpeace a striking art installation to demand world leaders take bold action for forests at COP30, today. Mundano wrote the message “COP30: Rise for Forests” with transparent ink, and used ashes taken from forest fires in the Amazon to reveal the text. The ashes used in the performance were taken from the Anambé Indigenous land, near Belém, in 2024, when the territory was impacted by forest fires. Photos of and videos of the performance are available at the Greenpeace Media Library. Carolina Pasquali, Executive Director, Greenpeace Brazil said: “Time is running out at COP30. We cannot leave this COP with symbolic gestures, voluntary commitments or vague promises. We need a concrete, time-bound action plan to end deforestation in all forests by 2030. The Global Stocktake at COP28 recognised this goal, but recognition is not action. This artwork stands here today as a warning and an invitation to negotiators, ministers and governments: the future is burning, and the world is watching. Deliver real action now.”
Greenpeace International
@greenpeace@mastodon.social  ·  activity timestamp 4 weeks ago
Greenpeace International
@greenpeace@mastodon.social  ·  activity timestamp 4 weeks ago
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp last month
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp last month
The Japan Times
@thejapantimes@mastodon.social  ·  activity timestamp last month
Abhishek Kumar
@akumar@ecoevo.social  ·  activity timestamp 2 months ago
Illustration showing the relationship between plant species richness and elevation across three Himalayan sites and their combined pattern. The top panel depicts a stylized mountain range labeled with a legend for “Mid-Domain Effect” (gray dashed line) and “Species Richness” (solid blue line). Below, four small plots display species richness versus elevation for: (1) Morni Hills (300–1500 m, yellow), showing a unimodal increase and decline in richness; (2) Chail Wildlife Sanctuary (900–2100 m, green), showing a similar mid-elevation peak; (3) Churdhar Wildlife Sanctuary (1600–3600 m, pink), showing a gradual decline with elevation; and (4) all sites combined (300–3600 m, blue), showing a pronounced hump-shaped richness pattern centered at mid-elevations. The gray dashed curves represent predicted richness from the mid-domain effect, with shaded confidence bands.
Illustration showing the relationship between plant species richness and elevation across three Himalayan sites and their combined pattern. The top panel depicts a stylized mountain range labeled with a legend for “Mid-Domain Effect” (gray dashed line) and “Species Richness” (solid blue line). Below, four small plots display species richness versus elevation for: (1) Morni Hills (300–1500 m, yellow), showing a unimodal increase and decline in richness; (2) Chail Wildlife Sanctuary (900–2100 m, green), showing a similar mid-elevation peak; (3) Churdhar Wildlife Sanctuary (1600–3600 m, pink), showing a gradual decline with elevation; and (4) all sites combined (300–3600 m, blue), showing a pronounced hump-shaped richness pattern centered at mid-elevations. The gray dashed curves represent predicted richness from the mid-domain effect, with shaded confidence bands.
Illustration showing the relationship between plant species richness and elevation across three Himalayan sites and their combined pattern. The top panel depicts a stylized mountain range labeled with a legend for “Mid-Domain Effect” (gray dashed line) and “Species Richness” (solid blue line). Below, four small plots display species richness versus elevation for: (1) Morni Hills (300–1500 m, yellow), showing a unimodal increase and decline in richness; (2) Chail Wildlife Sanctuary (900–2100 m, green), showing a similar mid-elevation peak; (3) Churdhar Wildlife Sanctuary (1600–3600 m, pink), showing a gradual decline with elevation; and (4) all sites combined (300–3600 m, blue), showing a pronounced hump-shaped richness pattern centered at mid-elevations. The gray dashed curves represent predicted richness from the mid-domain effect, with shaded confidence bands.
Abhishek Kumar
@akumar@ecoevo.social  ·  activity timestamp 2 months ago
Illustration showing the relationship between plant species richness and elevation across three Himalayan sites and their combined pattern. The top panel depicts a stylized mountain range labeled with a legend for “Mid-Domain Effect” (gray dashed line) and “Species Richness” (solid blue line). Below, four small plots display species richness versus elevation for: (1) Morni Hills (300–1500 m, yellow), showing a unimodal increase and decline in richness; (2) Chail Wildlife Sanctuary (900–2100 m, green), showing a similar mid-elevation peak; (3) Churdhar Wildlife Sanctuary (1600–3600 m, pink), showing a gradual decline with elevation; and (4) all sites combined (300–3600 m, blue), showing a pronounced hump-shaped richness pattern centered at mid-elevations. The gray dashed curves represent predicted richness from the mid-domain effect, with shaded confidence bands.
Illustration showing the relationship between plant species richness and elevation across three Himalayan sites and their combined pattern. The top panel depicts a stylized mountain range labeled with a legend for “Mid-Domain Effect” (gray dashed line) and “Species Richness” (solid blue line). Below, four small plots display species richness versus elevation for: (1) Morni Hills (300–1500 m, yellow), showing a unimodal increase and decline in richness; (2) Chail Wildlife Sanctuary (900–2100 m, green), showing a similar mid-elevation peak; (3) Churdhar Wildlife Sanctuary (1600–3600 m, pink), showing a gradual decline with elevation; and (4) all sites combined (300–3600 m, blue), showing a pronounced hump-shaped richness pattern centered at mid-elevations. The gray dashed curves represent predicted richness from the mid-domain effect, with shaded confidence bands.
Illustration showing the relationship between plant species richness and elevation across three Himalayan sites and their combined pattern. The top panel depicts a stylized mountain range labeled with a legend for “Mid-Domain Effect” (gray dashed line) and “Species Richness” (solid blue line). Below, four small plots display species richness versus elevation for: (1) Morni Hills (300–1500 m, yellow), showing a unimodal increase and decline in richness; (2) Chail Wildlife Sanctuary (900–2100 m, green), showing a similar mid-elevation peak; (3) Churdhar Wildlife Sanctuary (1600–3600 m, pink), showing a gradual decline with elevation; and (4) all sites combined (300–3600 m, blue), showing a pronounced hump-shaped richness pattern centered at mid-elevations. The gray dashed curves represent predicted richness from the mid-domain effect, with shaded confidence bands.
Mongabay
@mongabay@mastodon.green  ·  activity timestamp 3 months ago
Mongabay
@mongabay@mastodon.green  ·  activity timestamp 3 months ago
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